Vaishnava
Songbook
All the standard
songs and other bhajans
composed by the vaishnav âcâryas and others,
arranged to the original melodies.
with chords and running
translation
Version:
13 April 2006
By Album:
Alphabetical:
Arrangements of texts and chords
by: Anand Aadhar Prabhu
site: http://bhagavata.org/
Album I
Hare
Krishna Mahâmantra I
Traditional
Intro
(F C F C Dm Am F C )
(FI,
C)
HARE
KRISHNA, HARE KRISHNA
(GI,
C)
KRISHNA
KRISHNA, HARE HARE
(Dm I, Am)
HARE
RÂMA, HARE RÂMA,
(GIII,
CII)
RÂMA RÂMA, HARE HARE R
(CI,
C)
HARE
KRISHNA, HARE KRISHNA
(FI, C)
KRISHNA
KRISHNA, HARE HARE
(Dm I, Am)
HARE
RÂMA, HARE RÂMA,
(GIII, CII)
RÂMA
RÂMA, HARE HARE
R
(F Dm G
Em Am F Dm6 G)
*
(FI,
C)
HARE
KRISHNA, HARE KRISHNA
(GI,
C)
KRISHNA
KRISHNA, HARE HARE
(DmI, Am)
HARE
RÂMA, HARE RÂMA,
(GIII,
CII)
RÂMA RÂMA, HARE HARE R
(FI,
C)
HARE
KRISHNA, HARE KRISHNA
(FI, C)
KRISHNA
KRISHNA, HARE HARE
(DmI, Am)
HARE
RÂMA, HARE RÂMA,
(GIII, CII)
RÂMA
RÂMA, HARE HARE
R
Exit
(F C F C Dm Am F C )
S'rila
Prabhupâda Pranâti
Traditional
Intro:
(Db Ab Db F#
Ab Db)
(Db AbI)
nama om
vishnu-pâdâya krishna-preshthâya bhû-tale
Our
respects for him who at Vishnu's Feet, is dear to Krishna on earth,
(Db F# Db
AbI Db)
s'rîmate
bhaktivedânta-svâmin
iti nâmine R
and
whose grace is called Bhaktivedanta, Swami.
(Db AbI)
namas te
sârasvate deve gaura-vânî-pracârine
Our
respect unto you servant of Sarasvatî, preaching Caitanya's
message,
(Db F# Db
G#mIDb)
nirves'esha-s'ûnyavâdi-pâs'câtya-des'a-târine R
delivering
the
West from impersonalism and voidism.
(Ebm Db Cdim
Bbm Ab F# Ab Db)
*
(Db AbI)
nama om
vishnu-pâdâya krishna-preshthâya bhû-tale
Our
respects for him who at Vishnu's Feet, is dear to Krishna on earth,
(Db F# Db
AbI Db)
s'rîmate
bhaktivedânta-svâmin
iti nâmine R
and
whose grace is called Bhaktivedanta, Swami.
(Bbm Ebm Ab7
Bbm
Fm BbmAb Bbm)
namas te
sârasvate deve gaura-vânî-pracârine
Our
respect unto you servant of Sarasvatî, preaching Caitanya's
message,
(Ebm Ab7
Bbm /2e: Ebm Ab7 Db)
nirves'esha-s'ûnyavâdi-pâs'câtya-des'a-târine
R
delivering
the West from impersonalism and voidism.
Exit:
(Db Ab Db
F# Ab Db)
Pañca-tattva-Mahâmantra
Traditional
Intro:
Am G Am
(4X)
(C)
S'rî
Krishna Caitanya,
(FI)
Prabhu
Nityânanda,
(Dm
GII)
S'rî
Advaita, Gadâdhara, S'rî Vasâdi,
(Em F
C)
Gaur'
Bhakta Vrinda.
R
var.
(C G
I Dm)
S'rî
Krishna Caitanya,
(C
GI)
Prabhu
Nityânanda,
(C
GI)
S'rî
Advaita, Gadâdhara, S'rî Vasâdi
(FI
Am GI)
Gaur'
Bhakta Vrinda
R
Exit:
Am G Am
(4X)
Om Namo
Bhagavate Vâsudevâya
(My respects for
Vâsudeva, the Supreme Lord)
Govinda
Jaya Jaya
(traditional)
Intro:
(C Bdim Am G
C G C Am F G)
(C G I
Am)
Govinda
jaya jaya, gopala jaya jaya
R
(GIIIAm)
Râdhâ
ramana
hari
govinda jaya jaya
R
(GIIIFIIIGIII)
Govinda
jaya jaya, gopala jaya jaya
R
(GIIIFIIIGIII)
Govinda
jaya jaya, gopala jaya jaya
R
(GIC)
Râdhâ
ramana
hari
govinda jaya jaya
R
(From the
beginning tempo 2, to the end:)
(C G I
Am)
Govinda jaya
jaya, gopala jaya jaya
(GIIIAm)
Râdhâ
ramana
hari
govinda jaya jaya
Exit:
(C Bdim Am G
C G C Am F G)
S'rî
S'rî Gurv-ashthaka
by: S'rila Vis'vanatha
Cakravartî Thhâkur
(Mangala
Ârati)
'Early morning
song'
Intro:
(G F CIII F CII Dm Bb C F)
(1)
(F CI
F)
samsâra-dâvâvanala-lîdha-loka-
Man afflicted by the (forest) fire of existence,
(CI
F)
trânâya
kârunya-ghanâghanatvam
R
to deliver by the mercy of the Cloudlike (Lord).
(F BbII
CI Dm)
prâptasya
kalyâna-gunârnavasya
He obtained the best qualities, an ocean,
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(2)
(F CI
F)
mahâpraboh
kîrtana-nritya-gîta-
Mahâprabhu chants dancing, singing,
(CI
F)
vâditra-mâdyan-manaso
rasena
R
while playing, a happy mind of the love.
(F BbII
CI Dm)
romañca-kampâs'ru-taranga-bhâjo
Hairs on end, quivering, (streams of) tears of feeling,
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(3)
(F)
s'rî-vigrahârâdhana-nitya-nânâ
The deities daily worshiped and
different,
(BbII
CI F)
s'ringâra-tan-mandira-mârjanâdau
R
the
lordships beautiful, the temple clean.
(BbII
CIDm)
yuktasya
bhaktâms' ca
niyuñjato'pi
Who engages his bhakta's and stays busy so,
(Bb C
F)
vande
guroh s'rî-caranâravindam
R
to that teachers feet auspicious my respects.
(F G F)
vande
guroh s'rî-caranâravindam
(BbII
CI F)
vande
guroh s'rî-caranaravindam R
(4)
(F CI
F)
catur-vidha-s'rî-bhagavat-prasâda
The four foodstuffs, holy, offered to Him,
(CI
F)
svâdv-anna-triptân
hari-bhakta-sanghân
R
of tasty dishes, Krishna, pleases each bhakta.
(F BbII
CI Dm)
kritvaiva
triptim bhajatah sadaiva
Having made thus happy, always feeling,
(Bb C F)
vande
guroh s'rî caranâravindam
R
to that teachers feet auspicious my respects.
(5)
(F)
s'rî-râdhikâ-mâdhavayor
apâra
Râdhârani, Mâdhava unending,
(BbII
CI F)
mâdhurya-lîlâ
guna-rupa-nâmnâm R
together play meaning, form to the name.
(BbIICIDm)
prati-kshanâsvâdana-lolupasya
Who every moment aspires to relish that,
(Bb C F)
vande
guroh s'rî
caranâravindam R
to that teachers feet auspicious my respects.
(F G F)
vande
guroh s'rî caranâravindam
(BbII
CI F)
vande
guroh s'rî caranaravindam
R
(6)
(F)
nikuñja-yûno
rati-keli-siddhyai
For the perfect of their playful lovetime,
(BbII
CI F)
yâ
yâlibhir yuktir
apekshanîyâ R
whatever gopis arranged
to what they like.
(BbII
CI Dm)
tatrâti
dâkshyâd
ati-vallabhasya
So very expert and loved in that connection,
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that
teachers feet auspicious my respects.
(7)
(F
CIF)
sâkshâd-dharitvena
samasta-s'âstrair
See the Lord His quality, all scripture,
(CIF)
uktas
tathâ bhâvyata eva
sadbhih R
thus considered approved of by the saints.
(BbIICIDm)
kintu
prabhor ya priya eva tasya
As to the Lord as dear surely to him,
(Bb C F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(8)
(F)
yasya
prasâdâd
bhagavat-prasâdo
Of whose grace is found the Lord His mercy,
(BbII
CI F)
yasyâprasâdân
na
gatih
kuto 'pi R
without his grace no progress at all.
(BbII
CI Dm)
dhyâyan
stuvams
tasya
yas'as tri-sandhyam
Reflect on, praise, his glory three times a day
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(F G F)
vande
guroh s'rî
caranâravindam
(BbII
CIF)
vande
guroh s'rî caranâravindam
R
(VAR.)
(Dm
GmIF Gm)
vande
guroh s'rî caranâravindam,
(F
CIDm)
vande guroh s'rî caranâravindam
(Bb C
Dm)
vande guroh s'rî caranâravindam,
(Dm
CIDm)
vande
guroh s'rî
caranâravindam R
Exit:
(G F CIII F CII Dm Bb C F)
S'rî
Nrisimha Pranâma
by: Jayadeva
Gosvâmî
to the
text: S'rî Das'âvatâra Stotra
'Prayers
to Lord Nrisimha'
Intro
(Dm C Bb Am Bb C Dm)
(Dm AmIIDm)
namas te
narasimhâya R
My
reverence to You Lord Nrsimha,
(Dm C Dm)
prahlâdâhlâda-dâyine R
who
pleased Prahlâda Maharâj.
(Dm AmIIDm)
hiranyakas'ipor
vaksah- R
who
Hiranyakasipor his breast,
(Dm C Dm)
s'ilâ-thanka-nakhâlaye R
stonelike
with
His nails as chisels.
(Dm AmIIDm)
ito
nrisimhah parato nrisimho R
Here
Lord Nrsimha, there Lord Nrsimha,
(Dm C Dm)
yato
yato yâmi tato nrisimhah R
wherever
I go, there Lord Nrsimha,
(Dm AmIIDm)
bahir
nrisimho hridaye nrisimho R
Outside
Lord Nrsimha, Lord Nrsimha in the heart,
(Dm C Dm)
nrisimham
adim
s'aranam prapadye R
to
Nrsimha the origin, the highest refuge, I surrender.
----
(Dm AmII C)
tava
kara-kamala-vare nakham
Your
hand like a lotus beautiful
(C Dm)
adbhuta-s'ringam
Your
nails brilliantly pointed,
(C Am II
Dm)
dalita-hiranyakas'ipu-tanu-bhringam
ripped
apart Hiranyakasipu, his wasp body.
(BbI)
kes'ava
dhrita-narahari-rûpa
Kesava
Lord of man, took the form of a lion,
(Dm AmIIC)
jaya
jagadîs'a hare
all
honor to the Lord of the Universe,
(C AmII)
jaya
jagadîs'a hare,
all
honor to the Lord of the Universe,
(Bb I
C Dm)
jaya
jagadîs'a hare R
all
honor to the Lord of the Universe,
-----
(Gm Dm)
jaya
nrisimhadeva, jaya nrisimhadeva
All
glories to Nrsimhadev, all glories to Nrsimhadev,
(C Dm)
jaya
nrisimhadeva, jaya nrisimhadeva R
all
glories to Nrsimhadev, all glories to Nrsimhadev.
-----
(Gm Dm)
jaya
prahlâda mahârâja, jaya prahlâda
mahârâja
All
glories to Prahlâd Mahârâj, all glories to
Prahlâd Mahârâj,
(C Dm)
jaya
prahlâda mahârâja, jaya prahlâda
mahârâja R
All
glories to Prahlâd Mahârâj, all glories to
Prahlâd Mahârâj,
Exit:
(Dm C Bb Am Bb C Dm)
-------
Nrisimha-Bhagavân
ki...jaya
Prahlâda Mahârâja ki...jaya
Gaur-premânanda Haribol.
Govindam
Âdi Purusham
'Krishna,
the Original Personality of Godhead'
to a text of the
S'rî Brahmâ Samhithâ
(sung in
unison)
Intro;
(Dm Gm Dm C)
(Dm Gm Bb C)
govindam
âdi purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb C---)
govindam
âdi purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Dm C)
govindam
âdi purusham tam aham bhajami
Govinda
the Original Person I do worship
-
(F Gm C Dm)
venum
kvanantaravinda-dalâyatâksham
Playing
the flute, as blooming lotusses His eyes,
(Gm C)
barhavâtamsam
asitâm
A
peacock's feather on top,
(C Dm)
buda-sundarângam
His fine
form like blue clouds,
(Dm Gm F)
kandarpa-kothi-kamanîya
of
Millions of Cupids His charm,
-vis'esha
s'obham (Bb
A7)
His
unique so lovely,
-
(Dm Gm Bb C)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb C---)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm DmC)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
-
(F Gm Dm Gm FI
C)
angâni
yasya
sakalendriya-vrittimanti
Whose
limbs whose organs, possess all the functions,
(Bb C Dm Bb)
pasyanti
pânti kalayanti ciram jaganti
see,
maintain, manifest for ever the universes.
(Dm FI
C Gm F)
ânanda-cin-maya-saduj-jvala-vigrahasya
Blissfull
true,
full of meaning, His form dazzling,
-----
(C DmBb C)
govindam
âdi-purushamtam aham bhajami
Govinda
the Original Person I do worship.
(Dm Gm Bb C---)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb C)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
----
(Dm Gm Bb C)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb C---)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb
C)
govindam
âdi-purusham tam aham
bhajami (repeat
once more)
Govinda
the Original Person I do worship
-----
(Dm Gm Bb C)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb C---)
govindam
âdi-purusham tam aham bhajami
Govinda
the Original Person I do worship
(Dm Gm Bb C
F)
govindam
âdi-purusham tam aham
bhajami
Govinda
the Original Person I do worship
S'rî
S'rî S'ikshâshthaka
by S'rî Caitanya
Mahâprabhu
(melody by Anand
Aadhar)
'The eight
verses of instruction'
(1)
(Dm
- G F)
ceto-darpana-mârjanam
bhava
The
hearts' reflection purifying,
(CI
Dm)
-mahâ-dâvâgni-nirvâpanam R
of
matter extinguishing the fire,
(FI C
GI)
s'reyah-kairava-candrikâ-vitaranam
the
Blessing of white moonshine,
(Dm C
GI)
vidyâ-vadhû-jîvanam R
radiates
the being married to the soul.
(G F)
ânandâmbudhi-vardhanam
prati
A sea of
happiness expands,
(CI
Dm)
-padam
pûrnâmritâsvâdanam R
with
each step nectar giving the taste,
(FI C
GI)
sarvâtma-snapanam
param
vijayate
for all
bathing the self in transcendence,
(Dm C
GI)
s'rî-krishna-sankîrtanam R
may
there be Krishna's singing together,
(2)
(C GI
Am Dm G II AmII)
nâmnâm
akâri
bahudhâ
nija-sarva-s'aktis R
Holy
names manifested there many, all types of personal
prowess,
(Dm GII
Dm C)
tatrârpitâ
niyamitah
smarane
na kâlah R
given
therein and limited, remembrance out of time!
(C GI
Am Dm GIIAmII)
etâdris'î
tava
kripâ
bhagavan
mamâpi R
So
enormous Your grace, o Lord although my
(Dm GII
Dm C)
durdaivam
îdris'am ihâ-jani
nânurâgah R
misery
lies in the fact, not to be attached to that.
(3)
(AmI
EmI)
trinâd
api
sunîcena R
As grass
treaded, still lower,
(GI
FI)
taror
api sahishnunâ R
as a
tree as tolerant,
(F I
Dm)
amâninâ
mânadena R
no false
pride and the mind subdued,
(C G C)
kîrtanîyah
sadâ
harih R
thus
always I chant Your holy name!
(4)
(Am
DmI Am)
na
dhanam na janam na sundarîm R
No
riches, no followers, nor beauty,
(DmI
Am GI Am)
kavitâm
vâ
jagad-îs'a
kâmaye R
the
fruit, nor almighty I long for.
(Am DmI
Am)
mama
janmani janmanîs'vare R
Birth
after birth My Supreme Lord,
(DmI
Am GIAm [C])
bhavatâd
bhaktir
ahaitukî
tvayi R
the
service without desire to You.
(5)
(Am
GI)
ayi
nanda-tanuja kinkaram R
O My
Lord, son of Nanda, your Servant,
(EmI
G I Am)
patitam
mâm vishame bhavâmbudhau R
fell
alas in the sea of ignorance.
(Am
GI)
kripayâ
tava
pâda-pankaja R
The
causeless mercy of Your lotusfeet,
(EmI
GIAm)
sthita-dhûlî-sadris'am
vicintaya R
place me
there like some dirt as You please.
(6)
(AmIII
G F Em)
nayanam
galad-as'ru-dhârayâ R
Eyes
full tears, down in streams,
(Dm AmII
GII C)
vadanam
gadgada-ruddhayâ girâ R
my words
choked up in my mouth.
(AmIII
G F Em)
pulakair
nicitam vapuh kadâ R
The
hairs on my body stand on end,
(Dm AmII
GII C)
tava
nâma-grahane bhavishyati R
when the
singing of Your names takes place.
(7)
(Em Dm FI
EmI)
yugâyitam
nimeshena R
An aeon
takes me each moment,
(FI
DmI EmI G 7)
cakshushâ
prâvrshâyitam R
my eyes
crying like the rain.
(Em Dm FI
EmI)
s'ûnyâyitam
jagat
sarvam R
Complete
empty seems the world,
(FI
Dm Em G 7 [C])
govinda-virahena
me R
Govinda
separated from You!
(8)
(GIII
Am GI C GI Am)
âs'lishya
vâ
pâda-ratâm
pinashtu
mâm R
Embraced
with joy down for Him, taking me over,
(GI
AmI Dm Em F C)
adars'anân
marma-hatâm
karotu
vâ R
not to
be seen, a broken heart, I let Him be.
(GIII
Am GI C GI Am)
yathâ
tathâ
vâ
vidadhâtu
lampato R
The way
He wants, He may proceed, me denied,
(GIAmI
Dm Em F C)
mat-prâna-nâthas
tu
sa
eva nâparah R
For life
my Lord, but Him alone, and no one else!
S'rî
Guru-vandanâ (Guru Puja)
by S'rîla Narottama
dâsa Thhâkur
honoring of the
spiritual master,
Prabhupâda ('master of the feet')
(from
Prema-bhakti-candrikâ)
Intro:
(Dm Gm
C DmGm C Dm)
(1)
(Dm
GmI Dm, C Dm)
s'rî-guru-carana-padma,
kevala-bhakati-sadma R
The
teacher his lotus feet, the only way to devotion,
(GmI
C Dm)
bandô
mui
sâvadhâna
mate, R
full of
respect I bow, with prayer, reverence,
(Dm GmI
Dm, C Dm)
jâhâra
prasâde
bhâi
e, bhava toriyâ
jâi R
through
his grace my godbrother, we may cross the ocean,
(GmI
C Dm)
krishna-prâpti
hoy
jâhâ
ha'te R
reaching
Krishna from there you will realize.
(2)
(Dm
GmI Dm, C Dm)
guru-mukha-padma-vâkya,
cittete
koriyâ
aikya R
His
mouth like a lotus makes words, find union in the
heart,
(GmI
C Dm)
âr
nâ koriho mane
âs'â R
For more
may a spirit not desire.
(Dm
GmI Dm, C Dm)
s'ri-guru-carane
rati,
ei
se uttama-gati R
attached
to the teacher his feet,
is the
ultimate goal
(GmI
C Dm)
ye
prasâde pure sarva
âs'â R
his
grace is the fulfillment of all hope
(3)
(Dm C)
cakhu-dân
dilo
yei,
janme janma prabhu sei R
Someone
who made me see, life after life my lord,
(GmI
C)
divya-jñân
hride
prokâs'ito R
the idea
of God revealed in my heart.
(Am
GII)
prema-bhakti
jâhâ
hoite,
avidyâ vinâs'a
jâte R
the
Loving service of whom, destroys all the darkness,
(GmI
C)
vede
gây jâhâra carito R
hailed
by the scriptures is his character.
(4)
(AmII
GII)
s'ri-guru
karunâ-sindhu, adhama janâra
bandhu R
Teacher
ocean full of mercy, with low and mindfull our friend,
(GmI
C)
lokanâth
lokera
jîvana R
Lord of
all granting all a life,
(AmII
GII)
hâ
hâ prabhu koro doyâ, deho more
pada-châyâ R
O, o
master be of mercy, protect me at your feet,
(GmI
C)
ebe
jas'a ghushuk tribhuvana R
thus the
glory over the three worlds,
(GmI
C)
dui pade
laila s'arâna R
thus the
shelter of the feet,
(GmI
C)
prabhupâda-patita-pâvana R
Prabhupâda
savior
of
the souls.
(Gm
F)
jaya
prabhupâda, jaya
prabhupâda
(CI Dm)
jaya
prabhupâda, jaya
prabhupâda R
Exit:
(Dm Gm
C DmGm C Dm)
Jaya
Râdhâ-Mâdhava
by: S'rîla
Bhaktivinoda Thhâkur
(from
Gîtâvalî)
(song sung
before lectures)
Intro:
(Dm F C Dm Am C Dm)
(Dm F
I C Dm)
jaya
râdha-mâdhava
kuñja-bihârî R
Al
glories to Râdhâ and Mâdhava's divine
pastimes,
(Dm Am
II C Dm)
gopî-jana-vallabha,
giri-vara-dhârî R
The Lord
of gopi's lifted [up the hill] Govardhana,
(Dm C Dm)
Yas'odâ-nandana
braja-jana-rañjana R
dear to
Yasoda, loved in Vrindâvana,
(Dm Am C Dm)
yâmuna-tîra-vana-cârî R
at the
Yamunâ, He wanders in the woods.
From the
beginning tempo 2, and then:
(Gm Dm C
Dm)
HARE
KRISHNA, HARE KRISHNA
(C Dm)
KRISHNA
KRISHNA, HARE HARE
(Gm Ddim F)
HARE
RÂMA, HARE RÂMA
(C Dm)
RÂMA
RÂMA, HARE HARE R
(2x)
Exit:
(Dm F C Dm Am C Dm)
Nârada
Muni Bâjây Vinâ
by: S'rîla
Bhaktivinoda Thhâkur
"Nârada
Muni Plays His Vînâ"
(from
'Gîtâvalî')
Intro:
(D A D
G#dim Am D Em Bm)
(1)
(D
AI)
nârada-muni
bâ-ajây
vinâ
Nârada
Muni
sings
with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's
name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
amiya-dhârâ
barise
ghana
Accompanied
by
his
stringed instrument,
(DII
A DII A)
s'ravana-yugale
giyâ
the
nectar of singing together resounds.
(EIII
Am)
bhakata-jana
saghane
nâce
and all
devotees dance in ecstasy,
(DII
EmI Bm)
bhoriyâ
âpana
hiyâ
to their
utmost satisfaction.
(2)
(D
AI)
nârada-muni
bâ-ajây
vinâ
Nârada
Muni
sings
with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's
name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
mâdhurî-pûra
âsava
pas'i
Mâdhuri-pûra-nectar
drinking
they
are,
(DII
A D II A)
mâtâya-jagata-jane
dancing
in ecstacy like madmen.
(EIII
Am)
keho
vâ kânde, keho vâ
nâce
Some let
their tears run, others jump high,
(DII
EmI Bm)
keho
mâte mane mane
some
looking, are dancing in their heart.
(3)
(D
AI)
nârada-muni
bâ-ajây
vinâ
Nârada
Muni
sings
with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's
name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
pañca-vadana
nârade
dhori
Lord
S'iva begins to speak, embracing Narada,
(DII
A DII A)
pre-emer
saghana-a rol
with his
voice choked.
(EIII
Am)
kamalâsana
nâciyâ
bole
Also
Lord Brahma joins in,and shouts aloud:
(DII
EmI Bm)
'bolo
bolo hari bolo'
Sing of
Hari, sing of Hari.
(4)
(D
AI)
nârada-muni
bâ-ajây
vinâ
Nârada
Muni
sings
with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's
name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
sahasrânana
parama-sukhe
Gradually
also joins, Indra king of heaven,
(DII
A DII A)
'hari
hari' boli'gây
content,
dancing, singing: 'sing Hari',
(EIII
Am)
nama
prabhâve mâtilo vis'va
Thus
from above is heard, of God the holy name,
(DII
EmI Bm)
nâma-rasa
sabe
pây
and the
whole universe becomes ecstatic .
(D A D
G#dim Am D Em Bm)
*
(5)
(D
AI)
nârada-muni
bâ-ajây
vinâ
Nârada
Muni
sings
with his vinâ,
(A
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's
name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII)
bhakata-gîta-sâme R
and sing all devotees along.
(D
AIIA)
s'rî-krishna-nâma
rasane
sphuri'
That
Krishna's name thus may be sung by all everywhere
(D II
A DII A)
pu-u-râ'lo
âmâ-ar
âs'
and the
whole world will be in bliss,
(EIII
Am)
s'rî-rûpa-pade
yâcaye
ihâ
this I
pray at the feet of Rupa Goswami,
(DII
EmI Bm (last chord: Em))
bhakativinoda
dâs
then the
desire is fulfilled of Bhaktivinod
Manah-S'ikshâ
by: Narottama Dâsa
Thhâkur
'Teachings
for the mind'
Intro:
(Dm C7
C F Dm Gm Dm C Dm)
(1)
(GmIII
Am FIII GmIII
Am)
nitâi-pada-kamala,
kothi-candra-sus'îtala
R
Nityânanda's
lotus
feet,
protective moonshine, enormous
(F Dm C7 Am C
Dm)
je
châyây jagata
jurây
R
The
world gliding down, finds there it's enlightenment.
(GmIII
Am FIII GmIII
Am)
heno nitâi bine bâi, râdhâ-krishna
pâite nâi
R
Not
looking for that refuge, are Râdhâ and Krishna difficult
to approach;
(F Dm C7 Am C
Dm)
dridha kori'dharo nitâir
pây
R
who
wants to dance with them, will have to accept that.
(2)
(Dm
Gm6II Edim, Gm C F)
se sambandha nâhi jâ'r, brithâ janma gelo
tâ'r
Life's a
waste unconnected, meaningless ones life passes by;
(BbIIGm
Dm, Bb C F Dm)
se pas'u boro durâcar
R
that
animalism is only, misconduct.
(Dm
C7II C F)
nitâi nâ bolilo mukhe, majilo samsâra-sukhe
Not
knowing Nitai, they never sing, caught in material
pleasures,
(DmII
Gm Dm Bb, Dm C Dm)
vidhyâ-kule ki koribe
tâ'r
R
education
and class will not protect them.
(3)
(GmIII
Am FIII GmIII
Am)
ahankâre matta hoiyâ, nitâi-pada
pâsariyâ
R
Being
the body, brings them illusion, forgetting Nitâi's
feet.
(F Dm C7 Am C
Dm)
asatyere
satya kori mâni
R
Things
unreal they take for true.
(GmIII
Am FIII GmIII
Am)
nitâiyer korunâ habe, braje râdhâ-krishna
pâbe
R
The
mercy of Nitâi is needed, to be with Râdhâ and
Krishna
(F Dm C7 Am C
Dm)
dharo nitâi-carana
du'khâni
R
therefore
have a firm grip on Nitâi's feet
(4)
(Dm
Gm6II Edim, Gm C F)
nitâiyer carana satya, tâhâra sevaka nitya
It's
no illusion it's a fact, from Nitai's service one is
liberated,
(BbIIGm
Dm, Bb C F Dm)
R
nitâi-pada sadâ koro âs'a
Therefore
always hold on to Nitai's feet.
(Dm
C7II C F)
narottama boro dukhi, nitâi more koro sukhî
Narottama
unhappy prays 'Lord Nitai grant me happiness,
(DmII
Gm Dm Bb, Dm C Dm)
R
râkho rângâ-caranera pâs'a
let me
reside at your lotusfeet.'
Exit:
(Dm C7
C F Dm Gm Dm C Dm)
S'rî
Râdhika Stava
by: Rûpa
Gosvâmî
To the glory of
Râdha
(from 'Stava-mâlâ',
'a Garland of Glory')
Intro:
(D G A Bm A G A Bm)
(D GII
DII G)
râdhe
jaya
jaya mâdhava-dayite R
Râdha,
all
glories to Mâdhava's beloved,
(A7I
D Em AII)
gokula-tarunî-mandala-mahite R
Gokula's
girls all worship you.
(1)
(A7I D
Em
D)
dâmodara-rati-vardhana-ves'e
Attracting
Damodhâr'
by nicely being dressed,
(A7I D
G
AIII)
hari-nishkutha-vrindâ-vipines'e
R
Hari's pleasure,
Vrindâvana's queen.
(2)
(D GII
DII)
râdhe
jaya
jaya mâdhava-dayite R
Râdha,
all
glories to Mâdhava's beloved,
(A7I
D Em AII)
gokula-tarunî-mandala-mahite R
Gokula's
girls all worship you.
(A7I D
Em
D)
vrishabhânudadhi-nava-s'as'i-lekhe
From
Vrsabhânu's ocean, arose a new moon,
(A7I D
G
AIII)
lalitâ-sakhi-guna-ramita-vis'âkhe
R
Lalitâ's
girlfriend, gentle binding Visâkhe.
(3)
(D GII
DII)
râdhe
jaya
jaya mâdhava-dayite R
Râdha,
all
glories to Mâdhava's beloved,
(A7I
D Em AII)
gokula-tarunî-mandala-mahite R
Gokula's
girls all worship you.
(A7I D
Em
D)
karunâm
kuru
mayi karuna-bharite
Always
friendly and honest, full of compassion,
(A7I D
G
AIII)
sanaka-sanâtana-varnita-carite
R
Sanaka
Sanâtana described your character.
Exit:
(D G A Bm A G A Bm)
Album II
Sâvarana
S'rî Gaura Pâda Padme
by: Narottama Dâsa
Thhâkur
'A
prayer at the lotusfeet of S'rî Gauranga '
(from
Prârthanâ)
Intro:
(D A Bm Em D A)
(1)
(Em D
GI Bm D Em D Em
I)
s'rî-krishna-caitanya prabhu doyâ koro
more R
Lord
Krishna Caitanya have mercy upon me,
(Bm A G
III D Em A D Em)
tomâ binâ ke doyâlu
jagat-samsâre R
Who has
more mercy than You in this great ocean?
(F G Bm
II Em F Bm I)
s'rî-krishna-caitanya prabhu doyâ koro more
Lord
Krishna Caitanya have mercy upon me,
(Em Fm G Fm G
Fm I Em D)
tomâ binâ ke doyâlu
jagat-samsâre
Who has
more mercy than You in this great ocean?
(2)
(Em D G
I Bm D Em D Em I)
patita-pâvana-hetu tava
avatâra R
To
redeem the fallen souls have You descended,
(Bm A G
III D Em A D Em)
mo sama
patita prabhu nâ pâibe
âra R
You will
find no soul more fallen than me.
(F G Bm II
Em F Bm I)
patita-pâvana-hetu tava avatâra
To
redeem the fallen souls have You descended,
(Em Fm G Fm
Fm I Em D)
mo sama
patita prabhu nâ pâibe âra
You will
find no soul more fallen than me.
(3)
(Em D G
I Bm D Em D EmI)
hâ
hâ prabhu nityânanda, premânanda
sukhî R
O Master
Nityânanda, love and joy in spiritual glee,
(Bm A
GIII D Em A D Em)
kripâbalokana koro âmi boro
duhkhî R
cast
your graceful glance on me, take my misery away.
(F G
BmII Em F BmI)
hâ
hâ prabhu nityânanda, premânanda sukhî
O Master
Nityânanda, love and joy in spiritual glee,
(Em Fm G Fm G
FmI Em D)
kripâbalokana koro âmi boro duhkhî
cast
your graceful glance on me, take my misery away.
(4)
(Em D
GI Bm D Em D EmI)
doyâ koro sîtâ-pati adwaita
gosâi R
Sita's
husband do me good, dear Advaita Prabhu,
(Bm A GIII
D Em A D Em)
tava
kripâ-bale pâi
caitanya-nitâi R
then
I'll also find the mercy of Lord Caitanya and Nitai.
(F G BmII
Em F BmI)
doyâ koro sîtâ-pati adwaita gosâi
Sita's
husband do me good, dear Advaita Prabhu,
(Em Fm G Fm G
FmI Em D)
tava kripâ-bale pâi caitanya-nitâi
then
I'll also find the mercy of Lord Caitanya and Nitai.
(5)
(Em D
GI Bm D Em Dm EmI)
hâ hâ svarûp sanâtana, rûpa
raghunâtha R
Dearest
Svarup', Sanâtana, Rupa Raghunâtha,
(Bm A GIII
D Em A D Em)
bhaththa-juga, s'rî-jîva hâ prabhu
lokanâtha R
Have
mercy srî Batta, Jiva, Lokanâtha Prabhu.
(F G
BmII Em F BmI)
hâ hâ svarûp sanâtana, rûpa
raghunâtha
Dearest
Svarup', Sanâtana, Rupa Raghunâtha,
(Em Fm G Fm G
FmI Em D)
bhaththa-juga, s'rî-jîva hâ prabhu
lokanâtha
Have
mercy srî Batta, Jiva, Lokanâtha Prabhu.
(6)
(Em D GI
Bm D Em D EmI)
doyâ koro s'rî-âcârya prabhu
s'rînivâsa R
Grant me
your mercy dear teacher, master
s'rînivâsa,
(Bm A GIII
D Em A D Em)
râmacandra-sanga
mâge
narottama-dâsa R
for the
company of Râma
longs
Narottama
Dâsa.
(F G BmII
Em F BmI)
doyâ koro s'rî-âcârya prabhu
s'rînivâsa
Grant me
your mercy dear teacher, master
s'rînivâsa,
(Em Fm G Fm G
FmIEm D)
râmacandra-sanga
mâge
narottama-dâsa
for the
company of Râma
longs
Narottama
Dâsa.
Exit:
(D A Bm Em D A D)
Mahâmantra
2
Traditional
(G Dm F Em F G
Am Dm G
Am Dm G Am F Dm Am G C)
*
(GII
Dm GII Dm F AmII Em Dm)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(GII
Dm GII Dm F AmII Em Dm)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(CIII
G G7II F Dm C GIII Dm)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(CIII
G G7II F Dm C GII Dm)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(F G AmIII
Dm GII
AmII)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(Dm
GIIAmII F Dm III AmIII G
C)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(G Dm F Em F G Am Dm G
Am Dm G Am F Dm Am G C)
*
(GII
Dm GII Dm F AmII Em Dm)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(GII
Dm GII Dm F AmII Em Dm)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(CIII
G G7II F Dm C GIII Dm)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(CIII
G G7II F Dm C GII Dm)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(F G AmIII
Dm GII
AmII)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(Dm
GIIAmII F Dm III AmIII G
C)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
Bhajahû
Re Mana
by Govinda
Dâsa Kavirâja
'Sing O mind, of Mine!'
Intr0:
(Em A D Bm A D, Em A D Bm A D)
(1)
(Em
BmII AII Em)
bhajahû
re
mana
s'rî-nanda-nandana
Sing
about mind of mine, the Son of Nanda,
(BmI
A7 D Bm)
abhaya-caranâravinda
re R
His
lotusfeet make one unafraid.
(Em D A
EmII)
durlabha
mânava-janama
sat-sange R
A birth
so very rare,by holy gathering can,
(D Em
AII BmII)
durlabha
mânava-janama sat-sange
A birth
so very rare, by holy gathering can,
(A7 D Bm)
taroho e
bhava-sindhu
re R
cross
over the ocean that is the world.
(2)
(Em
BmII AII Em)
s'ita
âtapa bâta barishana
Day over
and by night, I stay sleepless,
(BmI
A7 D Bm)
e dina
jâminî jâgi
re R
suffering
heat, cold, wind and rain.
(Em D A
EmII)
biphale
sevinu kripana
durajana R
Miserable
bad at hand,completely meaningless,
(D Em
AII BmII)
biphale
sevinu kripana durajana
Miserable
bad at hand, completely meaningless,
(A7 D Bm)
capala
sukha-laba lâgi'
re R
have I
lived on for small, weak happiness.
(Em A D
Bm A D, Em A D Bm A D)
*
(3)
(Em
BmII AII Em)
e dhana
yaubana, putra, parijana
What
guarantee is there in riches, youth and home,
(BmI
A7 D Bm)
ithe ki
âche paratîti
re R
children
do they make one really happy?
(Em D A
EmII)
kamala-dala-jala
jîvana
talamala R
Like a
drop on a lotusleaf is life so fragile and brief,
(D Em
AII BmII)
kamala-dala-jala
jîvana
talamala
Like a
drop on a lotusleaf is life so fragile and brief,
(A7 D Bm)
bhajahû
hari-pada
nîti
re R
sing
therefore all the time Lord Hari His name!
(4)
(Em
BmII AII Em)
s'ravana,
kîrtana, smarana, vandana,
Listening,
singing, minding and praying,
(BmI
A7 D Bm)
pâda-sevana,
dâsya
re R
serving
His feet and also Himself.
(Em D A
EmII)
pûjana,
sakhî-jana,
âtma-nivedana R
Honoring
and with friendship, I give my heart and soul,
(D Em
AII BmII)
pûjana-sakhî-jana,
âtma-nivedana
Honoring
and with friendship, I give my heart and soul,
(A7 D Bm)
govinda-dâsa-abhilâsha
re R
Govinda
Dâsa wants it complete!
Exit:
(Bm A G A D C#dim Bm A D)
Arunodaya-Kîrtana
by: S'rîla
Bhaktivinoda Thhâkur
'sunrise
song'
Intro:
(C Gm Bb Am, Gm
Am Bb C,
F Dm C Bb, C Dm C F)
(1)
(C F
I Bb C II)
udilo
aruna pûraba-bhâge,
As the
sun rose red in the east,
(F III
Gm IIIAm Bb)
dwija-mani
gorâ amani jâge, R
awoke
Lord Gaura, the friend of twiceborn.
(F II
CII Bb)
bhakata-samûha
loiyâ
sâthe,
Taking
the devotees with Him outside,
(C Bb Am
FIII)
gelâ
nagara-brâje R
He went
through all of the region.
(2)
(F III
Gm III Dm I Am)
'tâthaî
tâthaî'
bâjalo
khol,
'Taathai
taathai', on the mrdanga,
(Bb Am Gm
III F III)
ghana
ghana tâhe jhâjera rol,
karatels
rhytmically beaten thereto.
(Gm III
C II Bb Am)
preme
dhala dhala sonâra anga,
His
golden form trembling in ecstacy,
(Dm Gm C F
III)
carane
nûpura bâje, R
and with
His anklebells tinkling.
(3)
(C F
I Bb C II)
mukunda
mâdhava yâdava hari,
Singing
Mukunda, Mâdhava, Yâdava,
(F III
Gm IIIAm Bb)
bolena
bolo re vadana bhori',, R
their
mouths full of the vibrations.
(F II
CII Bb)
miche
nida-bas'e gelo re râti,
They
called to the people still asleep,
(C Bb Am F
III)
divasa
s'arîra-sâje R
'you
either sleep, or you dress yourselves up'.
(4)
(F III
Gm III Dm I Am)
emana
durlabha mânava-deho,
Once
acquired this rare body,
(Bb Am Gm
III F III)
pâiyâ
ki
koro
bhâva nâ keho,
why
don't you care about this gift?
(Gm III
C II Bb Am)
ebe
nâ bhajile yas'odâ-suta,
If
Yasoda's son is not your worship,
(Dm Gm C F
III)
carame
poribe lâje R
you'll
be worrying untill you die.
C Gm Bb Am,
Gm Am Bb C,
F Dm C Bb, C Dm
C F
*
(5)
(C F
I Bb C II)
udita
tapana hoile asta,
With
each sunrise and each sunset,
(F III
Gm IIIAm Bb)
dina
gelo boli' hoibe byasta, R
a day
passes and is lost.
(F II
C II Bb)
tabe
keno ebe alasa hoy,
Why then
hold on to vanity,
(C Bb Am F
III)
nâ
bhaja hridoya-râje R
and not
honor the Lord of your heart?
(6)
(F III
Gm III Dm I Am)
jîvana
anitya
jânaha
sâr,
Understand
well this essential fact:
(Bb Am Gm
III F III)
tâhe
nânâ-vidha vipada-bhâr,
timebound
life is full of grief.
(Gm III
C II Bb Am)
nâmâs'raya
kori'jatane
tumi,
Seek
refuge only in the names,
(Dm Gm C F
III)
thâkaha
âpana
kâje R
and keep
on serving Him as the one thing.
(7)
(C F
I Bb C II)
jîvera
kalyâna-sâdhana-kâm,
Desirous
to bless all that is living.
(F III
Gm IIIAm Bb)
jagate
âsi' e madhura nâm, R
Krishna's
name came down to this earth.
(F II
CII Bb)
avidyâ-timira-tapana-rûpe,
He
drives away the darkness within,
(C Bb Am F
III)
hrid-gagane
birâje R
that
brilliant sun in the space of your heart.
(8)
(F III
Gm III Dm I Am)
krishna-nâma-sudhâ
koriyâ
pân,
Drink
the pure nectar of Krishna's names,
(Bb Am Gm
III F III)
jurâo
bhakativinoda-prân,
it is
what satisfies Bhaktivinod's soul.
(Gm III
C II Bb Am)
nâma
binâ kichu nâhiko â ro,
There is
nothing beyond the blessed names,
(Dm Gm C F
III)
caudda-bhuvana-mâjhe R
in all
the fourteen worlds.
(C Gm Bb Am,
Gm Am Bb C,
F Dm C Bb, C Dm C F)
*
Jiv
Jâgo Jiv Jâgo
(from:
Gîtâvalî)
Wake up sleeping
souls, wake up!
(F
III C 7 III F III)
Jîv
jâgo jîv jâgo gauracânda
bole R
Wake up
soul, wake up soul, calls aloud Lord Caitanya,
(Gm III
Am Dm C F III)
kota
nidrâ jâo mâyâ-pis'âcîra
kole R
on the
lap of the witch mâyâ, you've been sleeping for so
long.
(F
III C 7 III F III)
bhajibo
boliyâ ese
samsâra-bhitare R
'O My
Lord for certain I'll honor' you've said entering this
world,
(Gm III
Am Dm C F III)
bhuliyâ
rohile
tumi
avidyâra bhare R
Forgetting
about that promise you made, you are now in ignorance!
(F
III C 7 III F III)
tomâre
loite
âmi
hoinu avatâra R
Only to
save you, I have descended,
(Gm III
Am Dm C F III)
âmi
binâ bandhu âra ke âche
tomâra R
and O
but me who is your friend now?
(F
III C 7 III F III)
enechi
ausadhi mâyâ nâs'ibâro
lâgi R
To put
an end to the disease of Mâyâ, I brought you this
medicine
(Gm III
Am Dm C F III)
hari-nâma
mahâ-mantra
lao
tumi
mâgi R
ask for
the Hari-nâma-mahâ-mantra, and let Him into your
heart
(F
III C 7 III F III)
bhakativinoda
prabhu-carane
pariyâ R
Bhaktivinod
fell
at
the feet of master Gauranga
(Gm III
Am Dm C F III)
sei
hari-nâma-mantra loilo
mâgiyâ R
for the
mantra of Lord Hari, thus has he acquired Him.
Jaya
Râdhâ-Mâdhava II
by: S'rîla
Bhaktivinoda Thhâkur
(from
Gîtâvalî)
(song sung
before lectures)
Intro:
(Gm Dm Gm C Gm Dm Gm C)
(GmII
DmI Am C Dm)
(jaya) râdhâ-mâdhava (jaya)
kunja-bihâri R
Al
glories to Râdhâ and Mâdhava's divine
pastimes
(C FI
AmI Dm GmII DmI
FII)
(jaya) gopî-jana-vallabha (jaya) giri-vara-dhâri,
The Lord
of gopi's lifted [up the hill] Govardhana,
Am
GmII
Dm)
(jaya)
giri-vara-dhâri. R
The Lord
of gopi's lifted [up the hill] Govardhana,
(C FI
AI Dm GmII DmI
FII)
(jaya) Yas'oda-nandana (jaya) braja-jana-ranjana,
dear to
Yasoda, loved in Vrindâvana,
(Am
GmII
Dm)
(jaya) braja-jana ranjana. R
loved in
Vrindâvana,
(Am
FIII FII C GmII
Dm)
(jaya)
Yamunâ-tîra-vana-cârî
(jaya)
kunja-bihâri. R
at the
Yamunâ, He wanders in the woods.
Mahâmantra
III
(Dm
GmI)
HARE
KRISHNA HARE KRISHNA
(C7I
Dm)
KRISHNA
KRISHNA HARE HARE
(C)
HARE
RÂMA HARE RÂMA
(Dm)
RÂMA
RÂMA HARE HARE R
(GmI
Dm)
HARE
KRISHNA HARE KRISHNA
(C Dm)
KRISHNA
KRISHNA HARE HARE
(GmI
Dm)
HARE
RÂMA HARE RÂMA
(C Dm)
RÂMA
RÂMA HARE HARE R
From the
beginning of the Mantra and then:
Exit:
(Gm Dm Gm C Gm Dm Gm C)
S'rî
Dâmodarâshthaka
by: Satyavrata
Muni
(from the Padma
Purâna)
Intro:
(Bm Em Bm A Bm
Em F#m Bm Bm A G F#m
Bm A G F#m Bm D A Em Bm G Em F#m Bm)
(1)
(Bm Em Bm Em)
namâmîs'varam
sac-cid-ânanda-rûpam
To the
Lord whose form is ever to know glee,
(Bm G F#m
Bm)
lasat-kundalam
gokule
bhrâjamânam R
His
earrings swinging, the brilliance of G0kul,
(D AIII
Em)
yas'odâ-bhiyolûkhalâd
dhâvamânam
Yasodha's
yogurt-pot
he broke stealing the butter,
(Bm G F#m
Bm)
parâmrishtham
atyantato
drutya-gopyâ R
running
she seized Him, my respect unto Him.
(2)
(Bm Em Bm Em)
rudantam
muhur netra-yugmam mrijantam
Seeing
the stick He cries rubbing His eyes,
(Bm G F#m
Bm)
karâmbhoja-yugmena
sâtanka-netram R
looking
afraid with the pearl string on his neck.
(D AIII
Em)
muhuh
s'vâsa-kampa-trirekhânka-kanthha-
No rope
can bind Him, only love can,
(Bm G F#m
Bm)
sthita-graivam
dâmodaram
bhakti-baddham R
To this
Lord Dâmodar' all my respect,
(Bm A G F#m
Em
D C#dim Bmin -2 x)
*
(3)
(Bm Em Bm Em)
itîdrik
sva-lîlâbhir
ânanda-kunde
This
childplay submerges Vrindavana in happiness,
(Bm G F#m
Bm)
sva-ghosham
nimajjantam
âkhyâpayantam R
and
shows devotees how to know Him with wisdom.
(D AIII
Em)
tadîyeshita-jneshu
bhaktair
jitatvam
The full
of Him intimate knows free and devoted,
(Bm G F#m
Bm)
punah
prematas tam s'atâvritti vande R
full of
admiration and full of awe.
(4)
(Bm Em Bm Em)
varam deva
moksham na mokshâvadhim vâ
O Lord
you grant freedom but impersonal no,
(Bm G F#m
Bm)
na
cânyam vrine 'ham vares'âd apîha R
I long
for no heaven or for another boon,
(D AIII
Em)
idam te
vapur nâtha gopâla-bâlam
Your
form Bala-G0pal ever in my heart,
(Bm G F#m
Bm)
sadâ
me
manasy âvirâstâm kim anyaih R
no other
favor has any meaning to me.
(Bm A G F#m
Em
D C#dim Bmin -2 x)
*
(5)
(Bm Em Bm Em)
idam te
mukhâmbhojam atyanta-nîlair
O Lord
Your face, with black hair glowing red,
(Bm G F#m
Bm)
vritam
kuntalaih snigdha-raktais' ca gopyâ R
is
kissed by Yasodha, Your Bimba-lips red as the fruit,
(D AIII
Em)
muhus'
cubitam bimba-raktâdharam me
May your
sweet face be forever in My heart,
(Bm G F#m
Bm)
manasy
âvirâstâm alam laksha-lâbhaih R
Thousands
of
other favors are of no avail.
(6)
(Bm Em Bm Em)
namo deva
dâmodarânanta vishno
I honor
You Dâmodhar, Ananta Vishnu
(Bm G F#m
Bm)
prasîda
prabho
duhkha-jâlâbdhi-magnam R
O
master, my Lord be pleased with me.
(D AIII
Em)
kripâ-drishthi-vrishthyâti-dînam
batânu-
Merciful
casting Your glance frees this fool,
(Bm G F#m
Bm)
grihânes'a
mâm
ajñam edhy akshi-dris'yah R
who thus
may see You in his worldy grief.
(Bm A G F#m
Em
D C#dim Bmin -2 x)
*
(7)
(Bm Em Bm Em)
kuverâtmajau
baddha-mûrtyaiva
yadvat
The way
You set Kuvera's sons free from the curse,
(Bm G F#m
Bm)
tvayâ
mocitau
bhakti-bhâjau kritau ca R
planting
devotion as a baby to the block,
(D AIII
Em)
tathâ
prema-bhaktim
svakâm me prayaccha
Please
grant me too Your loving devotion,
(Bm G F#m
Bm)
na
mokshe graho me 'sti dâmodareha R
that's
all I desire, no other freedom.
(8)
(Bm Em Bm Em)
namas te
'stu dâmne sphurad-dîpti-dhâmne
First of
all o Lord I honor your bellies cord,
(Bm G F#m
Bm)
tvadîyodarâyâtha
vis'vasya-dhâmne R
than the
belly itself that carries the universe,
(D AIII
Em)
namo
râdhikâyai tvadîya-priyâyai
Humly I
bow for your sweetheart Râdhâ,
(Bm G F#m
Bm)
namo
'nanta-lîlâya devâya tubhyam R
next
then to You O lord of infinite joy.
Exit:
(Bm Em Bm A
Bm Em F#m Bm Bm A G F#m
Bm A G F#m Bm D A Em Bm G Em F#m
Bm)
Hari
Haraye Namah Krishna
by: Narottama dâsa
Thhâkur
(Nâma-Sankîrtana)
Intro:
(Bm D Em G D Em G C D Bm C D Bm D
Em G D C D Em Bm C D Em)
(1)
(Bm D Em)
hari
haraye namah R
(G D Em)
krishna
yâdavaya namah R
(GIII
C D Bm C D Em)
yâdavâya
mâdhavâya
kes'avâya
namah R
(Em G D C D)
gopâla
govinda
râma
s'rî madhusûdana
(Em
BmI C D Em)
giridhârî
gopînâtha
madana-mohana
(Em Bm D
C, C Bm Am G)
*
(2)
(Bm D Em)
hari
haraye namah R
(G D Em)
krishna
yâdavaya namah R
(GIII
C D Bm C D Em)
yâdavâya
mâdhavâya
kes'avâya
namah R
(Em G D C D)
s'rî-caitanya-nityânanda
s'rî-advaita-sîtâ
(Em
BmI C D Em)
hari,
guru, vaishnava, bhâgavata, gîta
(Em Bm D C,
C Bm Am G)
*
(3)
(Bm D Em)
hari
haraye namah R
( G D Em)
krishna
yâdavaya namah R
(GIII
C D Bm C D Em)
yâdavâya
mâdhavâya
kes'avâya
namah R
(Em G D C D)
s'rî-rupa
sanâtana
bhaththa-raghunâth
(Em
BmI C D Em)
s'rî-jîva
gopâla-bhaththa
dâsa-ragunâth
Exit:
(Bm D Em G D Em G C D Bm C D Bm D
Em G D C D Em Bm C D
Em)
Vibhâvarî
S'esha
by: S'rîla
Bhaktivinoda Thhâkur
from:
'Kalyâna-kalpataru'
'The night came
to an end'
Intro:
(D Bm Em Bm A F#m E F#m
Em D G Bm)
(1)
(D A
BmI)
vibhâvarî
s'esha,
âloka-praves'a,
The
night came to an end, the dawn has arrived,
(Em D
AI)
nidrâ
châri'
uthho
jîva. R
o soul
get up, give up your sleep!
(F#m
E F#mI)
bolo
hari hari, mukunda murâri, R
Sing of
Hari Hari, Mukunda Murari,
(Em D A 7
II A II)
râma
krishna hayagrîva R
Râma
Krsna and Hayagriva.
(2)
(D A
BmI)
nrisimha
vâmana, s'rî-madhusûdhana,
Nrsmha
Vâmana, Lord Madhusûdana,
(Em D
AI)
brajendra-nandana
s'yâma R
Vraja's
Lord his son, grey-blue His skin.
(F#m
E F#mI)
pûtanâ-ghâtana,
kaithabha-s'âtana R
Defeated
Pûtana and killed Kaitabha,
(Em D A7II
AII)
jaya
dâs'arathi-râma R
glory to
Dasarâtha's son Râma.
(Em Bm Em D
A F#m Em F#m Em D C#dim
A)
*
(3)
(D A
BmI)
yas'odâ
dulâla,
govinda-gopâla,
Yasoda's
sweetest thing, Govinda Gopala,
(Em D
AI)
vrindâvana
purandara R
of
Vrindâvan's forest He's the Lord.
(F#m
E F#mI)
gopî-priya-jana,
râdhikâ-ramana, R
Dearmost
to the gopi's, Râdha her lover,
(Em D
A7II AII)
bhuvana-sundara-bara R
of all
the worlds the prettiest one.
(4)
(D A
BmI)
râvânântakar',
mâkhana-taskara,
The end
of Râvana, butterthief Krishna,
(Em D
AI)
gopî-jana-vastra-hârî R
gopi's
swimming He stole the clothes.
(F#m
E F#mI)
brajera
râkhâla,
gopa-vrinda-pâla, R
Vraja
their cowherd, protecting cowherds,
(Em D
A7II AII)
citta-hârî
bams'î-dhârî R
steals
each his heart, always with His flute.
(Em Bm Em D
A F#m Em F#m Em D C#dim
A)
*
(5)
(D A
BmI)
yogîndra-bandana,
s'rî-nanda-nandana,
worshiped
by yogî's, the son of Nanda,
(Em D
AI)
braja-jana-bhaya-hâri. R
takes
away the fear in Vraja.
(F#m
E F#mI)
navîna
nîrada,
rûpa
manohara, R
His
color a raincloud, His form so appealing,
(Em D
A7II AII)
mohana-bams'î-bihârî. R
wandering
around His flute played charms.
(6)
(D A
BmI)
yas'odâ-nandana,
kamsa-nisûdana,
The son
of Yasoda, He killed king Kamsa,
(Em D
AI)
nikuñja-râsa-vilâsî R
With
gopi's dancing outside of Vraja.
(F#m
E F#mI)
kadamba-kânana,
râsa-parâyana, R
Under
kadambatrees engaged in the lovedance,
(Em D
A7II AII)
brinda-vipina-nivâsî R
there in
the forest of Vrindâvana.
(Em Bm Em D
A F#m Em F#m Em D C#dim
A)
*
(7)
(D A
BmI)
ânanda-vardhana,
prema-niketana,
Makes
happy devotees, is all the love,
(Em D
AI)
phula-s'ara-jojaka
kâma R
aims
arrows flowerly like a Cupid.
(F#m
E F#mI)
gopânganâ-gana,
citta-vinodana, R
Raises
high with the gopi's, the desires pleasing heart,
(Em D
A7II AII)
samasta-guna-gana-dhâma R
harbours
all the good quality.
(8)
(D A
BmI)
jâmuna-jîvana,
keli-parâyana
Yamuna's
life He is, immersed in games of love.
(Em D
AI)
mânasa-candra-cakora R
the
gopi's Cakora-mind He is a moon.
(F#m
E F#mI)
nâma-sudhâ-rasa,
gâo
krishna-jas'a, R
O mind
attend to this, sing the praise of Krishna,
(Em D
A7II AII)
râkho
vacana
mana
mora R
holy
names filled with nectar.
Exit:
(D Bm Em Bm A F#m E F#m
Em D G Bm)
Gaurânga
Karunâ Koro
by: Narottama Dâsa
Thhâkur
'Please Be
Merciful Lord Gauranga'
Intro:
(Em Bm C Esus4 C D Em Bm G D Esus4 Em)
(1)
(Em BmI
C)
gaurânga
karunâ
koro,
Heer
Gauranga Your mercy,
(Em
D
GII Bm)
dîna
hîna jane
to this
destitute soul,
(C D Em D)
mo-samo
patita prabhu,
fallen
like me o Lord,
(GII
D7II E4sus Em)
nâhi
tribhuvane. R
there's
no one in the three worlds.
(2)
(G
BmII)
dante
trina dhori gaura,
Holding
grass between my teeth Gaura,
(DIEmBmI)
dâki
he tomâr
I 'm
calling out for You,
(C D Em
CI)
kripâ
kori
eso
âmâr,
have
mercy please come to my,
(GIID
7IIE4sus Em)
hridoya
mandire. R
temple
of the heart.
(G Bm D E Dm
G C D Em Bm C D G)
*
(3)
(Em
BmIC)
jadi
doyâ nâ koribe,
If You
don't give Your mercy,
(Em D GII
Bm)
patita
dekhiyâ
seeing
me so fallen,
(C D Em D)
patita
pâvana nâma.
named
'Savior of the Fallen',
(GII
D7II E4sus Em)
kisera
lâgiyâ. R
why are
you known that way?
(4)
(G
BmII)
podeci
bhava tuphâne,
I've
fallen in this wordly whirlpool,
(D I
EmBmI)
nâhika
nistâr.
there is
no escape,
(C D Em C I)
s'rî
carana taranî dâne,
by Your
divine feet like a boat given,
(GID7I
E4susI Em)
dâse
kora pâr R
help
Your servant across.
(G Bm D EDm
G C D Em Bm C D G)
*
(5)
(Em
BmIC)
s'rî
krishna caitanya prabhu,
Lord
Krishna Caitanya prabhu,
(Em D
GIIBm)
dâser
anudâs
this
servant of your servant,
(C D Em D)
prârthanâ
koraye
sadâ,
will
always make this prayer,
(GIID7II
E4sus Em)
narottama
dâs. R
it's
Narottama Dâsa.
Mahâmantra
IV
(traditional
melody)
Intro:
(Am Bdim C Bdim Am G
Am Bdim C Dm Em F G C)
(C FI
C)
HARE
KRISHNA HARE KRISHNA
(C FI C)
KRISHNA
KRISHNA HARE HARE
(GI
FI)
HARE
RÂMA HARE RÂMA
(GI
C)
RÂMA
RÂMA HARE HARE
R
(C
GI)
HARE
KRISHNA HARE KRISHNA
(C GI)
KRISHNA
KRISHNA HARE HARE
(Gm FI)
HARE
RÂMA HARE RÂMA
(FI GI)
RÂMA
RÂMA HARE HARE
R
from the
beginning tempo 2 to here and then:
(C FI
C)
HARE
KRISHNA HARE KRISHNA
(C FI C)
KRISHNA
KRISHNA HARE HARE
(GI
FI)
HARE
RÂMA HARE RÂMA
(GI
C)
RÂMA
RÂMA HARE HARE
R
Exit:
(Am Bdim C
Bdim Am G
Am Bdim C Dm Em F G C)
Album III
Dâlâlera
Gîtâ
'The Song of the
broker'
from
'Vaishnava-Siddhânta-Mâlâ'
by Bhaktivinoda
Thhâkur
Intro:
(Bm F#m A F#m D C#m E F#m
D A E A)
(1)
(BmI
F#mI)
boro
sukher kharbor gâi,
I sing
of happy tidings,
(AII
F#mI)
boro
sukher kharbor gâi
R
I sing
of happy tidings,
(D Cm
F#m I E F#m)
surabhi-kuñjete
nâmer
hât
kule 'che
R
In
Surabhi Kunja a market is opened,
(D
AII E A)
khoda
nitâi khoda nitâi.
Through
Nityânanda... Through Nityânanda
(2)
(BmI
F#m)
boro mojâr kathâ tây,
The news
of the great result is,
(AII
F#mI)
boro
mojâr kathâ tây
R
the news
of the great result is...
(D Cm
F#mI E F#m)
s'raddhâ-mûlye
s'uddha-nâm(a)
sei
hâthete
bikây
R
That he
sells the name for the price of your belief,
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(D
Bm F#m A Bm Cm D F#m D F#m
E F#m D E A)
*
(3)
(BmI
F#m)
jata
bhakta-brinda basi,
Nitai
the owner of the market
(AII
F#mI)
jata
bhakta-brinda basi'
R
Nitai
the owner of the market
(D Cm F#m
I E F#m)
adhikârî
dekhe'nâm(a)
becche
daro kasi
R
With
devotees he negotiates about the name,
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(4)
(BmI
F#m)
jadi
nâm(a) kinbe, bhâi,
O
brother, do you want to buy the name,
(AII
F#mI)
jadi
nâm(a) kinbe, bhâi
R
O
brother, do you want to buy the name,
(D Cm F#m
I E F#m)
âmâr
sange
calo
mahâjaner kâche
jâi
R
come
with me to the presence of that great soul.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(D Bm E
C#m F#m D G#dim E A)
*
(5)
(BmI
F#m)
tumi
kinbe krishna-nâm(a),
You will
buy Krishna's name,
(AII
F#mI)
tumi
kinbe krishna-nâm(a)
R
You will
buy Krishna's name,
(D Cm F#m
I E F#m)
dasturi
loibo âmi pûrna ha'be
kâm(a)
R
I take
my share and all our desires will be fulfilled.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(6)
(BmI
F#m)
boro
doyâi nityânanda,
Nitai is
very merciful
(AII
F#mI)
boro
doyâi nityânanda
R
Nitai is
very merciful.
(D Cm F#m
I E F#m)
s'raddhâ-mâtra
lo
'ye
den parama-ânanda
R
For just
belief he offers the highest ecstasy.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(F#m C#m E D
A Bm C#m D E
D C#m D E)
*
(7)
(BmI
F#m)
ek-bâr
dekhle
cakshe
jal,
Once he
sees your tears...
(AII
F#mI)
ek-bâr
dekhle
cakshe
jal
R
Once he
sees your tears...
(D Cm F#m
I EF#m)
'gaura'
bole' nitâi den sakala sambal
R
then
he'll give you all you need.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(8)
(BmI
F#m)
den
s'uddha krishna-s'ikshâ,
He gives
the pure teaching of Krishna
(AII
F#mI)
den
s'uddha krishna-s'ikshâ
R
He gives
the pure teaching of Krishna
(D Cm
F#m I E F#m)
jâti
dhana vidyâ bala nâ kore
apekshâ
R
Anyone
irrespective birth, possessions, knowledge or
strength.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(D Bm E C#m
F#m D G#dim E A)
*
(9)
(BmI
F#m)
amani
châde' mâyâ-jâl,
Forsaking
mâyâ's illusion trap,
(AII
F#m I)
amani
châde mâyâ-jâl
Forsaking
mâyâ's illusion trap
R,
(D Cm
F#m I E F#m)
grihe
thâko bâne thâko, nâ thâke
janjâl
R
staying
home or in the forest, there are no problems anymore,
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(10)
(BmI
F#m)
âr nâiko kalir bhoy,
There's
no fear anymore in Kali's time
(AII
F#m I)
âr
nâiko
kalir
bhoy
R
There's
no fear anymore in Kali's time
(D Cm F#m
I E F#m)
R
âcandâle
den
nâm(a)
nitâi doyâmoy
Nitai
merciful, gives the name even to the lowest.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
(D
Bm F#m A Bm Cm D F#m D F#m
E F#m D E A)
*
(11)
(BmI
F#m)
bhaktivinod(a)
dâki'koy,
Bhaktivinoda
cries
out,
(AII
F#m I)
bhaktivinod(a)
dâki'koy
R
Bhaktivinoda
cries
out,
(D Cm
F#mI E F#m)
nitâi-caran
binâ
ar
nahi âs'roy
R
Lord
Nitai's lotusfeet are the only refuge.
(D
AII E A)
khoda
nitâi, khoda nitâi.
Through
Nityânanda... Through Nityânanda.
Exit:
(Bm F#m A F#m D C#m E F#m
D A E A)
Krishna
Murâri
'Mama Mana
Mandire'
"In the Temple
of My Heart"
by Bhaktivinoda
Thhâkur
Intro:
(Am F G Am C Dm Bdim C Bdim C Dm G)
(AmIII
G Em)
mama mana mandire
In the
temple of my heart,
(C EmI
Am)
raha nis'i-din
please
stay night and day.
(EmI Am
C
F CI )
krishna
murâri s'rî krishna murâri R
Krishna-Murâri,
Lord
Krishna Murâri
(AmII C
Dm
F)
bhakti
priti
mâlâ candan R
My
devotion love, flowers and incense.
(Dm C)
tumi nio he nio
You
please accept, o please accept,
(GI FII)
cita-nandan R
O
delighter of the heart.
(Am)
jîvana
marana
In life
or in death,
(EmI GIII)
tava
pûjâ
nivedan R
the
worship of You!
(Am)
nayana
jamunâ
from my
eyes a river,
(EmI GIII)
jhare
anibâr R
flows
incessantly,
(D AmII CI
D)
sundara
he
mana hârî R
o
Beautiful One, o Lord of the Mind,
(D AmII CI
D)
tomâra
virahe
giridhârî R
(my
tears) in separation, o Lifter of the Hill! .
(D AmI C D )
eso
nanda kumâr âr nanda kumâr R
please
come o Son of Nanda, and son of Nanda,
(D C D AmII
Em)
habe
prema pradîpe âroti tomâr
there
wil be with the lamp of love the lightoffering,
(C D Am EmI)
prema
pradîpe âroti tomâr
with the
lamp of love the lightoffering.
(C D Am EmI)
bandana
gâne
tava bajuk jîvana R
may I
pass my life In songs praising You!
(EmI Am
C
F C I)
krishna
murâri s'ri krishna murâri
Krishna-Murâri,
Lord
Krishna Murâri .
Exit:
(Am F G Am C Dm Bdim C Bdim C Dm G C)
Kabe
Ha'be Bolo (Vijñapti)
by Bhaktivinoda
Thhâkur
Spiritual
Request
'When Will that
Day be Mine?'
Intro:
(G F Dm C Am Dm Am Dm C G Dm Am G)
(G F Dm C
Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FIDm GII C)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(1)
(Dm
AmIIDm C)
(âmâr)
aparâdha
ghuci',
s'uddha nâme ruci,
With no
offenses, and the taste increasing,
(GI
Dm AmIIGII)
kripâ-bale
ha'be
hridoye
sañcâr
when
will your mercy shine in my heart?
(2)
(G F Dm C
Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FIDm GII C)
kabe ha'be bolo se-dina
âmâr
When
will that day be mine?
(Dm
AmII Dm C)
trinâdhika
hîna,
kabe
nije mâni',
Lower
than a straw, tolerant as a tree,
(GIDm
AmIIGII)
sahishnutâ-guna
hridoyete
âni'
when do
I attain that quality of mind?
(Dm
AmIIDm C)
sakale
mânada, âpani amânî,
Respecting
all, expecting no honor,
(GI
Dm AmIIGII)
ho'ye
âswâdibo nâma-rasa-sâr
nectar
sublime tasting of the name.
(Dm Gm C F
Dm Bb C F Dm Gm C F Dm C F)
*
(3)
(G F Dm C
Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FIDm GII C)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(Dm AmII
Dm C)
dhana
jana âra, kobitâ-sundarî
Wealth
or followers, female beauty,
(GI
Dm AmII GII)
bolibo
nâ câhi deho-sukha-kari
I do not
care about or any comfort!
(Dm
AmII Dm C)
janme-janme
dâo,
ohe
gaurahari!
Grant me
life after life, o Lord Caitanya,
(GI
Dm AmII GII)
ahaitukî
bhakti
carane
tomâr
devotion
non-desiring at Your Lotusfeet.
(4)
(G F Dm C Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI FIDm
GII C)
kabe ha'be bolo se-dina
âmâr
When
will that day be mine?
(Dm AmII Dm C)
(kabe)
korite s'rî-krishna- nâma uccârana,
Uttering
Krishna Krishna, with a voice choked up,
(GI
Dm AmII GII)
pulakita
deho gadgada bacana
and the
body thereto shivering.
(Dm
AmII Dm C)
vaibarnya-vepathu
ha'be
sanghatana,
When
will I tremble, with a paling face,
(GI
Dm AmII G II)
nirantara
netre ba'be as'ru-dhâr
and will
streams of tears well from my eyes?
(Dm Gm C F
Dm Bb C F Dm Gm C F Dm C F)
*
(5)
(G F Dm C Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FIDm GII C)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(Dm AmII
Dm C)
kabe
navadwîpe, suradhunî-tate,
In
Navadvîpa, at the shore of the Ganges
(GI
Dm AmII G)
gaura-nityânanda
boli'
nishkapate
Cry out
Gaura-Nitai, surrendered.
(Dm
AmII Dm C)
nâciyâ
gâiyâ,
bedâibo
chute,
Dancing,
singing, running all around,
(GI
Dm AmII G II)
bâtulera
prâya
châriyâ
bicâr
when
will I be half-mad in my mind?
(6)
(G F Dm C Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FIDm GII C)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(Dm
AmII Dm C)
kabe
nityânanda, more kori' doyâ,
When
will Nitai, be merciful to me,
(GI
Dm AmII GII)
châdâibe
mora
vishayera
mâyâ
and will
I discard the world called mâyâ?
(Dm
AmII Dm C)
diyâ
more nija- caranera châyâ,
Place me
in the shadow, of Your lotus feet,
(GI
Dm AmII GII)
nâmera
hâtete
dibe
adhikâr
let the
right to speak the name be all mine.
(Dm Gm C F
Dm Bb C F Dm Gm C F Dm C F)
*
(7)
(G F Dm C Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(G I
FIDm GII C)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(Dm
AmII Dm C)
kinibo,
luthibo, hari-nâma-rasa,
I'll
fear nothing, for the nectar of the name,
(GI
Dm AmII GII)
nâma
rase mâti' hoibo bibas'a
the
effect of it for sure will astound me.
(Dm AmII
Dm C)
rasera
rasika- caranera paras'a,
O
enjoyer of the name, when will I touch them,
(G I
Dm AmII GII)
koriyâ
mojibo
rase
anibâr
Your
lotusfeet till the end of time
(8)
(G F Dm C Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FIDm GII C)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(Dm
AmIIDm C)
kabe
jîbe doyâ, hoibe udoya,
When for
all souls, appears compassion,
(GI
Dm AmII GII)
nija-sukha
bhuli' sudina-hridoya
with a
heart free of selfpity?
(Dm
AmIIDm C)
bhakativinoda,
koriyâ-vinoya,
Bhaktivinod
prays,
I'll
make a beginning,
(GI
Dm AmII GII)
s'rî-âjnâ-thahala
koribe
pracâr
with the
preaching of Your sublime mission.
_
(G F Dm C Am)
kabe
ha'be bolo se-dina âmâr
When
will that day be mine?
(GI
FI Dm GII C)
kabe ha'be bolo se-dina âmâr
When
will that day be mine?
Exit:
(G F Dm C Am Dm Am Dm C G Dm Am G C)
S'rî
Râdhikâshtakam
by Krishnadâsa
Kavirâja
(from Govinda
Lilâmrita)
Intro:
(C Dm C F C Dm C
C F Dm C G Dm F C)
(1)
(C Dm C
I F C I Dm C)
kumkumâkta-kâncanâbja-garva-hâri-gaurabhâ
Golden
colored with kumkuma of a lotus she steals the pride,
(F I
Dm C G I Dm G II C)
pîtanâñcitâbja-gandha-kîrti
nindi-saurabhâ
Her
fragrance mocks the aroma of a that flower speckled with saffron.
(C G
I F II G III F II G I
C)
ballaves'a-sûnu-sarva-vâñchitârtha-sâdhikâ
Capable
she fullfills all desires of the son of the
cowherd-king.
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet.
(C G F C F G
C
Dm F Dm G F G7)
*
(2)
(C Dm C
I F C I Dm C)
kauranvinda-kânti-nindi-citra-paththa-s'âthikâ
The
color of her silken Sari, embarrasses the color of
coral,
(F I
Dm C G I Dm G II C)
krishna-matta-bhringa-keli-phulla-pushpa-vâtikâ
she is a
flowergarden where a mad bee plays that is called
Krishna.
(C G
I F II G III F II G I
C)
krishna-nitya-sangamârtha-padma-bandhu-râdhikâ
For the
constant association of Krishna is Râdhâ bound in
worship.
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet
(3)
(C Dm C
I F C I Dm C)
saukumârya-srishtha-palla-vâli-kîrti-nigrahâ
Her
tenderness defeats, that of newly grown green leaves,
(F I
Dm C G I Dm G II C)
candra-candanotpalendu-sevya-s'îta-vigrahâ
she's is
freshness herself, camphor. lotus and moon,
(C G
I F II G III F II G I
C)
svâbhimars'a-ballavîs'a-kâma-tâpa-bâdhikâ
Her
touch cools
the loving
desire of the master of the gopis,
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet
(G Am Bdim C
Dm Em F G
Em F G Am Bdim Am G C)
*
(4)
(C Dm C
I F C I Dm C)
vis'va-vandya-yauvatâbhivanditâpi
yâ
ramâ
Although
Laksmi is worshiped, by all girls of glory in the
world,
(F I
Dm C G I Dm G II C)
rûpa-navya-yauvanâdi-sampadâ
na
yat-samâ
is she
nothing compared to Râdhâ, in beauty, youth and
nature,
(C G
I F II G III F II G I
C)
s'îla-hârdya-lîlayâ
ca
sâ
yato 'sti nâdhikâ
Nobody
in heaven or on earth, exceeds her in qualities and in the
game.
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet.
(5)
(C Dm C
I F C I Dm C)
râsa-lâsya-gîta-narma-sat-kalâdi-panditâ
She is
very skilled, in dancing, singing and all that,
(F I
Dm C G I Dm G II
C)
prema-ramya-rûpa-ves'a-sad-gunâli-nanditâ
a loving
nature, the greatest beauty, of all quality and clad
perfect,
(C G
I F II G III F II G I
C)
vis'va-navya-gopa-yoshid-âlito
'pi
yâdhikâ
of even
the widely praised damsels of Vraja, she's is the very
best!
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet.
(G Am Bdim C
Dm Em F G
Em F G Am Bdim Am G C)
*
(6)
(C
Dm C I F C I Dm C)
nitya-navya-rûpa-keli-krishna-bhâva-sampadâ
With her
always blossoming beauty, her deeds and feelings for
Krishna,
(F I
Dm C G I Dm G II C)
krishna-râga-bandha-gopa-yauvateshu-kampadâ
does she
create happiness in the hearts, of the gopi's at her side.
(C G
I F II G III F II G I
C)
krishna-rûpa-ves'a-keli-lagna-sat-samâdhikâ
Krishna's
form, clothes, ornaments and play, she always
meditates.
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet.
(7)
(C Dm C
I F C I Dm C)
sveda-kampa-kantakâs'ru-gadgadâdi-sañcitâ
By the
signs of ecstacy of sweating, trembling and hairs on end,
(F I
Dm C G I Dm G II C)
marsha-harsha-vâmatâdi-bhâva-bhûshanâncitâ
tears,
choked up, anger, joy, contrariness, is she differently adorned.
(C G
I F II G III F II G I
C)
krishna-netra-toshi-ratna-mandanâli-dâdhikâ
She
dresses up with beautiful things to
delight
the eyes of
her Krishna,
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet
(C G F C F G
C
Dm F Dm G F G7)
*
(8)
(C
Dm C I F C I Dm C)
yâ
kshanârdha-krishna-viprayoga-santatoditâ
Separated
from her Krishna, but for a single moment,
(F I
Dm C G I Dm G II C)
neka-dainya-câpalâdi-bhâva-vrinda-moditâ
She
suffers badly, is all restless, with many other symptoms
too.
(C G
I F II G III F II G I
C)
yatna-labdha-krishna-sanga-nirgatâkhilâdhikâ
Regaining
Krishna's association, her anguish quickly flies away,
(Dm I
F I Dm G II G I F II G 7
C)
mahyam
âtma-pâda-padma-dâsya-dâstu
râdhikâ
R
May Sri
Râdhâ bestow upon me the service of her lotus
feet
(9)
(C Dm C
I F C I Dm C)
ashthakena
yas tv anena nanti krishna-vallabhâm
Even
Parvati and others like her, cannot get to see Krishna's
dearest,
(F I
Dm C G I Dm G II C)
dars'ane
'pi s'ailajâdi-yoshidâli-durlabhâm
But he
who honors her with these eight verses
(C G
I F II G III F II G I
C)
krishna-sanga-nanditâtma-dâsya-sîdhu-bhâjanam
will by
her, delighted with Krishna, fast be granted the nectar of her
service,
(Dm I
F I Dm G II G I F II G 7
C)
tam
karoti nanditâli-sancayâs'u sâ
janam
R
and
enter the assembly of her equally delighted friends.
Intro:
(C Dm C F C Dm C
C F Dm C G Dm F C)
Râdhâ-Krishna
Bol
by Bhaktivinoda
Thhâkur
from
Gîtâvalî
S'rî
Nagar Kîrtan: S'rî Nâma - 4
(Congregational chanting in public places)
Intro:
(D G A Dm A Bm Em C#dim D A Bm A D Bm A)
(1)
(D Em
AII D AI EmI A)
râdhâ-krishna
'bol
bol
bolo re sobâi R
"Radha-Krishna!"
chant,
chant
Everyone chant!
(D
AII G Em)
(ei)
s'ikhâ diyâ, sab nadîyâ,
When
they came dancing, through Nadia,
(AII
Em AI A)
phirche
nece' gaura-nitâi R
it was
taught by Caitanya and Nitai:
(D Em A Bm
GIII A Bm)
haribol, bolo bolo bolo re sobâi.
R
Of the
Lord: chant, chant everyone chant!
(2)
(D Em
AII D AI EmI A)
râdhâ-krishna
'bol
bol
bolo re sobâi R
"Radha-Krishna!"
chant,
chant
Everyone chant!
(D
AII G Em)
(miche)
mâyâr bos'e, jâccho bhese',
caught
in a whirlpool of senseless action,
(AII
Em AI A)
khâccho
hâbudubu,
bhâi. R
one's
sinking lower and lower.
(D Em A Bm
GIII A Bm)
haribol, bolo bolo bolo re sobâi.
R
Of the
Lord: chant, chant everyone chant!
(D G A D
A Em A D A G Em A
D Em A Bm G A Bm G A D)
*
(3)
(D Em
AII D AI EmI A)
râdhâ-krishna
'bol
bol
bolo re sobâi R
"Radha-Krishna!"
chant,
chant
Everyone chant!
(D
AII G Em)
(jîv)
krishna-dâs,
e
vis'vâs,
of
krishna the eternal servant,
(AII
Em AI A)
korle
to' âr duhkha nâi. R
know
thus the spirit soul to be.
(D Em A Bm
GIII A Bm)
haribol, bolo bolo bolo re sobâi.
R
Of the
Lord: chant, chant everyone chant!
(4)
(D Em
AII D AI EmI A)
râdhâ-krishna
'bol
bol
bolo re sobâi R
"Radha-Krishna!"
chant,
chant
Everyone chant!
(D
AII G Em)
(krishna)
bolbe jabe, pulak ha'be,
Chanting
krishna fills your eyes with tears,
(AII
Em AI A)
jhorbe
ânkhi, boli tâi. R
your
body will shiver in ecstasy.
(D Em A Bm
GIII A Bm)
haribol, bolo bolo bolo re sobâi.
R
Of the
Lord: chant, chant everyone chant!
(D Em A D A
Em A D A G Em A Em
A D Em A Bm G D A Bm A D)
*
(5)
(D Em
AII D AI EmI A)
râdhâ-krishna
'bol
bol
bolo re sobâi R
"Radha-Krishna!"
chant,
chant
Everyone chant!
(D
AII G Em)
(râdhâ)
krishna'bolo,
sange
calo,
chant"Radha-krishna"
and
join
in.
(AII
Em AI A)
ei-mâtra
bhikshâ
câi. R
is the
only alm we beg of you.
(D Em A Bm
GIII A Bm)
haribol, bolo bolo bolo re sobâi.
R
Of the
Lord: chant, chant everyone chant!
(6)
(D Em
AII D AI EmI A)
râdhâ-krishna
'bol
bol
bolo re sobâi R
"Radha-Krishna!"
chant,
chant
Everyone chant!
(D
AII G Em)
(jay)
sakal vipod bhaktivinod,
All
dangers gone says Bhaktivinod,
(AII
Em AI A)
bole,
jakhon o-nâm gâi. R
when the
singing of the name is done.
(D Em A Bm
GIII A Bm)
haribol, bolo bolo bolo re
sobâi. R
Of the
Lord: chant, chant everyone chant!
Exit:
(D G A Dm A Bm Em C#dim D A Bm A D Bm A D)
Mânasa
Deho Geho
by Bhaktivinoda
Thhâkur
from S'arangati:
Âtma-nivedana - 3
Intro :
(Bb Ab Bb
Bbma7 Cm Bb Dm Cm Fadd9 Ebma7/9 F7 Bb)
(1)
(Bb Ab Bb Dm Cm
Bb)
mânasa
deho,
geho,
jo kichu mor
Mind,
body, and family, whatever may be mine,
(D m Eb F Ebma7
F F7 Bb)
arpilun
tuwâ pade, nanda-kis'or!
R
I have
surrendered atYour lotus feet, O youthful son of
Nanda!
(2)
(F Bb Eb Dm Cm
Bb)
sampade
vipade, jîvane-marane
R
In good
fortune or in bad, in life or at death,
(Bb Ab Bb Cm F
Bb)
dây
mama gelâ, tuwâ o-pada varane
R
all my
troubles are away having chosen Your feet as my only
shelter.
(F Bb
Eb Gm Cm Bb Cm F Cm Bm)
*
(3)
(Bb Ab Bb Dm Cm
Bb)
mârobi
râkhobi
-
jo icchâ
tohâra
Slay me
or protect me as You wish,
(D m Eb F Ebma7
F F7 Bb)
nitya-dâsa
prati
tuwâ
adhikâra
R
for You
are the master of Your eternal servant.
(4)
(F Bb Eb Dm Cm
Bb)
janmâobi
moe
icchâ
jadi tor
R
If it is
Your will that I be born again,
(Bb Ab Bb Cm F
Bb)
bhakta-grihe
jani
janma
hau mor
R
then
may it be in the home of Your devotee.
(Bb Ab Bb Cm
Eb Bb Cm F Bb)
*
(5)
(Bb Ab Bb Dm Cm
Bb)
kîtha
janma
hau
jathâ tuwâ dâs
May I be
born again even as a worm, so long as I may remain Your
devotee.
(D m Eb F Ebma7
F F7 Bb)
bahir-mukha
brahmâ-janme
nâhi
âs'
R
I have
no desire to be born as a Brahmâ averse to You.
(6)
(Bb Ab Bb Cm F
Bb)
bhukti-mukti-sprihâ
vihîna
je
bhakta
R
I yearn
for the company of that devotee who is completely
devoid
(Bb Ab Bb Cm F
Bb)
labhaite
tânko sanga anurakta
R
of all
desire for worldly enjoyment or liberation.
(F Bb
Eb Gm Cm Bb Cm F Cm Bm)
*
(7)
(Bb Ab Bb Dm Cm
Bb)
janaka,
jananî, dayita, tanay
Father,
mother, lover, son, Lord,
(D m Eb F Ebma7
F F7 Bb)
prabhu,
guru, pati - tuhû sarva-moy
R
Lord,
preceptor, and husband;; You are everything to me.
(8)
(Bb Ab Bb Cm F
Bb)
bhakativinoda
kohe,
suno
kâna!
R
Thakura
Bhaktivinoda says, "O Kana, please hear me!
(Bb Ab Bb Cm F
Bb)
râdhâ-nâtha!
tuhun
hâmâra
parâna
R
O Lord
of Râdhâ, You are my life and soul!"
Exit :
(Bb Ab Bb
Bbma7 Cm Bb Dm Cm Fadd9 Ebma7/9 F7 Bb)
Kiba
Jaya Jaya Gaurâcânder
(Gaura Ârati)
by S'rîla
Bhaktivinoda Thhâkur
The ceremony of worshiping
Lord Gauranga
(from
Gîtâvalî: Ârati Kîrtan
2)
Intro:
(Eb Ab Bb Cm Eb Cm Ab Cm Fm Bb Cm)
(1)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
(kiba)
jaya jaya gorâcânder âratiko s'obhâ
All
glories to Lord Gaura's beautiful ârati,
(Eb Fm Bb
Cm)
jâhnavî-tatha-vane
jaga-mano-lobhâ R
at the
banks of the Jâhnavi [Ganges] it attracts the minds
everywhere.
Refrain
1):
(Fm Bb Cm) (2:
Fm Ab Cm)
gauranger
âratiko s'obhâ
R
Lord
Gaura's beautiful ârati,
(Eb Fm Bb Cm)
(2: Fm Eb Bb Cm)
gauranger
âratiko s'obhâ,
jaga-jana-mano-lobhâ R
Lord
Gaura's beautiful ârati, attracts the minds of the
universe,
(Eb Fm Eb Bb Cm)
(2: Cm Fm Eb Bb Cm)
nitaigaura
haribol, haribol, haribol, haribol R
sing of
Nitai and Gauranga, sing the Lord His name.
(2)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
dakshine
nitâi-când, vâme, gadâdhara
At
Nitai's right side stands Gadâdhara,
(Eb Fm Bb
Cm)
nikathe
adwaita, s'rînivâsa
chatra-dhara R
left
Advaita and Srinivâsa holds the umbrella.
(3)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
bosiyâche
gorâcând
ratna-simhâsane
|Caitanya
is seated on a jeweled throne,
(Eb Fm Bb
Cm)
ârati
korena
brahmâ-âdi
deva-gane R
and
ârati is performed by the godly led by
Brahmâ.
(4)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
narahari-âdi
kori'
câmara
dhulâya
Narahari
and others fan him with câmara's,
(Eb Fm Bb
Cm)
sañjaya-mukunda-vâsu-ghos-âdi
gâya R
with
Sanjaya, Mukunda and Vâsu singing sweet
kîrtana.
(5)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
s'ankha
bâje ghanthâ bâje bâje karatâla
Conchshells
resound,
bells
are ringing, karatâla's are
heard,
(Eb Fm Bb
Cm)
madhura
mridanga bâje parama
rasâla R
sweet
plays the mrdanga, how supreme the mood.
Refrain
2)
(Fm Bb Cm) (2:
Fm Ab Cm)
s'ankha
bâje ghanthâ bâje R
Conchshells
resound,
bells
are ringing,
(Eb Fm Bb Cm)
(2: Fm Eb Bb Cm)
s'ankha
bâje ghanthâ bâje, madhur madhur madhur
bâje R
Conchshells
resound,
bells
are ringing, sweetly o so sweet it
sings,
(Eb Fm Eb Bb Cm)
(2: Cm Fm Eb Bb Cm)
nitaigaura
haribol, haribol, haribol, haribol
R
sing of
Nitai and Gauranga, sing the Lord His name.
(6)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
bahu-koti
candra jini vadana ujjvala
The
briliance of His face outshines millions of moons,
(Eb Fm Bb
Cm)
gala-des'e
vana-mâlâ kore jhalamala R
and the
garland around his neck radiates.
(7)
(C7 Ab Bb Cm Eb
Cm Bb Ab)
s'iva-s'uka-nârada
preme
gada-gada
S'iva,
S'uka and Nârada choked up in ecstatic love,
(Eb Fm Bb
Cm)
bhakativinoda
dekhe
gorâra
sampada R
thus
envisions Bhaktivinod the glory of Gaura.
Refrain
l)
(Fm Bb Cm) (2:
Fm Ab Cm)
gauranger
âratiko s'obhâ
R
Lord
Gaura's beautiful ârati,
(Eb Fm Bb Cm)
(2: Fm Eb Bb Cm)
gauranger
âratiko s'obhâ,
jaga-jana-mano-lobhâ R
Lord
Gaura's beautiful ârati, attracts the minds of the
universe,
(Eb Fm Eb Bb Cm)
(2: Cm Fm Eb Bb Cm)
nitaigaura
haribol, haribol, haribol, haribol R
sing of
Nitai and Gauranga, sing the Lord His name.
Exit:
(Eb Ab Bb Cm Eb Cm Ab Cm Fm Bb Cm)
Sapârshada-bhagavad-viraha-janita-vilâpa
(Je ânilo)
by: Narottama Dâsa
Thhâkur
Lamentation Due
to Separation from the Lord and His Associates
(from
Prarthâna)
Intro:
(Dm Am C Dm Gm
dm C Edim Gm C Dm Gm Dm Gm6 C F)
(1)
(Dm Am C
Dm Gm DmI CII C)
je ânilo
prema-dhana korunâ pracur R
Who
brought the gift of love, was full compassion?
(C7 Gm C DmI
Gm DmI Gm7 C F Dm7)
heno prabhu kothâ
gelâ âcârya-thhâkur R
Where
has a master like S'rînîvâsa Âcârya gone ?
(2)
(Dm Am C Dm Gm DmI
CII C)
kâhâ mora
swarûp rûpa kâhâ sanâtan R
Where are Svarûpa
Dâmodara, Rupa Gosvâmî and Sanâtana?
(C7 Gm C DmI
Gm DmI Gm7 C F Dm7)
kâhâ
dâsa raghunâtha patita-pâvan R
Where is
Raghunâtha Dâsa, the savior of the fallen?
(Dm Edim C F
Bb Gm C Gm Edim Dm C F Bb C F)
*
(3)
(Dm Am C Dm Gm DmI
CII C)
kâhâ mora
bhaththa-juga kâhâ kavirâj R
Where
are Raghunâtha Bhaththa Gopâla Bhaththa, and
Krishnadâsa Kavirâja?
(C7 Gm C DmI
Gm DmI Gm7 C F Dm7)
eka-kâle
kothâ gelâ gorâ nata-râj R
Where
did Lord Gaurânga, the great dancer, suddenly go?
(Dm Edim C F
Bb Gm C Gm Edim Dm C F Bb C F)
*
(4)
(Dm Am C Dm Gm DmI
CII C)
pâshâne
kuthibo mâthâ anale pas'ibo R
I'll
bang my head against the rock and enter the fire,
(C7 Gm C DmI
Gm DmI Gm7 C F Dm7)
gaurânga gunera
nidhi kothâ gele pâbo R
Where to find Lord Gaurânga, the reservoir of all
that's good?
(5)
(Dm Am C Dm Gm DmI
CII C)
se-saba sangîra
sange je koilo bilâs R
Unable
to obtain the association of Lord Gaurânga
(C7 Gm C DmI
Gm DmI Gm7 C F Dm7)
se-sanga nâ
pâiyâ kânde narottama dâs R
and the
companions to His pastimes, Narottama Dâsa simply weeps.
Exit:
(Dm Am C Dm Gm Dm C Edim Gm C Dm Gm Dm Gm6 C F)
S'rî
Vaishnava Pranâma
(traditional
mantra)
(Vaishnava
greeting)
Intro:
(F C Dm C F Am Dm C)
(F C Dm
C)
Vâñchâ-kalpatarubhyas'
ca
kripâ-sindhubhya
eva ca
Unto the
desire trees, the certain oceans of mercy,
(F Am Dm C)
patitânâm
pâvanebhyo vaishnavebhyo namo
namah R
the
purifiers of the fallen souls; unto the Vaishnava's,
My respects again and again
(Gm Dm C
Bb)
Vâñchâ-kalpatarubhyas
ca
kripâ-sindhubhya
eva ca
Unto the
desire trees, the certain oceans of mercy,
(Dm C Bb C
Dm)
patitânâm
pâvanebhyo vaisnavebhyo namo
namah R
the
purifiers of the fallen souls; unto the Vaishnava's,
My respects again and again
From
the beginning: tempo 2, then slow in chorus:
(Gm Dm C Bb)
Vâñchâ-kalpatarubhyas
ca
kripâ-sindhubhya
eva ca
Unto the
desire trees, the certain oceans of mercy,
(Dm C Bb C
Dm)
patitânâm
pâvanebhyo
vaisnavebhyo
namo
namah
the
purifiers of the fallen souls; unto the Vaishnava's,
My respects again and again
Exit:
(F C Dm C F Am Dm C)
Sâvarana
S'rî
Gaura
Mahimâ
Narottama Dâsa
Thhakur
The Glories of
S'rî Gauranga
(from
Prârthanâ)
Intro:
(Ebm B C#m E G#m Bbdim B
C#m F# B G#m E C#m
F# Ebm B C#m F# F# 7 Ebm
F#
B Bbdim F# F# 7 B C#
F#)
1
(Ebm B
C#m E G#m, Bbdim Ebm B C#m F#
B)
gaurângera duti
pada, jâr dhana sampada,
R
Who
accepted the
feet of Lord
Gaura can understand
(G#m
E C#m)
se jâne
bhakati-rasa-sâr
the true
essence of
devotional
service.
(F#
Ebm B C#m F# E, Ebm C#m B Bbdim
F# Bbdim)
gaurânger
madhura-lîlâ, jâr karne
praves'ilâ,
R
If one
wants to cleanse his heart, he must take
(B
C#m F#)
hridoya
nirma/la bhelo -târ
to the
movement of Lord
Caitanya
(B C#m
F# C G#m Ema7 F# F#7 Ema7
F# B)
*
2
(Ebm B
C#m E G#m, Bbdim Ebm B C#m F#
B)
je
gaurân-gera
nâma loy, târa hoy
premodoy, R
From His
pastimes one will realize.
(G#m
E C#m)
târe mui jâi
bolihâri
Bravo to
Him, that is very excellent!
(F#
Ebm B C#m F# E, Ebm C#m B Bbdim
F# Bbdim)
gaurânga-gunete
jhure, nitya-lîlâ târe
sphure, R
Appreciating
the
pastimes
feeling
ecstasy,
crying,
(B
C#m F#)
se jana
bhaka/ti adhi-kârî
will
bring understanding the pastimes of Radha-Krsna
(F#
Ebm E F# E F# Absus4 G# m
C#m Eb)
*
3
(Ebm B
C#m E G#m, Bbdim Ebm B C#m F#
B)
gaurângera
sangi-gane, nitya-siddha kori'
mâne, R
From
Caitanya always together always free,
(G#m
E C#m)
se jây
bra-jendra-suta-pâs'
one
instantly reaches the abode of Lord Krsna.
(F#
Ebm B C#m F# E, Ebm C#m B Bbdim
F# Bbdim)
s'rî-gauda-mandala-bhûmi,
jebâ
jâne
cintâmani, R
To know
that this land of Navadvipa
(B
C#m F#)
târa
hoy braja-/bhûme-e bâs
is as
Vrndavana, means one has reached there.
(B C#m
F# C G#m Ema7 F# F#7 Ema7
F# B)
*
4
(Ebm B
C#m E G#m, Bbdim Ebm B C#m F#
B)
gaura-prema-rasârnave,
s'e
tarange jebâ
dube, R
Diving
deep in his ocean of bliss one becomes
(G#m
E C#m)
se
râdhâ--mâdhava-antaranga
one
of
the trustees
of Radha and Krsna.
(F#
Ebm B C#m F# E, Ebm C#m B Bbdim
F# Bbdim)
grihe bâ vanete
thâke, 'hâ gaurânga' bo'le
dâke, R
Whether
householder or in the forest, if one only chants His
name,
(B
C#m F#)
narottama
mâge /târa san-ga
Narottama
prefers to be in the company of those.
Exit:
(Ebm B C#m E G#m Bbdim B
C#m F# B G#m E C#m
F# Ebm B C#m F# F# 7 Ebm
F#
B Bbdim F# F# 7 B C#
F#)
Album IV
S'rîta
Kamala
by S'rî Jayadeva
Gosvâmî
Intro:
(D Em F#m G A Bm A G F#m Em
G F#m D A D)
(1)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
s'rita-kamalâkuca-mandala
(he)
R
His feet
marked with a lotus.
(F#m
G BmIII AIII/ BmIII AIII
D)
dhrita-kundala
(e)
R
see His
earrings!
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
dhrita-kundala
kalita-lalita-vanamâlâ
R
See His
earrings and His garland of forest flowers !
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(Bm G A Bm G
A Em D A G A D Bm A D)
*
(2)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
dina-mani-mandala-mandana
(he)
R
His face
shines like the disc of the sun.
(F#m
G BmIII AIII/ BmIII AIII
D)
bhava-khandana
(e)
R
His love
drives away.
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
bhava-khandana
muni-jana-mânasa-hamsa
R
His love
drives away, bringing peace to the swanlike sage.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(3)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
kâliya-visadhara-gañjana
(he)
R
Kâliya
the
serpent
He destroyed.
(F#m
G BmIII AIII/ BmIII AIII
D)
jana-rañjana
(e)
R
The
beloved of all.
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
jana-rañjana
yadu-kula-nalina-dines'a
R
The
beloved of all, is the sun of the Yadu galaxy.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(D
C# dim D G A D Em A F#m Bm Em Bm
A Em F#m7 A Em F#m7 A D Bm A G A
D)
*
(4)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
madhu-mura-naraka-vinâs'ana
(he)
R
Madhu,
Mura, Naraka He defeated.
(F#m
G BmIII AIII/ BmIII AIII
D)
garudâsana
(e)
R
On the
back of Garuda!
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
garudâsana
sura-kula-keli-nidâna
R
From
Garuda, He brings all the virtuous the joy.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(5)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
amala-kamala-dala-locana
(he)
R
Clear as
lotus petals are His eyes.
(F#m
G BmIII AIII/ BmIII AIII
D)
bhava-mocana
(e)
R
His love
liberates!
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
bhava-mocana
tribhuvana-bhuvana-nidhâna
R
His love
liberates; the three worlds He keeps in His hand.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(D Em D
F#m Em D A D Bm A)
*
(6)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
janaka-a-sutâ-krita-bhûshana
(he)
R
Of
Janaka's sons He is the gem.
(F#m
G BmIII AIII/ BmIII AIII
D)
jita-dûshana
(e)
R
Defeating
all sin!
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
jita-dûshana
samara-s'amita-das'akantha
R
Defeating
all sin He fought, finished ten-head Râvana.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(7)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
abhinava-jaladhara-sundara
(he)
R
Like a
monsoon cloud the color of His skin.
(F#m
G BmIII AIII/ BmIII AIII
D)
dhrita-mandara
(e)
R
How He
lifted the hill!
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIIIAIII G
AIII D)
dhrta-mandara
s'rî-mukhacandra-cakora
R
How he
lifted the hill!
Moonface
charming the sweet bird Râdhâ.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(D
C# dim D G A D Em A F#m Bm Em Bm
A Em F#m7 A Em F#m7 A D Bm A G A D)
*
(8)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
tava-caranam
pranata
vayam
(he)
R
At Your
Lotus feet I throw myself down.
(F#m
G BmIII AIII/ BmIII AIII
D)
iti
bhâvaya (e)
R
Have
mercy on me.
(F#m
G AIII BmIII G Em AII D /
F#m G AIII BmIII AIII G
AIII D)
iti bhâvaya kuru kus'alam
pranateshu
R
Have
mercy on me, blessing of the Kuru dynasty.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
(9)
(A Bm AI
Em D A Bm / Em D AI Bm A Em D)
s'ri-jayadeva-kaver
idam
(he)
R
Jayadeva
wrote this for You.
(F#m
G BmIII AIII/ BmIII AIII
D)
kurute
mudam (e)
R
Devoted
to You.
(F#m
G AIII BmIIIG Em AII D /
F#m G AIII BmIII AIII G
AIII D)
kurute mudam mangalam
ujjvala-gîtam
R
Devoted
to You, favoring You with this shining song.
(A Bm D Em G
AIII / DIIIBmIII G AIII D
AI D)
jayajaya
deva hare, jayajaya deva hare,
Glories,
Glories, to Lord Hari.
Exit:
(D Em F#m G A Bm A G F#m Em
G F#m D A D)
Ishtha-deve
Vijñapti
by Narottama Dâsa
Thhâkur
Prayer to One's
Beloved Lord
(from
Prârthanâ)
Intro:
(G
Em D C D, G Am Bm C D)
(G
Em D C D, G Am Bm C D)
hari hari! bifale janama
gonâinu R
O Lord
Hari I have spent my life uselessly
1
(D Am Em D)
manushya-janama
pâiyâ, râdhâ-krishna nâ
bhajiyâ
My human
birth was useless, n0t worshiping Radha and Krsna
(Em D C Bm Em
(F#m), C D Em Bm Am Em (F#m))
jâniyâ
s'uniyâ bisha khâinu R
knowingly
I have drunk the poison
(G D Em C D Em
Am Bm C D
Bm Am G F#dim Am Bm C D)
*
2
(D Am Em D)
golokera prema-dhana,
hari-nâma-sankîrtana,
Goloka
's love-treasure: the lord His name, singing it all
together,
(Em D C Bm Em, C
D Em Bm Am Em (Dm))
rati nâ janmilo
kene tây R
Why had
it no appeal before to me
?
(D Am Em D)
samsâra-bishânale,
dibâ-nis'i
hiyâ
jwale,
The
worldly day and night, my heart burns of that poison
(Em D C Bm Em, C
D Em Bm Am Em (Dm))
jurâite nâ
koinu upây R
and I
cared not for the way to put it to an end.
(F#dim
G Am G C D Em G C Am D Bm G)
*
3
(D Am Em
D)
brajendra-nandana jei,
s'acî-suta hoilo sei,
Krishna
son of the Vraja King, became the son of Saci
(Em D C Bm Em, C
D Em Bm Am Em (Dm))
balarâma hoilo
nitâi R
and
Balarâma turned into Nityânanda.
(D Am Em D)
dîna-hîna
jata chilo, hari-nâme uddhârilo,
All
souls low and wretched, were delivered by the name,
(Em D C Bm Em, C
D Em Bm Am Em (Dm))
târa
s'âkshî jagâi
mâdhâi R
thus one
sees with Jagai and Madhai.
(G D Em C D Em
Am Bm C D
Bm Am G F#dim Am Bm C D)
*
4
(D Am Em
D)
hâ hâ prabhu
nanda-suta, vrishabhânu-sutâ-juta,
O master
Son of Nanda, with Vrsabhânu's daughter,
(Em D C Bm Em, C
D Em Bm Am Em (Dm))
korunâ karoho
ei-bâro R
please
be friends with me now .
(D Am Em D)
narottama-dâsa
koy, nâ thheliho rângâ pây,
Narottama
says 'keep me at Your reddish lotus feet',
(Em D C Bm Em, C
D Em Bm Am Em (Dm))
tomâ bine ke
âche âmâra R
for who
is my beloved, except for You?
reprisal:
(G Em D C D, G
Am Bm C D (G))
hari hari! bifale janama
gonâinu R
O Lord
Hari I have spent my life uselessly.
S'rî
S'rî Shadgosvâmy-ashthaka
by: Srînivâsa
Âcârya
the eight verses
for the six Gosvâmi's
Intro:
(G, Am, Bm,
C , D, Em, C, Bm, Am, Em)
(1)
(G, Am, Bm,
C , D, Em, C, Bm, Am, Em)
krishnotkîrtana-gâna-nartana-parau
premâmritâmbho-nidhî R
always
chanting Krishna, dancing; alike the ocean of love of God,
(Em, Am, D, C,
G, Am, Bm, C, D, Em)
dhîrâdhîrâ-jana-priyau
priya-karau
nirmatsarau pûjitau R
popular
both with the gentle and with the ruffians, non-envious of anyone.
(Em, C, G, Em,
D, C, Bm, Am, Em)
s'rî-caitanya-kripâ-bharau
bhuvi
bhuvo bhârâvahantârakau R
by
Caitanya blessed, all-pleasing, delivering all in the material universe.
(Em, D, C, Bm,
Am7, G, Am7, D, Em)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(2)
(G, Em, C, D, Em, Am, D, C, D7, D)
nânâ-s'âstra-vicâ-ranai-ka-nipunau
sad
dharma-samsthâpakau R
experts
in scrutinizing sastric study for settling the principles for each,
(Em, Bm, Am, G,
Am, Em, Am, D, Em)
lokânâm
hita-kârinau tri-bhuvane mânyau s'aranyâkarau R
honored
over all the three worlds they are worth taking shelter of,
(Em, C, G, Em,
D, C, Bm, Am, Em)
râdhâ-krishna-padâravinda-bhajana-anandena
mattâlikau R
absorbed
in the mood of the gopis in the service of Radha and Krishna,
(D, C, Bm, Am,
G, Am, Bm, C, D)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(G C Am D
C Bm Am G Em D Am G F#dim Em D G
C Am D C Bm Am G Em D Am G F#dim Em D G)
*
(3)
(G, Am, Bm,
C , D, Em, C, Bm, Am, Em)
s'rî-gaurâng'-gunânuvar-nana-vidhau s'raddhâ-samriddhy-anvitau R
rich in
understanding Lord Caitanya and narrating His supreme qualities,
(Em, Am, D, C,
G, Am, Bm, C, D, Em)
pâpottâpa-nikrintanau tanu-bhritâm
govinda-gânâmritaih R
capable
of purifying all by pouring out divine songs about Govinda.
(Em, C, G, Em,
D, C, Bm, Am, Em)
ânandâmbudhi-vardhanaika-nipunau
kaivalya-nistârakau R
expanding
the
ocean of bliss, the saviors by the devouring mouth of liberation.
(Em, D, C, Bm,
Am7, G, Am7, D, Em)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(4)
(G, Em, C, D, Em, Am, D,
C, D7, D)
tyaktvâ
tûrnam as'esha-mandal'-pati-s'renîm sadâ tuccha-vat R
who
kicked off all association of aristocracy as insignificant,
(Em, Bm, Am, G,
Am, Em, Am, D, Em)
bhûtvâ
dîna-ganes'akau karunayâ kaupîna-kanthâs'ritau R
to
deliver the poor souls, they accepted loincloths, as mendicants,
(Em, C, G, Em,
D, C, Bm, Am, Em)
gopi-bhâva-rasâmritâbdhi-laharî-kallola-magnau
muhur R
in the
waves of the ecstatic ocean of gopi- love they ever again bathed,
(D, C, Bm, Am,
G, Am, Bm, C, D)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(Bm Cma7 D G Am7
C Em D Em Bm Em D G Am D
C D Em G Am7 Em D Em D C G Am G D G)
*
(5)
(G, Am, Bm,
C , D, Em, C, Bm, Am, Em)
kûjat-kokila-hamsa-sârasa-ganâkîrne
mayûrâkule R
always
worshiping highly where the fine trees of fruits and flowers are
(Em, Am, D, C,
G, Am, Bm, C, D, Em)
nânâ-ratna-nibaddha-mûla-vithapa-s'rî-yukta-vrindâvane R
under
the roots they found all the precious jewels to Vrindâvana
(Em, C, G, Em,
D, C, Bm, Am, Em)
râdhâ-krishnam
ahar-nis'am
prabhajatau jîvârthhadau yau mudâ R
all
competent to bestow the greatest boon of life's goal of
Râdhâ and Krishna
(Em, D, C, Bm,
Am7, G, Am7, D, Em)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(6)
(G, Em, C, D, Em, Am, D,
C, D7, D)
sankhyâ-pûrvaka-nâma-gâna-natibhih
kâlâvasânî-kritau R
chanting
the holy names they bowed down with measure and schedule.
(Em, Bm, Am, G,
Am, Em, Am, D, Em)
nidrâhâra-vihârakâdi-vijitau
câtyanta-dînau
ca yau R
spending
their valuable lives in devotion they mastered eating and sleeping,
(Em, C, G, Em,
D, C, Bm, Am, Em)
râdhâ-krishna-guna-smriter
madhurima/anandena
sammohitau R
meek,
humble, enchanted by remembering the good of Râdhâ Krishna
(D, C, Bm, Am,
G, Am, Bm, C, D)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(G C Am D C
Bm Am G Em D Am G F#dim Em D G
C Am D C Bm Am G Em D Am G F#dim Em D G)
*
(7)
(G, Am, Bm,
C , D, Em, C, Bm, Am, Em)
râdhâ-kunda-tathe
kalinda-tanayâ-tîre
ca vams'îvathe R
on the
banks of Râdhâ-kunda, the Yamuna or sometimes at Vams'ivata,
(Em, Am, D, C,
G, Am, Bm, C, D, Em)
premonmâda-vas'âd
as'esha-das'ayâ
grastau pramattau sadâ R
they like madmen in their full ecstasy, had the symptoms of
transcendence,
(Em, C, G, Em,
D, C, Bm, Am, Em)
gâyantau ca
kadâ harer guna-varam bhâvâbhibhutau mudâ R
being
merged in the bliss of the consciousness of divine love,
(Em, D, C, Bm,
Am7, G, Am7, D, Em)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
(8)
(G, Em, C, D, Em, Am, D, C, D7, D)
he râdhe vraja-devîke ca lalite / he nanda-sûno kutah R
loudly,
shouting, "Radha Vraja Queen! O Lalita! O son of Nanda,
(Em, Bm, Am, G,
Am, Em, Am, D, Em)
s'rî-govardhana-kalpa-pâdapa-tale
kâlindî-vane
kutah R
are you
on the hill of Govardhana, or under the trees at the Yamuna?"
(Em, C, G, Em,
D, C, Bm, Am, Em)
ghoshantâv iti
sarvato vraja-pure khedair mahâ-vihvalau R
thus
were their moods all living to the great of krishna-consciousness.
(D, C, Bm,
Am, G, Am, Bm, C, D)
vande
rûpa-sanâtanau raghu-yugau
s'rî-jîva-gopâlakau R
my love
S'rî Rûpa, Sanâtan, Raghunath Bhatta, -Dasa,
Jîva and Bhatta Gopal!
Exit:
(G, Am, Bm,
C , D, Em, C, Bm, Am, Em)
Mahâmantra
V
(traditional
melody)
Intro:
(G#m C#m G#m C#m, E
F#m A C#m, E F#m A
C#m)
(E
F#m A B C#m)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(E
F#m A B C#m)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(F#m
E F#m E F#m B A B C#m)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(F#m
E F#m E F#m B A B C#m)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
from the
beginning tempo 2 and then together:
(E
F#m A B C#m)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(E
F#m A B C#m)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
Exit:
(E F#m A C#m, E F#m A
C#m, G#m C#m G#m
C#m).
Srî
Nâma (Gorâ Madhur)
by: S'rîla
Bhaktivinoda Thhâkur
(from
Gîtâvalî: S'rî
Nagar-Kîrtan-2)
Intro:
(Db Cdim Ab Bbm, F# Fm Cdim Db)
1
(F#
Cdim Db, F# Ab Db)
gây gorâ
madhur sware (2 x)
R
Lord
Gaura sings with a sweet voice,
(Db Fm Bbm Ebm F#Ab)
hare
krishna hare krishna krishna krishna hare hare
(Db Ebm
Ab Cdim Dm)
hare
râma hare râma râma râma hare hare
(F#Ab
Db)
gây gorâ
madhur sware
R
Lord
Gaura sings with a sweet voice,
2
(Fm Cdim Ebm Db
Fm Db)
grihe thâko, vane
thâko, sadâ 'hari' bole' dâko,
whether
householder or detached, always chant Hari,
(Db Ebm F# Ab
Cdim
Db)
sukhe duhkhe bhulo
nâ'ko, vadane hari-nâm koro re
whether
stressfull or distressed, set your lips to hari-nâm.
(F#Ab
Db)
gây gorâ
madhur sware R
Lord
Gaura sings with a sweet voice,
(F#Cdim
Db,
F#Ab Db)
Chorus: gây gorâ
madhur sware (2x)
Lord
Gaura sings with a sweet voice,
*
(Ab Fm Bbm
Ebm Cdim Db
Fm Bbm Cdim Db F# Ebm Cdim Bbm
Ebm Dbm Cdim Db Eb Cdim Db Ebm
F# Cdim Db Ebm Fm Bbm Cdim Db)
3
(Fm Cdim Ebm Db
Fm Db)
mâyâ-jâle
baddha
ho'ye, âcho miche kâja lo'ye,
caught
in a network of illusion, driven to toil so fruitlessly,
(Db Ebm F# Ab
Cdim
Db)
ekhona cetana pe'ye,
'râdhâ-mâdhav' nâm bolo re
fully
conscious as a human, now chant of Râdhâ Mâdhava.
(F#
Cdim Db, F#Ab Db)
gây gorâ
madhur sware R
Lord
Gaura sings with a sweet voice,
(Db Fm Bbm Ebm F#Ab)
hare
krishna hare krishna krishna krishna hare hare
(Db Ebm
Ab Cdim Dm)
hare
râma hare râma râma râma hare hare
(F#
Ab Db)
gây gorâ
madhur sware
R
Lord
Gaura sings with a sweet voice,
(F# Cdim
Db,
F# Ab Db)
Chorus: gây gorâ
madhur sware (2x)
Lord
Gaura sings with a sweet voice,
*
(Ab Cdim
Db F#, Ebm F# Ab Db
Ab Fm Ebm Db, Ab Fm Ebm Ab
F# Ab Bbm, Ebm Cdim Db
Fm Bbm Cdim Db, Ebm Fm F# Db)
4
(Fm Cdim Ebm Db
Fm Db)
jîvana hoilo
s'esha, nâ bhajile hrishîkes'a
life can
end each moment, and Hrîsikes'a you did not serve,
(Db Ebm F# Ab
Cdim
Db)
bhaktivinodopades'a,
ekbar nâm-rase mâto re
take
this advice of bhaktivinod: relish the nectar of the names!
(F#
Cdim Db, F# Ab Db)
gây gorâ
madhur sware R
Lord
Gaura sings with a sweet voice,
(Db Fm Bbm Ebm F#
Ab)
hare
krishna hare krishna krishna krishna hare hare
(Db Ebm
Ab Cdim Dm)
hare
râma hare râma râma râma hare hare
(F#
Ab Db)
gây gorâ
madhur sware R
Lord
Gaura sings with a sweet voice,
(F#
Cdim Db, F# Ab Db)
Chorus: gây gorâ
madhur sware (2x)
Lord
Gaura sings with a sweet voice,
*
(Ab Fm Bbm
Ebm Cdim Db
Fm Bbm Cdim Db F# Ebm Cdim Bbm
Ebm Dbm Cdim Db Eb Cdim Db Ebm
F# Cdim Db Ebm Fm Bbm Cdim Db)
(F#
Cdim Db, F# Ab Db)
Chorus: gây gorâ
madhur sware (2x)
Lord
Gaura sings with a sweet voice,
Exit:
(Db Cdim Ab Bbm, F# Fm Cdim
Db)
Gurudeva
by: S'rîla
Bhaktivinode Thhâkur
(from S'aranâgati: Bhajana
Lâlasâ-11)
Intro
(Bb Ab Bb Ab
Bb)
1
(Bb Ab Gm)
gurudev!
kripâ-bindu diyâ, koro' ei dâse,
Gurudeva,
grant one drop of mercy; I am your servant
(Bb Cm)
trinâpekshâ
ati
hîna R
lower
than
a blade of
grass.
(Bb Eb Cm)
sakala sahane, bala
diyâ koro',
Let me
be as you
are, give me
strength,
(1: Ab
Bb)
(2: Bb
Cm)
nija-mâne
sprihâ-hîna R
without
desires or aspirations.
(Eb Bb Cm Bb Ab
Gm Ab Gm Eb Cm Bb Gm)
*
2
(Bb Ab Gm)
gurudev!
kripâ-bindu diyâ, koro' ei dâse,
Gurudeva,
grant one drop of mercy; I am your servant
(Bb Cm)
trinâpekshâ
ati
hîna R
lower
than
a blade of
grass.
(Bb Ab)
sakale sammâna
korite s'akati
O lord
and master, give me the strenght
(Gm Cm Gm
Cm)
deho' nâtha!
jathâjatha R
to honor
all living beings
(Bb Eb Cm)
tabe to' gâibo,
hari-nâma-sukhe
Then, by
means of chanting, the holy name in great bliss,
(1: Ab
Bb)
(2: Bb
Cm)
aparâdha ha'be
hata R
all
my
offenses
will cease.
(Ddim Eb Fm Cm
Bb Ab F Bb
Eb Fm Gm Cm F Bb)
*
3
(Bb Ab Gm)
gurudev!
kripâ-bindu diyâ, koro' ei dâse,
Gurudeva,
grant one drop of mercy; I am your servant
(Bb Cm)
trinâpekshâ
ati
hîna R
lower
than
a blade of
grass.
(Bb Ab)
kabe heno kripâ,
labhiyâ e jana,
The
mercy of your love and wisdom
(Gm Cm Gm
Cm)
kritârtha hoibe,
nâtha! R
when
will it befall me, my Lord!
(Gm
D# Cm)
s'akti-buddhi-hîna,
âmi ati dîna,
for I
lack in strenght, intelligence, make me your servant
(1:
G# A#)
(2:
A# Cm)
koro' more
âtma-sâtha R
pull me
close to You
(Eb Bb Cm Bb Ab
Gm Ab Gm Eb Cm Bb Gm)
*
4
(Bb Ab Gm)
gurudev!
kripâ-bindu diyâ, koro' ei dâse,
Gurudeva,
grant one drop of mercy; I am your servant
(Bb Cm)
trinâpekshâ
ati
hîna R
lower
than
a blade of
grass.
(Bb Ab)
jogyatâ-vicâre,
kichu
nâhi
pâi,
looking
into me, no qualities are found.
(Gm Cm Gm
Cm)
- tomâra
karunâ - sâra R
on Your
mercy I depend.
(Gm
D# Cm)
karunâ nâ
hoile, kândiyâ kândiyâ,
withholding
your
mercy,
I do weep, and weep
(1: G#
A#)
(2:
A# Cm) R
prâna nâ
râkhibo âra
unable
to maintain my life.
Fin:
(A#
G# Gm)
gurudev!
kripâ-bindu diyâ, koro' ei
dâse,
Gurudeva,
grant one drop of mercy; I am your servant
(A#
Bm)
trinâpekshâ
ati
hîna
lower
than
a blade of
grass.
S'uddha-bhakata
by: S'rîla
Bhaktivinoda Thhâkur
(from
S'aranâgati - 3:
Bhakti-Anukûla-Mâtra-Kâryera-Svîkara)
Intro:
(D Em F#dim G Am D Edim D)
1
(Em Am G Am)
s'uddha-bhakata-carana-renu,
The pure
devotee's dust of his feet,
(1: Em C D / 2:
Em C D G)
bhajana-anukûla R
singing
enthused in following,
(G Em C Am)
bhakata-sevâ,
parama-siddhi,
and
serving the servant of the highest,
(1: Bm C D Bm /
B 2: Bm C D G)
prema-latikâra
mûla R
form the
roots of the creepers of love.
2
(Em Am G Am)
mâdhava-tithi,
bhakti-jananî,
The holy
days of study and feasting,
(1: Em C D / 2:
Em C D G)
jatane pâlana kori R
breed
the devotion of those who respect.
(G Em C Am)
krishna-vasati, vasati
boli',
Krishna's
places,
places of worship
(1: Bm C D Bm /
B 2: Bm C D G)
parama âdare bori R
let them
be my blessing.
(Em D C Bm Am Bm
Em C D G)
*
3
(Em Am G Am)
gaur âmâra, ye-saba sthâne,
Lord
Gaura's pasttimes where they took place
(1: Em C D / 2:
Em C D G)
koralo bhramana range R
let me
always visit there.
(G Em C Am)
se-saba sthâna,
heribo âmi,
O those
places so very holy,
(1: Bm C D Bm /
B 2: Bm C D G)
pranayi-bhakata-sange R
where
all devoted assemble for Him.
4
(Em Am G Am)
mridanga-vâdya,
s'unite mana
Hearing
the sound of the Mrdanga,
(1: Em C D / 2:
Em C D G)
abasara sadâ
jâce R
then my
heart always wants to join.
(G Em C Am)
gaura-bihita,
kîrtana s'uni',
Lord
Gaura's times sung in the songs,
(1: Bm C D Bm /
B 2: Bm C D G)
ânande
hridoyâ nâce R
makes my
heart dance in ecstasy.
(Gm D Edim C D
Bm Am F#dim Em Am G C D Am F#dim G)
*
5
(Em Am G Am)
jugala-mûrti,
dekhiyâ mora,
As soon
as I see Your divine murti's,
(1: Em C D / 2:
Em C D G)
parama-ânanda hoya R
the
highest bliss comes over me,
(G Em C Am)
prasâda-sevâ
korite hoya,
For
taking the mercy of the Lordships,
(1: Bm C D Bm /
B 2: Bm C D G)
sakala prapañca
jaya R
one then
can conquer the elements.
6
(Em Am G Am)
ye-dina grihe, bhajana dekhi,
One day
performing in devotion,
(1: Em C D / 2:
Em C D G)
grihete goloka
bhâya R
my house
turned into Vrndavana.
(G Em C Am)
carana-sîdhu,
dekhiyâ gangâ,
The
murti-nectar seen as the Ganges,
(1: Bm C D Bm /
B 2: Bm C D G)
sukha(-a) nâ
sîmâ pâya R
my
happiness knows no bounds anymore.
(Bm C D Em C Am
G D C Bm G Am D G)
*
7
(Em Am G Am)
tulasî dekhi',
judâya prâna,
Seeing
Tulasi, my heart feels joy,
(1: Em C D / 2:
Em C D G)
mâdhava-toshanî jâni' R
and
Madhava also satisfied.
(G Em C Am)
gaura-priya,
s'âka-sevane,
Eating
Lord Gaura's favorite prasadam,
(1: Bm C D Bm /
B 2: Bm C D G)
jîvana
sârthaka mâni R
is to my
soul an entire new life.
8
(Em Am G Am)
bhaktivinoda,
krishna-bhajane,
Bhaktivinoda
singing
for Krishna
(1: Em C D / 2:
Em C D G)
anukûla pâya
jâhâ R
concludes
by
saying: 'Whoever attains
(G Em C Am)
prati-divase,
parama-sukhe,
the
truly enthused to the divine bliss,
(1: Bm C D Bm /
B 2: Bm C D G)
swîkâra
koroye tâhâ R
it will
be found, wherever one is!
Exit:
(D Em F#dim G Am D Edim D G)
Prasâda
Sevâya
by: S'rîla
Bhaktivinode Thhâkur
Song for the
Honoring of Spiritual Food
(from
Gîtâvalî)
Intro:
(Em D - Em D C,Bm G Am
Em D7 G Am, Em D C
G Am D Bm, D7 D C Em)
1
(Em D C)
(bhai-re!)
s'arîra abidyâ-jâl,
(O lord)
This body all of ignorance.
(Bm G Am)
jodendriya
tâhe kâl, R
the
senses lead to the unknown,
(Em D7 G Am)
jîve
phele vishaya-sâgore
fallen
into a sea of joy,
(Em D C)
tâ'ra
madhye
jihwâ
ati,
R
voracious
hardly to control,
(G Am D Bm)
lobamoy
sudurmati,
the
tongue so is of all senses,
(D7 D C Em)
tâ'ke
jetâ
kathhina
samsâre R
of
everything that belongs to the earth!
2
(Em D C)
krishna
baro doyâmoy,
Krishna
you're so kind to us,
(Bm G Am)
koribâre
jihwâ
jay,
R
You gave
us all this nice prasad,
(Em D7 G Am)
swa-prasâd-anna
dilo
bhâi
just to
control the tongue so seems,
(Em D C)
sei
annâ-mrita pâo, R
with
this food taken now by us,
(G Am D)
râdhâ-krishna-guna
gâo,
Râdha
Krishna
we
do thank,
(D7 D C Em)
preme
dâko caitanya-nitâi R
in love
we call for Gaura-Nitai!
(Em Am)
Jai
nimai jai Nitai R
praise
Nimai, praise Nitai
(C G Am)
hare
Krishna hare Krishna Krishna Krishna hare hare
(Em D C
Em)
hare Râma hare Râma Râma Râma hare
hare R
Exit:
(Em D Em D Em)
Krishna
prasadam..ki.... jay!
Lâlasâmayi
Prârthanâ
by: Narottama Dâsa
Thhâkur
('my personal
prayer')
(from
Prârthanâ)
Intro:
(B C#m Ebm B G#m E Bbdim G#m F#
B G#m E F# B)
(1)
(B C#m
Ebm
B)
'gaurânga'
bolite habe pulaka-s'arira
With
chanting 'Gauranga', His name,
is the perfect shivering attained,
(G#m
E
Bbdim G#m F# B G#m E F#
B)
'hari hari' bolite
nayane ba'be nira R
Chanting
'Hari,
Lord Hari',
tears well in my eyes.
(2)
(F# G#m
Bbdim
B Ebm Db)
âra kabe
nitâi-cânder korunâ hoibe
We all
ask for the mercy of Nityananda,
(E F# G#m
Bbdim
F# B)
samsâra-bâsanâ
mora
kabe tuccha ha'be R
wondering
when
our desires, will run futile,
(3)
(Ebm Cm B G#m
Bbdim
B C#m Ebm)
vishaya
châriyâ kabe s'uddha ha'be mana
Fearless
from
the material detached, with the mind purified,
(E F# G#m
Bbdim
B Db E F#)
kabe hâma herabo
s'rî-brindâbana R
I will
come to understand the love, of Vrindâvana
(C#m
Ebm
B G#m Bbdim B C#m
F# E F# G#m Bbdim B Db G#m F#)
*
1 (repr.)
(B C#m
Ebm
B)
'gaurânga'
bolite habe pulaka-s'arira
With
chanting 'Gauranga', His name,
is the perfect shivering attained,
(G#m
E
Bbdim G#m F# B G#m E F#
B)
'hari hari' bolite
nayane ba'be nira R
Chanting
'Hari,
Lord Hari',
tears well in my eyes.
(4)
(F# G#m
Bbdim
B Ebm Db)
rûpa-raghunâtha-pade hoibe âkuti
Eagerly
studying
the gosvâmi's their books, with that help
(E F# G#m
Bbdim
F# B)
kabe hâma bujhabo se jugala-pîriti R
I will
learn, about the loving state (of Radha and Krishna)
(5)
(Ebm Cm B G#m
Bbdim
B C#m Ebm)
rûpa-raghunâtha-pade
rahu
mora âs'a
Rûpa-raghunâtha
their
feet surely will lead there,
(E F# G#m
Bbdim
B Db E F#)
prârthanâ
koroye sadâ narottama-dâsa R
by
means of prayer does narottama direct himself
Exit:
(B C#m Ebm B G#m E Bbdim G#m F#
B G#m E F# B)
Sakhî-vrinde Vijñapti
by: Narottama Dâsa
Thhâkur
Prayer to the
Sakhis
(from
Prârthanâ)
Intro:
(Bm G#m C#m Bm G#dim Db)
1
(A Bm E
C#m)
râdhâ-krishna
prâna
mora
jugala-kis'ora R
S'ri
Râdhâ and Krishna the two divine, are my life and
soul.
(C#m
F#m E G#m F#m E)
jîvane
marane
gati
âro nâhi
mora R
In life
or death I have no other refuge but Them
2
(E
F#m E D#dim B C#m D#dim
E)
kâlindî-ra-a
kûle
keli-kadambera
vana R
In a
forest of small kadamba's on a Yamunâ bank
(E
C#m B A G#m F#m E B)
ra-tana-bedî-ra
u-para
bosâbo
du'jana R
I will
seat the divine two on a throne jeweled.
(Bm
G#dim
Db
F#m G#dim Db F#m
Bbdim D E F#m Db F#m)
*
3
(A Bm E
C#m)
s'yâma-gaurî-ange
dibo
(cûwâ)
candanera
gandha R
their
dark fair forms with sandalpaste and cuya I 'll anoint
(C#m
F#m E G#m F#m E)
câmara
dhulâbo
kabe
heri mukha-candra R
when
wave the câmara for Them and see their moon
faces?
4
(E
F#m E D#dim B C#m D#dim
E)
gâthi-yâ-mâlati-ir
mâlâ
dibo
dohâra
gale R
having
stringed mâlati flowers and place them around Their
necks
(E
C#m B A G#m F#m E B)
a-dhare
tuli-yâ di-bo
kar-pûra-tâmbûle R
and
offer tambuta with camphor to Their lotus mouths.
(Bm
G#dim
Db
F#m G#dim Db F#m
Bbdim D E F#m Db F#m)
*
5
(A Bm E
C#m)
lalitâ
vis'âkhâ-âdi
jata
sakhî-brinda R
Lalitâ
Vis'akha
and
the rest of all the sakhis,
(C#m
F#m E G#m F#m E)
âjñâya
koribo
sebâ
caranâravinda R
with
their permission i'll serve the lotus feet
6
(E
F#m E D#dim B C#m D#dim
E)
s'ri-krishna-caitanya-a-prabhur
dâser
anudâsa R
this
prabhu servant of the servant of S'rî Krishna
Caitanya
(E
C#m B A G#m F#m E B)
se-vâ
a-bhilâ-sha
ko-re
na-rottama-dâsa R
Narottama
longs for this service to them Both.
Exit:
(Bm G#m C#m Bm
G#dim Db F#m)
Vâsantî-râsa
by: Narottama Dâsa
Thhâkur
Amorous Pastimes
in the Spring
(from Prarthanâ)
Intro:
(Em Bm G B)
(1)
(Em
A G B)
vrindâvana
ramya-sthâna,
Vrindâvana's
forest
a
heavenly beauty,
(Bm
C#dim D Em B)
divya-cintâmani-dhâma,
a divine
mansion of touchstone,
(B C D G / Bm Cm
C D Bm)
ratana-mandira
manohara
R
jeweled
temples enchanting,
(Em A G B)
âvrita
kâlindî-nîre,
the
Yamunâ all around
(Bm
C#dim D Em B)
râja-hamsa
keli
kore,
where
royal swans frolick,
(B C D G / Bm Cm
C D Bm)
tâhe
s'obhe kanaka-kamala
R
therein
the splendour of a golden lotus.
(Bm
C#dim Em B)
*
(2)
(Em A G B)
târ
madhye hema-pîtha,
In its
middle a golden platform,
(Bm
C#dim D Em B)
ashtha-dale
beshthita,
surrounded
by eight petals,
(B C D G / Bm Cm
C D Bm)
ashtha-dale
pradhânâ
nâyikâ
R
upon
those eight petals the eight gopîs.
(Em A G B)
târ
madhye ratnâsane
In its
center on a jeweled throne
(Bm
C#dim D Em B)
bosi'
achen dui-jane,
are
seated the two lovers,
(B C D G / Bm Cm
C D Bm)
s'yâma-sange
sundarî
râdhikâ
R
with the
dark-skinned Lord, the beautiful Râdhikâ.
(Bm
C#dim D G, Bm C#dim D G
F#m Em D C# dim Bm A)
*
(3)
(Em A G B)
o-rûpa-lâvanya-râs'i,
Beauty
so sweet in waves,
(Bm
C#dim D Em B)
amiyâ
podi-i-che
khasi',
falls as
showers of nectar
(B C D G / Bm Cm
C D Bm)
hâsya
parihâsa-a-sambhâshane
R
in a
flood of enchantment, they address one another
(Em A G B)
narottama-dâs
koy,
Narottama
Dâsa says,
(Bm
C#dim D Em B)
nitya-lîlâ
sukha-moy,
this eternal
play is so totally happy;
(B C D G / Bm Cm
C D Bm)
sadâi
sphuruka
mora
mane
R
may they
ever be there in my heart!
Exit:
(Em Bm G B Em)
Mahamântra
VI
(traditional
melody)
Intro
(G Am Bm
C D Em D D D Em C Bm Am G F#dim G)
(D Em Bm
C C Bm Am G Am)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Bm C D Em D C
Bm G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE HARE R
(G D7 C Am Bm C
D Am Bm C D Em)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(D Am Bm C D Em
D Em Am G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE HARE R
from the
beginning in tempo 2 and then
*
(D C Bm G Am
Bm C D Em C D Em C
Am Bm C G Em Bm Am G D G)
again the same
one time and then slowly together:
(D Em Bm C C Bm
Am G Am)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Bm C D Em D C
Bm G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE HARE
Exit
(G Am Bm C D Em D D D Em C Bm Am G F#dim G)
S'rî
Vraja-Râja-Sutashthakam
by:
Anonymus
Eight Prayers
Glorifying the son of the King of Vraja
Intro:
(E D Bm G D Bm A F#m G A)
1.
(A Bm A7 D
Em)
nava-nîrada-nindita-kânti-dharam
Whose
complexion conquers that of a fresh raincloud,
(F#m D Bm A)
rasa-sâgara-nâgara-bhûpa-varam R
The King
of Paramours, the ocean of ecstatic mellows,
(F#m D Bm
F#m)
s'ubha-vankima-câru-s'ikhanda-s'ikham R
Whose
crown has a lovely peacock feather auspiciously to one
side,
(G Bm A7 F#m
(D))
bhaja-krishna-nidhim-vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
2.
(A Bm A7 D
Em)
bhrû-vis'ankita-vankima-s'akru-dhanum
He Whose
broadly bending eyebrows appear like arched rainbows,
(F#m
D Bm A)
mukha-candra-vinindita-koti-vidhum R
Whose
pure moonlike face belittles millions of ordinary
moons.
(F#m
D Bm F#m)
mridu-manda-suhâsya-subhâshya-yutam R
Who is
endowed with sweet gentle smiles and pleasant speech.
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
(D
C#m Bm G#dim A Bm C#m D Bm E A
F#m D F)
*
3.
(A Bm A7 D
Em)
suvikampad-ananga-sad-anga-dharam
He Whose
divine bodily limbs tremble profusely with Cupid's
agitations,
(FF#m
D Bm A)
vraja-vâsi-manohara-ves'a-karam R
Who
dresses enchantingly just to fascinate the Vraja vasis
(F#m
D Bm F#m)
bhris'a-lânchita-nîla-saroja-dris'am R
Who is
decorated with extraordinary eyes like blue lotus
blossoms
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
4.
(A Bm A7 D
Em)
alakâvali-mandita-bhâla-tatham
He Whose
forehead is surrounded by a fringe of wavy locks
(F#m
D Bm A)
s'ruti-dolita-mâkara-kundalakam R
Whose
earlobes are embellished with swaying shark shaped
earrings
(F#m
D Bm F#m)
kati-veshthita-pîta-patam-sudhatham R
Who is
adorned with yellow silk embracing His charming hips
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
(G
F#m Em D Bm A G F#m D F#m
A D Bm D A D Bm A D)
*
5.
(A Bm A7 D
Em)
kala-nûpura-râjita-câru-padam
He Whose
feet resound with tinkling ankle bells maddening all
(F#m
D Bm A)
mani-ranjita-ganjita-bhringa-madam R
the bees
with their vibration of swinging gemstones
(F#m
D BmF#m)
dhvaja-vajra-jhashânkita-pâda-yugam R
Whose
soles are marked with the flag, thunderbolt, fish and
more
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
6.
(A Bm A7 D
Em)
bhris'a-candana-carcita-câru-tanum
He Whose
graceful form is smeared with profuse sandalwood
paste,
(F#m
D Bm A)
mani-kaustubha-garhita-bhânu-tanum R
Whose
body glows with the Kaustubha gem, eclipsing the sun
(F#m
D Bm F#m)
vraja-bâla-s'iromani-rupa-dhritam R
Whose
personal beauty represents the zenith of Vraja youths,
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
(D
C#m Bm G#dim A Bm C#m D Bm E A
F#m D F)
*
7.
(A Bm A7 D
Em)
sura-vrinda-suvandya-mu
kunda-harim
He Who
is Mukunda and Hari, worshipable for godly and wise,
(F#m
D Bm A)
sura-nâtha-s'iromani-sarva-gurum R
Who is
the guru of all created beings, the crest jewel of all
Lords,
(F#m
D Bm F#m)
giridhâri-murâri-purâri-param R
Who is
known as Giridhâri and Murâri, above Lord
S'iva
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
8.
(A Bm A7 D
Em)
vrishabhânu-sutâ-vara-keli
param
He so
fond of sporting with the Daughter of Vrishabhanu
(F#m
D Bm A)
rasa-râja-s'iromani-ves'a-dharam R
Who
dresses impeccably as the Crown Prince of Mellow
Relishers,
(F#m
D Bm F#m)
jagadîs'varam-îs'varam-îdya-varam R
Who is
the most praiseworthy Lord of Lords in the entire
universe,
(G Bm A7
F#m (D))
bhaja-krishna-nidhim
vraja-râja-sutam R
Just
worship Krishna, the Dark Jewel, the son of the King of
Vraja.
Exit:
(E D Bm G D Bm A F#m G F#m)
S'rî
Vraja-dhâma-mahimâmrita
The Nectarean
Glories of Vraja-dhâma
Intro:
(D Em G Fm# Bm)
(1)
(D G A Bm)
jaya râdhe, jaya
krishna, jaya vrindâvan
All
glories to Râdhâ, Krishna and Vrindâvana.
(G Em A Bm)
s'rî govinda,
gopînâtha, madana-mohan R
and the
deities S'rî Govinda, Gopinâtha, and
Madana-mohana.
(Bm Em A7
Bm)
madana-mohan madana-mohan R
Gopinâtha,
and
Madana-mohana.
(D Em
Fm# G, DI Em A I Bm)
s'rî
govinda, gopînâtha,
madana-mohan
and the
deities S'rî Govinda, Gopinâtha, and
Madana-mohana.
(Bm A
GI Bm A7 Em D Bm G A D)
*
(2)
(D G A Bm)
s'yama-kunda,
râdhâ-kunda, giri-govardhan
All
glories to S'yama-kunda, Râdhâ-kunda, Govardhana
Hill,
(G Em A Bm)
kâlindi
jamunâ jaya, jaya
mahâvan R
All
glories to the Yamunâ and the forest
Mahâvana
(Bm Em A7
Bm)
jaya
mahâvan,
jaya
mahâvan R
All
glories to the forest Mahâvana
(D Em
Fm# G, DI Em A I Bm)
kâlindi
jamunâ
jaya,
jaya
mahâvan
All
glories to the Yamunâ and the forest
Mahâvana
(3)
(D G A Bm)
kes'î-ghâna,
bams'i-bana, dwâdas'a-kânan
All
glories to Kes'i-ghâta, and the Vams'i-vata tree, where He
attracted all gopis
(G Em A Bm)
jâhâ saba
lîlâ koilo
s'rî-nanda-nandan R
and to
the twelve forests of Vraja. where the son of Nanda had His pastimes.
(Bm Em A7
Bm)
s'rî-nanda-nandan,
s'rî-nanda-nandan R
the son
of Nanda, the son of Nanda .
(D Em
Fm# G, DI Em A I Bm)
jâhâ
saba
lîlâ
koilo
s'rî-nanda-nandan
and to
the twelve forests of Vraja. where the son of Nanda had His pastimes.
(G A Bm A7 D Bm
G A)
*
(4)
(D G A Bm)
s'rî-nanda-jas'odâ
jaya,
jaya
gopa-gan
All
glories to Nanda and Yas'odâ and the cowherd
boys,
(G Em A Bm)
s'rîdâmâdi
jaya,
jaya
dhenu-vatsa-gan R
headed
by S'rîdâma, and all the cows and calves.
(Bm Em A7 Bm
)
dhenu-vatsa-gan,
dhenu-vatsa-gan R
the cows
and calves, the cows and calves.
(D Em
Fm# G, DI Em A I Bm)
s'rîdâmâdi
jaya,
jaya
dhenu-vatsa-gan
headed
by S'rîdâma, and all the cows and calves.
(5)
(D G A Bm)
jaya brishabhânu,
jaya kîrtidâ sundarî
Hail to
Vrishabhânu and Kîrtidâ so
beautiful,
(G Em A Bm)
jaya
paurnamâsî, jaya
âbhîra-nâgarî R
All
glories to Paurnamâsi, and all maidens of Vraja.
(Bm Em A7
Bm)
âbhîra-nâgarî,
âbhîra-nâgarî R
and all
maidens of Vraja.
(D Em
Fm# G, DI Em A I Bm)
jaya
paurnamâsî, jaya
âbhîra-nâgarî
All
glories to Paurnamâsi, and all maidens of Vraja.
(Fm G A
Bm)
*
(6)
(D G A Bm)
jaya jaya
gopîs'wara vrindâvana-mâjh
All
glories to Gopis'vara the protector of
Vrindâvana,
(G Em A Bm)
jaya jaya
krishna-sakhâ banu
dwija-râj R
hail to
Krishna's funny brahmin friend, Madhumangala.
(Bm Em A7
Bm)
banu dwija-râj,
banu dwija-râj R
the
funny brahmin friend
(D Em
Fm# G, DI Em A I Bm)
jaya
jaya krishna-sakhâ banu
dwija-râj
hail to
Krishna's funny brahmin friend, Madhumangala.
(Fm G A
Bm)
*
(7)
(D G A Bm)
jaya
râma-ghâta, jaya rohinî-nandan
All
glories to Râma-ghâta and the son of Rohinî.
(G Em A Bm)
jaya jaya
vrindâvana-bâsî jata
jan R
hail,
all hail to the residents of Vrindâvana.
(Bm Em A7
Bm)
bâsî jata
jan, bâsî jata jan R
to the
residents of, to the residents of
(D Em
Fm# G, DI Em A I Bm)
jaya
jaya vrindâvana-bâsî jata
jan
hail,
all hail to the residents of Vrindâvana.
(8)
(D G A Bm)
jaya dwija-patnî,
jaya nâga-kanyâ-gan
All
glories to the wives of the proud brahmins. and the wives of
Kaliya.
(G Em A Bm)
bhaktite
jâhârâ pâilo
govinda-caran R
Through
bhakti they obtained Lord Govinda's feet.
(Bm Em A7
Bm)
govinda-caran,
govinda-caran R
Govinda's
feet. Govinda's feet.
(D Em
Fm# G, DI Em A I Bm)
bhaktite
jâhârâ pâilo
govinda-caran
Through
bhakti they obtained Lord Govinda's feet.
(G A Bm A7 D Bm
G A)
*
(9)
(D G A Bm)
s'rî-rasa-mandala
jaya, jaya râdhâ-s'yâm
All
glories to the place of the dance, to Râdhâ and
Shyâma.
(G Em A Bm)
jaya jaya
rasa-lîlâ sarva-manoram R
hail,
all hail to the divine rasa pastime, the most beautiful of all.
(Bm Em A7
Bm)
sarva-manoram,
sarva-manoram R
the most
beautiful of all, the most beautiful of all.
(D Em
Fm# G, DI Em A I Bm)
jaya
jaya rasa-lîlâ sarva-manoram
hail,
all hail to the divine rasa pastime, the most beautiful of all.
(10)
(D G A Bm)
jaya jayojjwala-rasa
sarva-rasa-sâr
All
glories to the rasa of conjugal love that is the most
excellent.
(G Em A Bm)
parakîyâ-bhâve
jâhâ
brajete
pracâr R
the
paramour love propagated in Vraja
(Bm Em A7
Bm)
brajete
pracâr,
brajete
pracâr
R
propagated
in Vraja, propagated in Vraja
(D Em
Fm# G, DI Em A I Bm)
parakîyâ-bhâve
jâhâ
brajete
pracâr
the
paramour love propagated in Vraja
(Bm A
GI Bm A7 Em D Bm G A D)
*
(11)
(D G A Bm)
s'rî-jâhnavâ-pâda-padma
koriyâ
smaran
remembering
Jâhnavâ
devi's
lotus feet,
(G Em A Bm)
dîna
krishna-dâsa kohe
nâma-sankîrtan R
sings
this fallen, lowly servant the holy name.
(Bm Em A7 Bm
)
nâma-sankîrtan,
nâma-sankîrtan R
sings
the holy name, sings the holy name,
(D Em
Fm# G, DI Em A I Bm)
dîna
krishna-dâsa kohe nâma-sankîrtan
sings
this fallen, lowly servant the holy name.
Exit:
(D Em G Fm# Bm)
S'rî
Das'âvatâra-stotra
(from
Gîtâ-govinda)
by Jayadeva
Gosvâmî
Intro
(C Em F G F G Am Dm C)
Matsya
Avatâra:
(1)
(C Em F G F)
pralaya-payodhi-jâle
dhritavân
asi vedam
In the
waters of deluge, to preserve the knowledge of Vedas,
(G Am Dm C)
vihita-vahitra-caritram
akhedam
You held
the Vedas like a vessel undeflected from its course.
(C G Em F )
kes'ava
dhrita-mîna-s'arîra
O
Kesava, in the form of a Fish, Hail Hari, Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
Kurma Avatâra:
(2)
(C Em F G F)
kshitir
iha vipulatare tishthati tava prishthe
On the
wide expanse of your back as a pivot for churning
(G Am Dm C)
dharani-dhârana-kina-cakra-garishthe
rests
the world, the mountain, creating round marks.
(C G Em F)
kes'ava
dhrita-kûrma-s'arîra
O
Kes'ava, in the form of Tortoise, Hail Hari ! Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
*
Varâha
Avatâra:
(3)
(C Em F G F)
vasati
das'ana-s'ikhare dharanî tava
lagnâ
The
earth once submerged at the bottom of the ocean,
(G Am Dm C)
s'as'ini
kalaìka-kaleva nimagnâ
sits
fixed on your tusk like a spot on the moon.
(C G Em F)
kes'ava
dhrita-s'ûkara-rûpa
O Kes'ava, in the form of
the Boar! Hail Hari ! Lord of the universe!.
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
Nrisimha
Avatâra:
(4)
(C Em F G F)
tava
kara-kamala-vare nakham adbhuta-s'rîngam
The
sharp nails on your hands became wonderful claws
(G Am Dm C)
dalita-hiranyakas'ipu-tanu-bhrîngam
that
tore up the body of Hiranyakasipu
(C G Em F)
kes'ava
dhrita-narahari-rûpa
O Kes'ava, of body
Man-Lion, Hail Hari! Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
(Am Bdim C Dm E
F D Am F Dm C dm Em F G
C Dm G Am G Am Bdim C)
*
Vâmana
Avatâra:
(5)
(C Em F G F)
chalayasi
vikramane balim adbhuta-vâmana
Skillfully
You
defeated Bali, the mighty king of the world, o Vâmana !
(G Am Dm C)
pada-nakha-nîra-janita-jana-pâvana
and from
your toe-nails came the Ganga, the purifier of the world.
(C G Em F)
kes'ava
dhrita-vâmana-rûpa
O
Kes'ava, in the form of a dwarf, Hail Hari! Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
Paras'urâma
Avatâra:
(6)
(C Em F G F)
kshatriya-rudhira-maye
jagad-apagata-pâpam
freeing
us of the tyrannous rulers, thus cleansing out the sin,
(G Am Dm C)
snapayasi
payasi
s'amita-bhava-tâpam
You
destroy the anguish of the world
(C G Em F)
kes'ava
dhrita-bhrigupati-rûpa
O
Kes'ava, as Lord of Bhrigus Hail Hari! Lord of the
universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
*
Râma
Avatâra:
(7)
(C Em F G F)
vitarasi
dikshu rane dik-pati-kamanîyam
To
uphold dharma, You scattered Râvana's ten heads
(G Am Dm C)
das'a-mukha-mauli-balim
ramanîyam
splendidly
in
the four directions, to the splendour of the guardians
(C G Em F)
kes'ava
dhrita-râma-s'arîra
O
Kes'ava, as Lord Sri Râma! Hail Hari! Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
Balarâma
Avatâra:
(8)
(C Em F G F)
vahasi
vapushi vis'ade vasanam jaladâbham
wearing
on your radiant body a garment of the color of the cloud,
(G Am Dm C)
hala-hati-bhîti-milita-yamunâbham
blue
like the Yamuna river, flowing as if afraid for your plough!
(C G Em F)
kes'ava
dhrita-haladhara-rûpa
O
Kes'ava in the form of Balarâma. Hail Hari! Lord of the universe.
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
*
Buddha
Avatâra:
(9)
(C Em F G F)
nindasi
yajña-vidher ahaha s'ruti-i-jâtam
Decrying
slaughter according the rules of Vedic sacrifice,
(G Am Dm C)
sadaya-hridaya
dars'ita-pas'u-ghâtam
You are
compassionate of heart with the poor animals.
(C G Em F)
kes'ava
dhrita-buddha-s'arîra
O
Kes'ava in the form of Buddha! Hail Hari! Lord of the universe.
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
Kalki
Avatâra:
(10)
(C Em F G F)
mleccha-nivaha-nidhane
kalayasi karavâlam
For the
destruction of the wicked, with a comet for a sword,
(G Am Dm C)
dhûmaketum
iva
kim api karâlam
You're
trailing a train of disaster to them.
(C G Em F)
kes'ava
dhrita-kalki-s'arîra
O
Kes'ava!, in the form of Kalki! Hail Hari! Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
* *
To this poem:
(11)
(C Em F G F)
s'rî-jayedeva-kaver
idam
uditam udâram
Hear
this hymn of the poet Jayadeva, O readers, it's most excellent,
(G Am Dm C)
s'rinu
sukha-dam s'ubha-dam bhava-a-sâram
it gives
happiness, good fortune, it's the best in this dark world.
(C G Em F)
kes'ava
dhrita-das'a-vidha-rûpa
0
Kes'ava in the ten different incarnations! Hail Hari! Lord of the universe!
(G F G Dm C F C)
jaya
jagadîs'a hare, jaya jagadîs'a hare,
jaya jagadîs'a hare
To Lord Krishna:
(12)
(C Em F G F)
vedân
uddharate
jaganti
vahate bhû-golam udbi-bhrate.
As Matsya the Vedas, as Kurma the mountain, as Varâha the earth.
(G Am Dm C)
daityam dârayate balim chalayate kshatra-kshayam kurvate
as Nrsimha the
demon, As Vâmana Bali, and as Parasurâma the ksatriyas.
(C G Em F)
paulastyam jayate halam kalayate kârunyam
âtanvate-e
As
Râma Râvana, as Balarâma the wicked, as
Buddha of compassion
(G F G Dm C F C)
mlecchân
mû-u-rchayate,
das'a kriti-i-krite
krishnâya tubhyam namah
As Kalki
to bewilder the degraded, O Krishna, O Krishna, my obeisances unto You
Exit:
(C Em F G F G Am Dm C)
Ohe!
Vaishnava Thhâkur
by Bhaktivinoda
Thhâkur
(from
S'aranâgati: Bhajana Lâlasâ: 7)
intro:
(Bm Em D Bm A D G)
1
(D Em)
ohe!
vaishnava thhâkura, doyâra sâgara,
O
venerable Vaisnava, o ocean of mercy
(Bm A)
e
dâse korunâ kori'
R
be
merciful unto your servant.
(A Bm G Am)
diyâ
pada-châyâ, s'odho he âmâya,
Give me
the shade of your lotus feet and purify me.
(Em D Em)
tomâra
carana
dhori
R
I hold
on to your lotus feet.
2
(D Em)
chaya vega domi', chaya
dosha s'odhi
Teach me
to control my six passions,
(Bm A)
chaya guna deho'
dâse
R
rectify
my six faults,
(A Bm G Am)
chaya sat-sanga, deho'
he âmâre,
bestow
upon me the six qualities, and offer me,
(Em D Em)
bosechi sangera
âs'e
R
the six
kinds of the holy association.
(Bm Em, G A Bm
C#dim D G Em D Bm
G A D Bm C#dim Em D G A C#dim D)
*
3
(D Em)
ohe!
vaishnava thhâkura, doyâra sâgara,
O
venerable Vaisnava, o ocean of mercy
(Bm A)
e
dâse korunâ kori'
R
be
merciful unto your servant.
(A Bm G Am)
diyâ
pada-châyâ, s'odho he âmâya,
Give me
the shade of your lotus feet and purify me.
(Em D Em)
tomâra
carana
dhori
R
I hold
on to your lotus feet.
(D Em)
ekakî
âmâra, nâhi pâya bala,
Alone I
do not find the strength to carry on,
(Bm A)
hari-nâma-sankîrtane
R
the
sankirtana of Hari's name.
(A Bm G Am)
tumi kripâ kori:
s'raddhâ-bindu diyâ,
Please
bless me by giving me just one drop of faith,
(Em D Em)
deho'
krishna-nâma-dhane
R
to
obtain the treasure of Krishna's name.
(G
Bm A Bm F#m G A Bm C#dim D Em
A G EmD C#dim D G A Bm Em G D A D)
*
4
(D Em)
ohe!
vaishnava thhâkura, doyâra sâgara,
O
venerable Vaisnava, o ocean of mercy
(Bm A)
e
dâse korunâ kori'
R
be
merciful unto your servant.
(A Bm G Am)
diyâ
pada-châyâ, s'odho he âmâya,
Give me
the shade of your lotus feet and purify me.
(Em D Em)
tomâra
carana
dhori
R
I hold
on to your lotus feet.
(D Em)
krishna se tomâra,
krishna dite pâro,
Krishna
is yours; give me Krishna
(Bm A)
tomâra s'akati
âche
R
you have
the power.
(A Bm G Am)
âmi to'
kângâla, 'krishna 'krishna 'boli',
I am
simply shouting, "Krishna! Krishna!"
(Em D Em)
dhâi tava
pâche pâche
R
running
behind you
Fine:
(D Em)
ohe!
vaishnava thhâkura, doyâra sâgara,
O
venerable Vaisnava, o ocean of mercy
(Bm A)
e
dâse korunâ kori'
R
be
merciful unto your servant.
(A Bm G Am)
diyâ
pada-châyâ, s'odho he âmâya,
Give me
the shade of your lotus feet and purify me.
(Em D Em)
tomâra
carana
dhori
R
I hold
on to your lotus feet.
intro:
(Bm Em D Bm A D G)
Jagannâtha
Svâmi
(traditional)
(Bdim Dm C G/
2e: C F G F)
Jagannâthah
svâmî
nayana
patha gâmî
Jagannâtha
Svâmî,
may
You be the object
(Am Bdim C
Dm/2e: Bdim Am F G)
nayana
patha gâmî
bhava
tume' R
may You
be the object
of my
vision!
(F#dim
G F C Am Bdim/2e: F# dim D Em C F C Am
G)
Jay
Jagannâth Jay Jagannâth, Jay Jagannâth Jay
Jagannâth, R
All
glories to Lord Jagannâth, all glories to Lord
Jagannâth
(D Em C F C Am
G/ 2e: dito)
Jay
Baladev Jay Subhadrâ, Jay Baladev Jay
Subhadrâ R
All
glories to Lord Baladeva and Subhadrâ
from the
beginning and then:
*
(Bdim Am
Bdim C G Bdim C Dm
Bdim Am F G Am Bdim Am G Am)
from the
beginning to * and then:
Fine
Exit:
(Bdim,
Dm C G Am Bdim
C Dm C F G F Bdim Am7 F G)
Simplified
version in C:
(Em G Am Em)(Am Em D Em)(E Am G D Em)(E Am G D Em)
S'rî
Jagannâthâshthakam
by; Nadiminty
Sarvamangaleswara Sastry
Intro:
(D Em C D Em D C Bm Am Em)
(1)
(G Am Bm C D
Em)
kadâcit
kâlindî-tatha-vipina-sangîtaka-a-ravo
Sometimes
in great happiness He plays His flute loudly in the
groves.
(Bm C D Em D7
G)
mudâbhîrî-nârî-vadana-kamalâsvâda-ma-a-dhupah
like a
bumblebee He tastes the lotus faces of the damsels of
Vraja,
(C D Em D7 G
Am)
ramâ-s'ambhu-brahma-amara-pati-ganes'ârcita-a-pado
R
Lakshmî,
S'iva,
Brahmâ,
Indra, and Ganes'a worship His lotus
feet.
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(2)
(G Am Bm C D
Em)
bhuje savye venum
s'irasi s'ikhi-puccham kati-i-tate
In His left hand
He holds a flute, on His head peacock feathers,
(Bm C D Em D7
G)
dukûlam
netrânte sahacara-kathâksham vida-a-dhate
ine
yellow silken cloth on His hips, from His eyes He casts His
glances,
(C D Em D7 G
Am)
sadâ
s'rîmad-vrindâvana-vasati-lîlâ-pari-i-cayo
R
He
always reveals Himself through His pastimes in divine
Vrindâvana.
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(Bm D7 Em D7 G
Am D C Am G C D Em D7)
*
(3)
(G Am Bm C D
Em)
mahâmbhodhes
tîre kanaka-rucire nîla-s'i-i-khare
At the
ocean, in a large palace, atop the brilliant, golden
Nîlâcala Hill,
(Bm C D Em D7
G)
vasan
prâsâdântah sahaja-balabhadrena ba-a-linâ
He
resides with His powerful brother Balabhadra
(C D Em D7 G
Am)
subhadrâ-madhya-sthah
sakala-sura-sevâvasa-a-ra-do
R
and with
Subhadrâ between Them, He gives all the opportunity to
serve
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(4)
(G Am Bm C D
Em)
kripâ-pârâvârah
sajala-jalada-s'reni-ru-u-ciro
An ocean
of mercy and as beautiful as a row of blackish rain
clouds.
(Bm C D Em D7
G)
ramâ-vânî-râmah
sphurad-amala-pankeruha-a-mukhah
the
storehouse of bliss for Lakshmî and Sarasvatî; His face a
spotless fullblown lotus.
(C D Em D7 G
Am)
surendrair
ârâdhyah
s'ruti-gana-s'ikhâ-gîta-ca-a-rito
R
The best
of demigods and sages worship Him; the Upanishads sing His glories.
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(C D Am Bm G Am
Bm C D G)
*
(5)
(G Am Bm C D
Em)
rathârûdho
gacchan pathi milita-bhûdeva-pata-a-laih
Moving
on His Rathayâtrâ car, all brâhmins chant prayers
and sing to please.
(Bm C D Em D7
G)
stuti-prâdurbhâvam
prati-padam
upâkarnya
sa-a-dayah
Hearing
their hymns, He becomes very favorably disposed.
(C D Em D7 G
Am)
dayâ-sindhur
bandhuh sakala jagatâm
sindhu-su-u-tayâ
R
He is
the ocean of mercy and the true friend of all the
worlds.
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(6)
(G Am Bm C D
Em)
para-brahmâpîdah
kuvalaya-dalotphulla-na-a-yano
With His
eyes like lotus petals, He is the ornament on Lord Brahmâ's
head.
(Bm C D Em D7
G)
nivâsî
nîlâdrau nihita-carano 'nanta-s'i-i-rasi
He
resides on Nîlâcala Hill with His lotus feet on Ananta's
heads
(C D Em D7 G
Am)
rasânando
râdhâ-sarasa-vapur-âlingana-a-sukho
R
Overwhelmed
of
love,
He embraces the cool pond of Râdhâ's
body
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(Bm D7 Em D7 G
Am D C Am G C D Em D7)
*
(7)
(G Am Bm C D
Em)
na vai yâce
râjyam na ca kanaka-mânikya-vi-i-bhavam
I do not
pray for a kingdom, nor for gold, rubies, or wealth.
(Bm C D Em D7
G)
na
yâce
'ham ramyâm sakala
jana-kâmyâm vara-a-vadhûm
I do not
ask for a beautiful wife, as desired by all men.
(C D Em D7 G
Am)
sadâ kâle
kâle
pramatha-patinâ
gîta-ca-a-rito
R
I simply
pray for Him, whose glories Lord S'iva always sings.
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(8)
(G Am Bm C D
Em)
hara tvam samsâram
druta-taram asâram sura-a-pate
O Lord
of the demigods, free me from the ocean of matter I am
in
(Bm C D Em D7
G)
hara tvam
pâpânâm vitatim aparâm
yâdava-a-pate
O Lord
of the Yadus, please destroy this vast, shoreless ocean of sins.
(C D Em D7 G
Am)
aho dîne
'nâthe
nihita-carano
nis'cita-a-m idam
R
oh, sure
is: He bestows His feet upon the fallen with no other shelter but
Him
(Am Bm G Am G D
Em)
jagannâthah
svâmî
nayana-patha-gâmî
bhavatu
me
R
May that
Jagannâtha Svâmî, be the object of my
vision.
(9)
(G Am Bm C Am D
Bm G)
jagannâthâshtakam
punyam
yah
pathet prayatah s'ucih
The
self-restrained, virtuous soul reciting these verses for Lord
Jagannâtha
(Am D7 G D Am D7
G)
sarva-pâpa-vis'uddhâtmâ
vishnu-lokam
sa
gacchati
R
is freed
from all sins and duly proceeds to Lord Vishnu's
abode.
Exit:
(D Em C D Em D C Bm Am Em)
Ekhona
Bujhinu Prabhu
by Srîla
Bhaktivinoda Thhâkur
"Now, I have
understood"
from: Avas'ya
Rakshibe Krishna' -Vis'vâ, Pâlana
'Faith
in Krishna as Protector'
Intro:
(Dm Am
(5x) Em Dm F Em Dm Am Dm Em F
G Am G F Em Dm C Bdim Am G F Em Dm)
(Dm Am Dm F Am C
Dm Am)
ekhona bujhinu prabhu! tomâ-ar carâna
Now I've
understood My Lord, Your feet
(Dm G Am F C Am
Dm)
as'okâbhoyâmrita,
-pûrna sarva-khana R
free
from sorrow, fear ever full, of nectar of all good
things
2.
(G G7 Dm G / G7
Dm F G)
sakala
châdiyâ tuwâ, R
giving
up everything at Your
(G Em Dm G7 / Am
F G)
carana-kamale R
lotus
feet
(Am Em Dm C Am
G7 Dm)
podiyâchi
âmi
nâtha!,
tava
pada-tale
I've
fallen O My Lord, at the souls of Your feet!
(Am Dm, Bdim Am
Bdim C Dm G Em Sm Bdim F G Em Dm C)
*
3.
(Dm Am Dm F Am C
Dm Am)
tava pâ-a-da-padma nâ-a-th!, rokhibe
âmâre
Your
lotusfeet O my Lord, will protect me
(Dm G Am F C Am
Dm)
âr
rakhâ-kartâ nâhi, e
bhava-samsâre R
another
protector there's not, in this material world.
4.
(G G7 Dm G / G7
Dm F G)
âmi tava
nitya-dâsa, R
I Your
eternal servant
(G Em Dm G7 / Am
F G)
-
jâninu
e-bâra R
I have
understood now
(Am Em Dm C Am
G7 Dm)
âmâr
pâ-a-lana-bhâra,
ekhona
tomâra
my
burden of maintenance, now Yours.
(Am Bdim C Dm Em
F G Am Bdim C Dm C Bdim Am G C)
*
5.
(Dm Am Dm F Am C
Dm Am)
bado duhkha pâiyâ-achi, swatantra jîvane
Great
misery I experience, in an independent life.
(Dm G Am F C Am
Dm)
duhkha dû -u-re gelo,
o pada-varane R
And now
I live free from all misery
6.
(G G7 Dm G / G7
Dm F G)
je-pada
lâgiyâ ramâ, R
In
search of those feet did Lakshmi
(G Em Dm G7 / Am
F G)
tapasya
korilâ R
perform
austerities.
(Am Em Dm C Am
G7 Dm)
je-pada
pâiyâ s'iva, s'iva-twa
lobhilâ
attaining
those feet did S'iva, earn his auspiciousness (see
3.28:
22).
(Am Dm, Bdim Am
Bdim C Dm G Em Sm Bdim F G Em Dm C)
*
7.
(Dm Am Dm F Am C
Dm Am)
je-pada labhiyâ brahmâ, kritâ-artha hoilâ
attaining
the feet did Brahmâ, become successful
(Dm G Am F C Am
Dm)
je-pada nârada muni,
hridoye dhorilâ R
those
feet Narada Muni, held to his heart.
8.
(G G7 Dm G / G7
Dm F G)
sei se abhoya
pada, R
they do
free from fear those feet
(G Em Dm G7 / Am
F G)
s'irete
dhoriyâ R
keeping
them on the head.
(Am Em Dm C Am
G7 Dm)
parama-ânande
nâci,
pada-guna
gâ-a-iyâ
in great
bliss I do dance, those feet good thus I
sing.
9.
(Dm C F G Am G F
Em)
samsâra-vipada ho'te, avas'ya uddhâ-a-r
from the
hard world its trouble, for sure will be freed,
(Dm C G7 G Am G7
(F) C (Em) Dm)
bhakativino-o-da, o-pada
koribe tomâr R
Bhaktivinoda,
those
feet
will be Yours!
Exit:
(Dm Am
(5x) Em Dm F Em Dm Am Dm Em F
G Am G F Em Dm C Bdim Am G F Em Dm)
Krishna
Jinakâ Namâ He
(Hindi
Traditional)
Intro:
(D G Bm F#m G Bm Em A F#m A D Em G
A A7 D)
(1)
(D G Bm
F#m)
krishna jinakâ
namâ hai,
He whose
name is Krishna,
(G Bm Em
A)
gokula jinakâ
dhâma hai
and
whose abode is Gokula
(F#m
A D Em)
aise s'rî
bhagavâna ko (mere)
unto
such a Lord Supreme I do
(G A A7
D)
bârambâra
pranâm hai R
time and
again,
offer my respects.
(2)
(Bm Em G Bm)
Yas'odâ jinaki
maiyâ hai,
He whose
mother is Yas'odâ
(Em G A
F#m)
nandajî
bapaiyâ hai
and
whose father is Nandajî
(Bm G Em
F#m)
aise s'rî gopâla
ko (mere)
unto
such a cowherd boy I do
(G A G
A7)
bârambâra
pranâm
hai R
time and
again,
offer my respects.
(Bm Em G Bm Em G
A F#m Bm G Em F#m G A G A)
*
(3)
(D G Bm
F#m)
râdhâ jinaki
jâya hai,
He whose
Beloved is Râdhâ
(G Bm Em
A)
adbhuta jinaki
mâyâ hai
so
amazing His energy mâyâ
(F#m
A D Em)
aise s'rî
ghana-s'yâma ko (mere)
He who
looks like a rain cloud I do
(G A A7
D)
bârambâra
pranâm hai R
time and
again,
offer my respects.
(4)
(Bm Em G Bm)
lûtha lûtha
dadhi mâkhana khâyo,
He who
sneaks to snatch the dairy and hides
(Em G A
F#m)
gvâla-bâla
sangha dhenu carâyo
who
tends the cows with His boyfriends
(Bm G Em
F#m)
aise s'ri
lîlâ-dhâma ko (mere)
unto Him
who is all playful pastimes I do
(G A G
A7)
bârambâra
pranâm
hai R
time and
again,
offer my respects.
(Bm Em G Bm Em G
A F#m Bm G Em F#m G A G A)
*
(5)
(D G Bm
F#m)
drupada-sutâ ko
lâja bacâyo,
Drupada's
daughter he saved from dishonor
(G Bm Em
A)
grâha
se
gaja ko phanda
chudâyo
He
delivered Gajendra from the alligator
(F#m
A D Em)
aise s'rî kripa-dhama
ko (mere)
unto Him
the abode of all compassion, I do
(G A A7
D)
bârambâra
pranâm
hai R
time and
again,
offer my respects.
(6)
(Bm Em G Bm)
kuru pândava ko
yuddha macâyo,
the
Kuru/ Pândava war He has caused
(Em G A
F#m)
arjuna ko upades'a
sunâyo
Arjuna
He instructed on the battlefield
(Bm G Em
F#m)
aise
dînâ-nâtha ko (mere)
He the
Lord of all fallen souls I do
(G A G
A7)
bârambâra
pranâm
hai R
time and
again,
offer my respects.
End:
(Bm Em G
Bm)
bhaja re! bhaja govinda
gopâla hare
R
Sing, do
sing of Govinda Gopâla
(Bm Em G Bm)
râdhe govinda,
râdhe govinda, râdhe
govinda
R
of
Râdhâ and Govinda again and again
(Em G A
F#m)
râdhe gopala,
râdhe gopala, râdhe
gopala
R
of
Râdhâ and Gopâla, Râdhâ and
Gopâla
(Bm G Em
F#m)
aise s'ri
bhagavâna ko (mere)
unto
such a Lord Supreme I do
(G A G A)
bârambâra
pranâm hai
R
time and
again,
offer my respects.
Hare Krishna
Mahâmantra VII
(traditional
melody)
(G D Em)
HARE
KRISHNA, HARE KRISHNA
(G Bm
A)
KRISHNA KRISHNA, HARE HARE
(G A7 D Bm)
HARE RÂMA, HARE RÂMA,
(D G A)
RÂMA RÂMA, HARE
HARE R
(D A Bm)
HARE KRISHNA, HARE KRISHNA
(Bm
F#m G)
KRISHNA KRISHNA, HARE HARE
(D Bm
A F#m)
HARE RÂMA, HARE RÂMA,
(A
F#m Bm)
RÂMA RÂMA, HARE
HARE R
from the
beginning tempo 2 and then:
(G D Em)
HARE
KRISHNA, HARE KRISHNA
(G Bm
A)
KRISHNA KRISHNA, HARE HARE
(G A7 D Bm)
HARE RÂMA, HARE RÂMA,
(D G A)
RÂMA RÂMA, HARE
HARE R
Exit:
(D G Bm F#m G Bm Em A F#m A D Em G
A A7 D)
S'rî
Nâma-kîrtana
'Chanting
of the holy names'
(from
Gîtâvalî: S'rî
Nâm-kîrtan:
1)
Intro:
(F# E C#m Bbdim B F#
F#7 B)
(1)
(F#
E)
yas'omatî-nandana,
vraja-vara-nâgara,
Yas'øda's
beloved
son,
the lover of Vraja,
(C#m
F#)
gokula-rañjana
kâna
R
the
delight of Gokula, Kâna.
(B
F#)
gopî-parâna-dhana,
madana-manohara,
R
The
gopis' wealth of life, He even steals Cupids mind,
(Bbm Db
F#)
kâliya-damana-vidhâna
R
the
serpent Kalya He chastises.
(2 -
chorus)
(F#
Db F#)
amala
harinâm
amiya-vilâsâ
R
The pure
of Hari's names, full of sweet nectar.
(F# E
C#m)
vipina-purandara,
navîna
nâgara-vara,
The
forests of Vraja their Lord, the youthful best of
lovers,
(Bbdim F#
Bbm F#)
vams'î-vadana
suvâsâ
R
always
plays the flute so nicely dressed.
(Ebm B
G#m E G#m B Db
Ebm B E F# G#m Bbdim B C#m
F#)
*
(3)
(F#
E)
braja-jana-pâlana,
asura-kula-nâs'ana,
Vraja's
people He protects, the asura clans He destroys
(C#m
F#)
nanda-godhana-râkhowâlâ
R
tending,
protecting Nanda's cows.
(B
F#)
govinda mâdhava,
navanîta-taskara
R,
The cows
their pleasure, the goddess' husband and the butter
thief,
(Bbm Db
F#)
sundara
nanda-gopâlâ
R
the
beautiful cowherd of Nanda.
(3 -
chorus)
(F#
Db F#)
amala
harinâm
amiya-vilâsâ
R
The pure
of Hari's names, full of sweet nectar.
(F# E
C#m)
vipina-purandara,
navîna
nâgara-vara,
The
forests of Vraja their Lord, the youthful best of
lovers,
(Bbdim F#
Bbm F#)
vams'î-vadana
suvâsâ
R
always
plays the flute so nicely dressed.
(E F#
Ebm B F# E G# F# E Ebm
C#m B Bbdim G# m F#)
*
(4)
(F#
E)
jâmuna-tatha-cara,
gopî-vasana-hara,
Wandering
at the Yâmnua, He stole the gopi's garments,
(C#m
F#)
râsa-rasika
kripâmoya
R
delighting
in the mellows of the Rasa dance.
(B
F#)
s'
rî-râdhâ-vallabha,
brindâbana-nathabara,
R
Radharani's
beloved,
vrindâvana's
dancer,
(Bbm Db
F#)
bhakativinod-âs'raya
R
Bhaktivinoda
his
refuge.
(4 -
chorus)
(F#
Db F#)
amala
harinâm
amiya-vilâsâ
R
The pure
of Hari's names, full of sweet nectar.
(F# E
C#m)
vipina-purandara,
navîna
nâgara-vara,
The
forests of Vraja their Lord, the youthful best of
lovers,
(Bbdim F#
Bbm F#)
vams'î-vadana
suvâsâ
R
always
plays the flute so nicely dressed.
Exit:
(F# E C#m Bbdim B F#
F#7 B)
S'rî
Rûpa
Manjari
Pada
by: Narottama Dâsa
Thhâkur
'The Feet of
S'ri Rûpa Manjari'
(from
Prârthanâ)
Intro:
(C#m A F#m D, F#m D Bm E,
F#m D Bm C#m, F#m E D
F#m)
(1)
(A E
F#m, E C#m D E)
s'ri-rûpa-manjari-pada,
sei
mora
sampada,
The
lotus feet of S'ri Rûpa Manjari are my treasure,
(F#m
E D Bm / F#m A D C#m
F#m)
sei mor
bhajana-pûjana R
they are
my devotion and service,
(A E
F#m, E C#m D E)
sei mora prâna-dhana,
sei mora âbharana,
they are
my wealth and the meaning of my life -
(F#m
E D Bm / F#m A D C#m F#m)
sei mor jivanera jivana
R
they are
the life of my life.
(G#dim
A Bm C#m D, F#m D E C#m D A E A)
*
(2)
(A E
F#m, E C#m D E)
sei mora rasa-nidhi, sei
mora vânchâ-siddhi,
They are
the perfection of rasa, they are perfection worthy to
attain
(F#m
E D Bm / F#m A D C#m
F#m)
sei mor vedera dharama
R
They are
the very law of the Vedas for me.
(A E
F#m, E C#m D E)
sei brata, se-i tapa, sei
mora mantra-japa,
of my
vows and penances, they are the mantras of my praying.
(F#m
E D Bm / F#m A D C#m F#m)
sei mor dharama-karama
R
They are
the religion, my activities.
*
(G#dim
A Bm C#m D E D, A F#m D ma7 Bm A
G#dim F#m)
(3)
(A E
F#m, E C#m D E)
anukûla habe
vidhi, se-pade hoibe siddhi,
purified,
following the rules, one will attain perfection
(F#m
E D Bm / F#m A D C#m
F#m)
nirakhibo e dui
nayane R
these
two eyes thus may see
(A E
F#m, E C#m D E)
se
rûpa-mâdhuri-râs'i,
prâna-kuvala-ya-s'as'i,
like
moonlight his form in my heart, my heart shines in return.
(F#m
E D Bm / F#m A D C#m F#m)
praphullita habe
nis'i-dine R
not just
at night, but all day.
(G#dim
A Bm C#m D, F#m D E C#m D A E
A)
*
(4)
(A E
F#m, E C#m D E)
tuwâ
adars'ana-ahi, garale jâ-ralo dehi,
Your
absence from my vision, is like a dose of strong
poison,
(F#m
E D Bm / F#m A D C#m
F#m)
ciro-dina tâpita
jivana
R
and I
will suffer till the end of my life
(A E
F#m, E C#m D E)
hâ hâ rûpa
koro doyâ, deho more pada-châyâ,
"Please
give me your mercy and the shade of your lotus
feet."
(F#m
E D Bm / F#m A D C#m F#m)
narottama loilo
s'arana
R
that's
what Narottama says.
Exit:
(C#m A F#m D, F#m D Bm E,
F#m D Bm C#m, F#m E D
F#m)
S'ri
S'acî Tanayâshtakam
by S'rila
Sârvabhauma Bhattâchârya
'Eight Prayers
Glorifying Lord Caitanya, the son of S'rîmati S'acî
devî'
Intro:
(Bm E F#m D Bm A E D E A F#m D Bm A G Bm
Bma7)
(1)
(Bm E
F#m D Bm, A E D E)
ujjvala-varana-gaura,-vara-a-deham
A
radiant lotus face, a body like gold,
(A
F#m D Bm, A G
Bm)
vilasita-nirabadhi,-bhâva-videham
R
sporting
incessantly, love nonphysical.
(G A Bm
C#m, D E D E)
tribhuvana-pâ-a-vana,-kripâyâhles'am
The
three worlds delivered by just, a bit of His grace,
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of S'acî.
(D
Bm G A Bm G Em F#m Bm G A Bm Em Bm F#m
Bm7)
*
(2)
(Bm E
F#m D Bm, A E D E)
gadagadâ-a-antara,-bhâva-vikâram
Choked
up from within, transformed by love,
(A
F#m D Bm, A G
Bm)
du-u-rjana-ta-a-rjana,-nâda-vis'âlam
R
the
corrupt their threat, an immense sound.
(G A Bm
C#m, D E D E)
bhava-bhaya-bhanjana-kâr-,-ana-karunam
The fear
or rebirth destroyed, the cause of mercy,
(Bm A G
F#m, Em G
Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of S'acî.
(D Bm G A Bm G
Em F#m Bm G A Bm Em Bm F#m Bm7)
*
(3)
(Bm E
F#m D Bm, A E D E)
arunâ-a-m-bara-dhara,-câru-kapolam
Saffron
garments He does wear, forehead beautiful,
(A
F#m D Bm, A G
Bm)
indu-vinindita-nakha,-caya-ruciram
R
the moon
mocked by fingernails, in rows radiant.
(G A Bm
C#m, D E D E)
jalpi-i-ta-nijaguna,-nâma-vinodam
Uttered
His own qualities, the Names He enjoys,
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of
S'acî.
(D Bm G A Bm G
Em F#m Bm G A Bm Em Bm F#m Bm7)
*
(4)
(Bm E
F#m D Bm, A E D E)
vigalita nayan(a)
kama,-la jala dhâram
Flowing
from His lotus eyes, a stream of tears,
(A
F#m D Bm, A G
Bm)
bhûshana-nava-ra-a-sa,-bhâva-vikâram
R
His
ornament fresh mellows, changes of love.
(G A Bm
C#m, D E D E)
gati-ati-ma-a-nthara,-nritya-vilâsam
His gait
very majestic, pastimes of dance,
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of
S'acî.
(Bm E
F#m D Bm A E D E A F#m D Bm A G Bm
Bma7)
*
(5)
(Bm E
F#m D Bm, A E D E)
cañcala-câ-a-ru-caran,-gati-ruciram
Restless
His lovely feet, the movements they please,
(A
F#m D Bm, A G
Bm)
mañjîra-rañjita-pada,-juga-madhuram
R
with
anklets adorned the two feet, so very sweet.
(G A Bm
C#m, D E D E)
candra-a-vinindita-s'î,-tala-vadanam
The moon
outshone by His, cooling face,
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of
S'acî.
(D Bm G A Bm G
Em F#m Bm G A Bm Em Bm F#m Bm7)
*
(6)
(Bm E
F#m D Bm, A E D E)
dhrita-kathi-dora-kaman,-dalu-da-a-ndam
Wearing
loincloth waterpot, and a staff,
(A
F#m D Bm, A G
Bm)
divya-a-kale-e-vara,-mundita-mundam
R
divine
His human form, shaven His head.
(G A Bm
C#m, D E D E)
durja-a-na-ka-a-lmasa,-khandana-dandam
the bad
ones their sins, destroyed chastised,
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of
S'acî.
(D Bm G A Bm G
Em F#m Bm G A Bm Em Bm F#m Bm7)
*
7)
(Bm E
F#m D Bm, A E D E)
bhûshana-bhûraja-ala,-kâ-vali-i-tam
An
ornament dust of the earth, up to his hair,
(A
F#m D Bm, A G
Bm)
kampita-bimbâ-a-dhara,-vara-ruciram
R
His
trembling lips red as berries, so fine pleasing.
(G A Bm
C#m, D E D E)
malaya-ja-viracita,-ujjval(a)-tilakam
With
sandal wood drawn out, brilliant tilak signs,
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of
S'acî.
(D Bm G A Bm G
Em F#m Bm G A Bm Em Bm F#m Bm7)
*
8)
(Bm E
F#m D Bm, A E D E)
nindita-arun(a)-kamala,-dala-nayanam
Surpassing
a pink lotus, the petals His eyes,
(A
F#m D Bm, A G
Bm)
âjânulambita-s'rî-bhu,-ja
ju-u-galam
R
down to
the knees extending long, His fine pair of arms.
(G A Bm
C#m, D E D E)
kalevara-kais'ora,-nartaka-ves'am
His body
so youthful, as an actor dressed up.
(Bm A G
F#m, Em G Bm)
tam pranamâmi ca
s'rî,-s'acî-tanayam
R
my
obeisances unto Him, the son of S'acî
Exit:
(Bm E F#m D Bm A E D E A F#m D Bm A G Bm
Bma7)
Mahâmantra
VIII
(traditional)
Intro:
(Bm G Am Bm D C G Em, Am C Em D Am F#dim Bm)
(Bm G Am
Bm D C G Em)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Am C Em
D Am F#dim Bm G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(Em Am
F#dim Bm D Am Bm G)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Am D Em
F#dim Am Em D G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
From the
beginning tempo 2 and then:
*
(Em Am
F#dim Bm D Am Bm
G,
Am D Em
F#dim Am Em D G)
(Bm G Am
Bm D C G Em)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Am C Em
D Am F#dim Bm G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
(Em Am
F#dim Bm D Am Bm G)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Am D Em
F#dim Am Em D G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE R
From the
beginning tempo 2 and then:
tempo 1 sung
together:
(Bm G Am Bm D C
G Em)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Am C Em
D Am F#dim Bm G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
(Em Am
F#dim Bm D Am Bm G)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE
HARE
(Am D Em
F#dim Am Em D G)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
Exit:
(Em Am F#dim Bm D Am Bm
G,
Am D Em
F#dim Am Em D G)
Âmi
Jamunâ Puline
by:
S'rîla
Bhaktivinoda Thhakur
'On the Bank of
the Yamuna River'
(from:
'Kalyâna
Kalpataru',)
'The
Desire tree of Auspiciousness'
Intro:
(G#m Eb G#m E C#m F#
G#m E F# B)
(1)
(B F#
Ebm, B G#m)
âmi
jamunâ-puline, kadamba-kânane,
At the
yamuna, in a Kadamba grove,
(C#m
G#m Bbdim)
ki herinu sakhî -i! âja R
what did
I see today o girlfriend?
(F#
G#m E, G#m E F# Ebm/2: F#
E C#m B G#m Bbdim
B)
âmâr s'yâma bams'î-dhari,
mani-mañcopari,
A dark
boy who had a flute, upon a jeweled throne,
(B
G#m F# /2: C#m G#m
Bbdim)
lîlâ kore'
rasa-râja R
performing
pastimes, the King of Mellows
(G#m
Bbdim Eb G#m Bbdim B C#m Ebm G#m
Bbdim Gdim)
*
(2)
(B F#
Ebm, B G#m)
âmi
jamunâ-puline, kadamba-kânane,
At the
yamuna, in a Kadamba grove,
(C#m
G#m Bbdim)
krishna-keli sudhâ-prasravana R
Krishna's
loving a nectar shower,
(F#
G#m E, G#m E F# Ebm/2: F#
E C#m B G#m Bbdim
B)
târa ashtha-dalopari, s'rî-râdhâ
s'rî-hari,
upon its
eight petals: Râdhâ and Hari;
(B
G#m F# /2: C#m G#m
Bbdim)
ashtha-sakhî
parijana R
the
eight sakhi's, their associates.
(G#m
Bbdim Eb G#m, G#m B C#m Ebm
G#m
Bbdim Gdim B F#, Ebm B Db C#m G#m
Bbdim)
*
(3)
(B F#
Ebm, B G#m)
târa sugîta
nartane, saba sakhî-gane,
With
nice songs and dancing, all the girlfriends.
(C#m
G#m Bbdim)
tushiche jugala-a-dhane R
please
the treasured couple.
(F#
G#m E, G#m E F# Ebm/2: F#
E C#m B G#m Bbdim
B)
takhan krishna-lîlâ heri', prakriti-sundarî,
Then,
seeing Krishna's playing, all matters beautiful,
(B
G#m F# /2: C#m G#m
Bbdim)
bistâriche
s'obhâ vane R
spread
the splendor through the forest.
(G#m
Bbdim Eb G#m Bbdim B C#m Ebm G#m
Bbdim Gdim)
*
(4)
(B F#
Ebm, B G#m)
âmi ghare nâ
jâibo, vane praves'ibo,
I will
not go home, I'll go for that forest,
(C#m
G#m Bbdim)
o lîlâ-ra-a-se-e-r tare R
for the
pastime- mellows.
(F#
G#m E, G#m E F# Ebm/2: F#
E C#m B G#m Bbdim
B)
âmi tyaji' kula-lâja, bhaja braja-râja,
I'll
forget familymembers, and worship the Lord of Vraja!
(B
G#m F# /2: C#m G#m
Bbdim)
vinoda minati
kore' R
So
humbly Vinod tells you.
Exit:
(G#m Eb G#m E C#m F#
G#m E F# B)
Bhoga-ârati
by: S'rîla
Bhaktivinoda Thhâkur
'Offering of the
food'
(from
Gîtâvalî)
(at
Thhâkura Bhaktivinoda's home at
Surabhi-kuñja in Godruma-dvîpa)
Intro:
(C F Gm Am Db Bm C Bb Am F Gm Am Bb
Dm C Bb Am F Edim Dm C Bb
Am Gm C F Gm Am Bb C Bb Gm)
(1)
(C F Gm Am Bb
/2: Dm C Bb Am)
bhaja
bhakata-vatsala
s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(F Gm Am Bb /2:
Dm C Bb Am)
s'rî-gaurahari sohi
goshthha-bihârî R
That
same Golden Lord sported in the pastures of Vraja,
(F Edim Dm C /2:
Bb Am Gm C)
nanda-jas'omatî-citta-hari R
Nanda's
and Yas'odâ's heart He stole.
(C F Gm Am Bb
/2: Dm C Bb Am)
bhaja
bhakata-vatsala
s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(F Em Bb
C)
*
(2)
(F Gm Am Bb /2:
Dm C Bb Am)
belâ
ha'lo dâmodara âi-so
ekho-na R
His
mother calls: 'its late Damodar, come now,
(C F Gm Bb /2: C
Am Gm F)
bhoga-mandire,
bosi' koroha bhoja-na R
sit down
in the dining room and eat Your lunch.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(3)
(F Gm Am Bb /2:
Dm C Bb Am)
nandera nides'e baise
giri-bara-dhârî R
Directed
by Nanda Krishna who held the hill sits down,
(C F Gm Bb /2: C
Am Gm F)
baladeva-saha sakhâ
baise sâri
sâri R
and
Baladeva and His friends all sit down in rows to eat.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(F Em Bb
C)
*
(4)
(F Gm Am Bb /2:
Dm C Bb Am)
s'uktâ-s'âkâdi
bhâji
nâlitâ
kushmânda-a R
Then
they eat s'ukta, vegetables, fries and jute (salad).
(C F Gm Bb / 2:
C Am Gm F)
dâli dâlnâ
dugdha-tumbî dadhi mocâ-khanda R
pumpkin,
fruits, [lentil-] cakes, dairy, squash and
bananaflowers.
( F Gm Am
Bb /
2: Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(5)
(F Gm Am Bb /2:
Dm C Bb Am)
mudga-bodâ
mâsha-bodâ rothikâ
ghritânna R
They get
mung and urad dahl patties, capatis, rice and ghee
(C F Gm Bb /2: C
Am Gm F)
s'ashkulî
pishtha-ka
khîr puli pâyasân-na R
sweets
with sesame, rice cakes, khir, milkcakes and sweet
rice.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(Dm Bb C Am
Dm Edim F Gm C Bb Am C)
*
(6)
(F Gm Am Bb /2:
Dm C Bb Am)
karpûra amrita-keli
rambhâ khîra-sâ-ra R
They
have camphor nectar, bananas, and delightful cheese,
(C F Gm Bb /2: C
Am Gm F)
amrita rasâlâ,
amla dvâdas'a prakâ-ra R
twelve
sours of tamarind, lime, lemon, orange and
pomegranate.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the
devotees!
(7)
(F Gm Am Bb /2:
Dm C Bb Am)
luci cini
sarpurî
lâddu
rasâba-lî R
There
are sugar puris white, cream puris, laddus, patties
sweet,
(C F Gm Bb /2: C
Am Gm F)
bhojana korena krishna ho'ye
kutûha-lî R
and all
the food is eagerly eaten by Krishna.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(Dm F Bb F
Gm C Dm Gm F Edim C F)
*
(8)
(F Gm Am Bb /2:
Dm C Bb Am)
râdhikâra pakka
anna vividha byañjana R
Râdhârânî's
rice,
curry,
sweets and pastries:
(C F Gm Bb /2: C
Am Gm F)
parama ânande krishna
korena bhojana R
ecstatically
happy
Krishna
eats of the food.
(F Gm Am
Bb (2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(9)
(F Gm Am Bb /2:
Dm C Bb Am)
chale-bale lâddu
khây s'rî-madhumangala-a R
His
funny friend laddu thief
Madhumangala,
(C F Gm Bb /2: C
Am Gm F)
bagala
bâjây âra deya
hari-bolo R
while
eating shouts 'haribol' and slaps his pits.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(Dm F Bb F
Gm C Dm Gm F Edim C F)
*
(10)
(F Gm Am Bb /2:
Dm C Bb Am)
râdhikâdi gane
heri' nayanera kone R
On
Râdhârânî and her friends keeping an
eye,
(C F Gm Bb /2: C
Am Gm F)
tripta ho'ye
khây
krishna jas'odâ-bhavane R
eating
so happy sits Krishna down in Yas'odhâ's house.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(11)
(F Gm Am Bb /2:
Dm C Bb Am)
bhojanânte piye
krishna suvâsita
bâri R
Drinking
rose-scented water does Krishna after lunch,
(C F Gm Bb /2: C
Am Gm F)
sabe mukha
prakshâloy ho'ye sâri
sâri R
wash His
mouth with all boys in one line.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(Dm Bb C Am
Dm Edim F Gm C Bb Am C)
*
(12)
(F Gm Am Bb /2:
Dm C Bb Am)
hasta-mukha
prakshâliyâ jata
sakhâ-gane R
Hand and
mouths having washed do all gopa's next,
( C F Gm Bb /2:
C Am Gm F)
ânande vis'râma
kore baladeva-sane R
in great
bliss with Râma take a rest.
( F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(13)
(F Gm Am Bb /2:
Dm C Bb Am)
jambula
rasâla âne
tâmbûla-masâlâ R
Jambula
and Rasâla bring pân, spice, catechu,
(C F Gm Bb /2: C
Am Gm F)
tâhâ kheye
krishna-candra sukhe nidrâ
gelâ R
having
taken that Krishna-candra goes happily asleep.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(F Em Bb
C)
*
(14)
(F Gm Am Bb /2:
Dm C Bb Am)
vis'âlâksha
s'ikhi-puccha-câmara
dhulâya R
while
resting d waves Visalaka a peacock feather fan,
(C F Gm Bb /2: C
Am Gm F)
apûrva
s'ayyâya krishna sukhe nidrâ
jâya. R
to cool
Krishna as He is happily asleep on the fine bed.
(F
Gm Am Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(15)
(F Gm Am Bb /2:
Dm C Bb Am)
yas'omatî-âjñâ
pe'ye
dhanishthhâ-ânîto R
Asked by
Yas'odâ brings Dhanishthâ the remnants,
(C F Gm Bb /2: C
Am Gm F)
s'rî-krishna-prasâda
râdhâ
bhuñje
ho'ye
prîto R
so that
the Krishna prasâda can be relished by
Râdhâ.
(F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
(F Em Bb
C)
*
(16)
(F Gm Am Bb /2:
Dm C Bb Am)
lalitâdi
sakhî-gana avas'esha
pâya R
Lalita
and the other gopis then take of what's left and
( C F Gm Bb /2:
C Am Gm F)
mane mane sukhe
râdhâ-krishna-guna
gâya R
happy in
their hearts they sing Râdhâ-Krishna their
glories.
( F Gm Am
Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of Lord
Gaura, the caretaker of the devotees!
(17)
( F Gm Am Bb /2:
Dm C Bb Am)
hari-lîlâ
eka-mâtra
jâhâra
pramoda R
With the
Lords His pastimes for his only joy,
( C F Gm Bb /2:
C Am Gm F)
bhogârati
gây
thhâkur
bhakativinoda R
sings
Bhaktivinoda to this offering of the food.
(
F
Gm Am Bb /2:
Dm C Bb Fma7)
bhaja
bhakata-vatsala s'rî-gaurahari R
Sing of
Lord Gaura, the caretaker of the devotees!
Exit:
(C F Gm Am Db Bm
C Bb Am F Gm Am Bb
Dm C Bb Am F Edim Dm C Bb
Am Gm C F Gm Am Bb C Bb
Gm)
Album VII
Durlabha
Mânava Janma
by S'rîla
Bhaktivinoda Thâkura
from
Kalyâna Kalpataru;
'The Desiretree of Auspiciousness'
'A Rare Human
Birth'
Intro:
(Cm Dm, Eb Cm
Ab, Gm Ab Bb Fm, Cm Ab Fm G Cm)
(1)
(Fm Eb
Cm Bb Cm Ddim Eb)
durlabha
mâ-a-a-nava-janma, labhiyâ samsâ-a-re-e
with
this rare human birth, attained in samsar
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
krishna nâ bha-jinu --- duhkha kahibo kâhâ-a-re-e
?
for
Krishna of no worship --- whom to tell that misery?
(Bb Ab Fm Gm Ab
Bb Cm)
durlabha
mâ-a-a-nava-janma labhiya
samsa-a-re-e
with
this rare human birth, attained in samsar
(2)
(Fm G Ab Bb Eb
Ddim Cm)
'samsâ-ra
'
'
sam-sâra ', ko're, miche gelo kâ---la
worldly
and again so worldly, acting pointless the time passed
(Cm Ab Ddim Gm
Eb F Gm Ab Fm Eb)
lâbha nâ
koi-lo kichu, ghati-i-lo jañjâ-a-la-a-a-a
won was
nothing not a thing, but a lot of
trouble
(Cm Fm, Gm Ab Bb
Eb, Gb Eb Ddim Bb, Cm Ddim Bb Gm)
*
(3)
(Fm Eb Cm Bb Cm
Ddim Eb)
ki-i-ser
samsâ-a--a-ar
e-ei,
châyâbâji
prâ-a-a-y
what
kind of world is this, its but a shadow theater!
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
iha-te
ma-mata
kori,
'britha, dina ja-a-a-y
in this
possessive acting fruitless, the days passed
(Bb Ab Fm Gm Ab
Bb Cm)
ki-i-ser
samsâ-a-a-ar e-ei, châyâbâji
prâ-a-a-y
what
kind of world is this, its but a shadow theater!
(4)
(Fm G Ab Bb Eb
Ddim Cm)
e
de-ho
pa-tana,
ho'le ki ro'be âmâ--ar?
of this
body upon falling, what will remain of me?
(Cm Ab Ddim Gm
Eb F Gm Ab Fm Eb)
keho sukha
nâ-hi, di-be pu-u-tra-a--par-ivâ-a-a-a-ar
some joy
not even, gives a son or family!
(5)
(Fm Eb Cm Bb Cm
Ddim Eb)
ga-a-ardabhe-er
mata
âmi,
kori paris'ra-a-a-am
just
like an ass I do perform, that labor,
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
kâ-a'r
lâgi
'eto
kori, nâ ghu-cilo bhra-a-a-am
for whom
do I work like this,
not
away'is my illusion!
(Bb
Ab Fm Gm Ab Bb Cm)
ga-a-ardhabe-er
mata
âmi,
kori paris'ra-a-a-am
just
like an ass I do perform, that labor.
(6)
(Fm G Ab Bb Eb
Ddim Cm)
dina jâ-ay micha
kâje, nis'a nidrâ-ba--s'e
the day
passes caught in trivia, the night is ruled by sleep,
(Cm Ab Ddim Gm
Eb F Gm Ab Fm Eb)
nâhi bhâvi ---
ma-rana nikate â-ache ba's'e-e-e-
i do not
think --- death ahead of me is waiting!
(Bb Ab, Gm Ab Bb
Cm Ddim, Gm Cm Fm Bb, Cm Ab Bb Eb)
*
(7)
(Fm Eb
Cm Bb Cm Ddim Eb)
bhâ-a-lo
ma-a--a-anda khâi, heri, pari, cintâ-hîna
much or
little I do eat, I see, I wear, unconcerned,
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
nâhi bhâvi,
e de-ho châ-dibo kon di-i--i-na-a-
I do not
think of, the body leaving someday!
Bb Ab Fm Gm Ab
Bb Cm
bhâ-a-lo
ma-a-a-anda
khâi,
heri, pari,
cintâ-hîna
much or
little I do eat, I see, I wear
unconcerned.
(8)
Fm G Ab Bb Eb Ddim Cm
deho-geho-kalatrâdi,-cintâ
avira---ta
the
body, the home, the wife and so - a worry
endless,
Cm Ab Ddim Gm Eb
F Gm Ab Fm Eb
jâgi-che
hri-do-ye mor, buddhi-i ko-o-ri 'hata-a-a-a
awakening
in my heart, is the intelligence crushed!
(9)
(Fm Eb
Cm Bb Cm Ddim Eb)
hâ-a-ay,
hâ-ay! nâ-ahi bhâvi --- anitya e sa-a-ba-a
alas,
alas! how inconsiderate ---of the temporal of all
this,
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
jîva-na
vi-gate
kothâ
rohi-be vaibha-a-va-a?
with
life running out..., where will stay this opulence?
(Bb
Ab Fm Gm Ab Bb Cm)
hâ-a-ay,
hâ-ay!
nâ-ahi
bhâvi --- anitya e
sa-a-ba-a
alas,
alas! how inconsiderate ---of the temporal of all this!
(10)
(Fm Eb Cm Bb Cm
Ddim Eb)
s'mas'â-ane
s'arîr
mama
podiyâ rohi--be
at the
burialplace my body flat out will be motionless
(Cm Ab Ddim Gm
Eb F Gm Ab Fm Eb)
bihan-ga-pa-ta-nga
tây bihâ-a-a-ar kori-i-i-i-be?
the
birds and bugs will have a good time!
(Cm Fm, Gm Ab Bb
Eb, Gb Eb Ddim Bb, Cm Ddim Bb Gm)
*
(11)
(Fm Eb
Cm Bb Cm Ddim Eb)
ku-u-ukku-ur
srigâ-a-al sab, ânandita ho-o'ye-e
the dogs
and jackhals will be delighted
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
maho-tsava
kori-be
â-mâr
de-ha lo-o-o'ye-e
they'll
have a feast taking my body!
(Bb
Ab Fm Gm Ab Bb Cm)
ku-u-ukku-ur
srigâ-a-al
sab,
ânandita
ho-o-'ye-e
the dogs
and jackhals will be delighted
(12)
(Fm G Ab Bb Eb
Ddim Cm)
je
de-her
ei
gati-i, tâ-a'r anuga-a--ta
it's
this body its end, its destination
(Cm Ab Ddim Gm
Eb F Gm Ab Fm Eb)
samsâr-vaibha-va
âr ban-dhu-ja-a-a-ana jata-a-a-a
(and so
too of) the wordly wealth and all the
friends!
(13)
(Fm Eb Cm Bb Cm
Ddim Eb)
a-a-ta-eva
mâ-ayâ-moha, châdi
'buddhimâ-a-a-n
therefore
that mad illusion rejecting: a wise person,
(Eb Fm Gm Ab Bb
Cm Dmin Fm)
nitya-tattva
krishna-bhakti korun
sandhâ-a-a-an
eternal
truth and Krishna bhakti: please go for that!
Exit:
(Cm Dm, Eb Cm
Ab, Gm Ab Bb Fm, Cm Ab Fm G Cm)
S'rî
Godruma-Chandra-Bhajanopades'a,
by S'rîla
Bhaktivinoda Thâkura
Instructions
for the worship of Lord Caitanya,
the Moon of the island of Godruma-dvîpa
from
'Gitâvalî'
Intro:
(Bb Gm Cm Adim, Dm Eb F Gm, Gm F Eb Dm Eb Dm Cm Bb)
(1)
(Gm Bb Dm
Gm F) (2: Gm Adim Bb Cm)
yadi te hari-pâda-saro-o-ja-sudhâ
If
you, with the lotus feet of Hari so sweet,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
rasa-pâna-param hridaya-a-m satatam R
in the
mood always want to feast your heart on drinking,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
parihritya griham kali-bhâ-a-va-mayam
then
give up your home so full of kaliyuga's illusion
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
and
sing of the moon (Lord Gaura) of Godruma's forest retreat.
(2)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
dhana-yauvana-jîvana-râ-a-jya-sukham
Riches,
youth,
a long life and royal happiness,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
na hi nityam anukshana-nâ-a-s'a-param R
not
certain nor permanent, can be lost at any moment;
(Gm F Dm Eb)
(Eb Dm Cm Adim)
tyaja-grâmya-kathâ-sakala-a-m viphalam
please
renounce all common chatter o so fruitless.
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
and
sing of the moon (Lord Gaura) of Godruma's forest retreat.
(Gm
Bb Cm Dm Gm F Db Eb Gm)
*
(3)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
ramanî-jana-sanga-sukha-a-m ca sakhe
A nice
woman's company and pleasure, o friend,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
carame bhayadam purushâ-a-rtha-haram R
in the
end give fear and steal the purpose of the person,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
hari-nâma-sudhâ-rasa-ma-a-tta-matir
with
the Lord His names, that sweet mood, fill your mind,
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
and
sing of the moon (Lord Gaura) of Godruma's forest retreat.
(4)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
,jada-kâvya-raso na hi ka-a-vya-rasah
Worldly
poetry,
that taste sure's not the real poetic taste,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
kali-pâvana-gaura-raso-o hi rasah R
Kali's
savior Gaura to taste surely is the taste,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
alam anya-kathâdy anus'îlanayâ
useless
all
other topics and so cultivated,
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Gm Adim
Bb Cm Bb Cm Dm Eb Gm Adim Bb Cm Dm Eb F Bb)
*
(5)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
vrishabhânu-sutânvita-vâ-a-ma-tanum
The
daughter of Vrishabhânu standing at His left,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
yamunâ-tata-nâgara-na-a-nda-sutam R
at the
bank of the yamunâ, the lover son of Nanda,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
muralî-kala-gîta-vino-o-da-param
with
the flute its soft songs engaged in pleasing,
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(6)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
hari-kîrtana-madhya-gata-a-m sva-janaih
The
Lord sung together in the midst of His folk,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
pariveshthita-jâmunadâ-a-bda harim R
all
around the golden luster of Lord Hari,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
nija-gauda-janaika-kripâ-a-jaladhim
for
the Gaudya people the only ocean of mercy,
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Dm Bb Cm
Adim F Gm Eb F Cm F Bb Eb Bb Dm Eb F)
*
(7)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
girirâja-sutâ-parivî-i-ta-griham
The
royal mountains' daughter (the Ganges) surrounds His home,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
nava-khanda-patim yati-ci-i-tta-haram R
the
Lord of Navadvîpa who steals the hearts of renunciates,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
sura-sangha-nutam priyayâ-a sahitam
the
saintly together bow to Him with His wife (Vishnu-priya),
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(8)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
kali-kukkura mudgara-bhâ-a-va-dharam
The
dog-type of Kali He gives the stick in the mood,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
hari-nâma-mahoushadha-dâ-a-na-param R
the
Lord His name the great medicine He does administer,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
patitârta-dayârdra-su-mû-u-rti-dharam
for
the fallen all compassion His form so beautiful,
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Bb F Gm F
Dm Eb Gm Adim Bb Cm Dm Cm Bb F)
*
(9)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
ripu-bândhava-bheda-vihî-i-na-dayâ
Between
foe
& friend no difference He makes in His mercy,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
yad-abhîkshnam-udeti mukhâ-a-bja-tatau R
that
is constantly manifest on His lotusface,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
tam akrishnam iha vraja-râ-a-ja-sutam
He,
not dark of skin here, is the son of Nanda;
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(10)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
iha coapanishat-parigî-i-ta-vibhur
Here
and in the Upanishads is celebrated the Almighty,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
dvija-râja-sutah purathâ-a-bha harih R
the
son of a brahmin ruler, golden His luster,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
nija-dhâmani khelati ba-a-ndhu-yuto
in His
abode He is sporting together with His friends;
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Gm Bb F
Cm Dm Bb Gm Eb F Dm
Eb Cm Bb Eb Cm Bb Gm Dm Eb F Bb)
*
(11)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
avatâra-varam paripû-u-rna-kalam
The
Best of Avatâra's, complete in all respects,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
para-tattvam ihâtma-vilâ-a-sa-mayam R
the
Transcendental Reality is here eager to enjoy with Himself,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
vraja-dhâma-rasâmbudhi-gu-u-pta-rasam
of the
abode of Vraja, in the ocean of mellows, the most intimate flows.
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
thus
sing of the moon (Lord Gaura) of Godruma's forest retreat.
(12)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
s'ruti-varna-dhanâdi na ya-a-sya kripâ-
Learning,
a
high birth, wealth etc., will not do for His mercy,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
janane balavad-bhajane-e-na vinâ R
when
missing the power that's generated by the worship,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
tam ahaituka-bhâva-pathâ-a hi sakhe
of Him
sure by the path of unmotivated service my friend;
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Bb F Gm F
Dm Eb Gm Adim Bb Cm Dm Cm Bb F)
*
(13)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
api nakra-gatau hrada-ma-a-dhya-gatam
And
captured by the crocodile having entered the lake (like Gajendra)
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
kama-mocayad-ârta-jana-a-m tam ajam R
is
indeed released the distressed one by Him, the Unborn,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
avicintya-balam s'iva-ka-a-lpatarum
of
inconceivable strength, auspicious the desire tree,
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(14)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
surabhîndra-tapah-paritu-u-shtha-manâ
Of
mother Surabhi and Indra their penance most contented,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
vara-varna-dharo harir â-a-virabhût R
having
a fine complexion the Lord has appeared,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
tam ajasra-sukham muni-dha-ir-ya-haram
Him of
unlimited bliss who steals the patience of sages,
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Dm Bb Cm
Adim F Gm Eb F Cm F Bb Eb Bb Dm Eb F)
*
(15)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
abhilâsha-cayam tad-abhe-e-da-dhiyam
All
that you aspire, just meditating on one,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
as'ubham ca s'ubham tyaja sa-a-rvam idam R
the
inauspicious and auspicious, please give them all up,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
anukûlatayâ priya-se-e-vanayâ
with a
favorable attitude and loving devotion,
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(16)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
hari-sevaka-sevana-dha-a-rma-paro
The
Lord's servants then serving, the dharma that's fixed,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
hari-nâma-rasâmrita-pâ-a-na-ratah R
the
Lord's names His sweet mellows then addicted to drink,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
nati-dainya-dayâ-para-mâ-a-na-yuto
modest,
humble,
compassionate, all mindfull of that,
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(Gm Adim
Bb Cm Bb Cm Dm Eb Gm Adim Bb Cm Dm Eb F Bb)
*
(17)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
vada yâdava mâdhava kri-i-shna hare
Chant
Yâdava, Mâdhava, Krishna Hari!
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
vada râma janârdana ke-e-s'ava he R
chant
Râma, Janârdana, Kes'ava O!
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
vrishabhânu-sutâ-priya-nâ-a-tha sadâ
Vrishabhânu's
daughter
and the Sweet Lord always,
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
sing
of the moon (Lord Gaura) of Godruma's forest retreat.
(18)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
vada yâmuna-tîra-vanâ-a-dri-pate
Chant
of the Yâmunabank's Lord of the forest, the mountain,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
vada gokula-kânana-pu-u-ñja-rave R
chant
of Gokula its groves so many the Sun,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
vada râsa-rasâyana gau-u-ra-hare
chant
of the Giver of Life to the (râsa-)Dance Lord Gaura!
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
and
sing of the moon (Lord Gaura) of Godruma's forest retreat.
(Gm Bb Cm
Dm Gm F Db Eb Gm)
*
(19)
(Gm Bb Dm Gm
F) (2: Gm Adim Bb Cm)
cala gaura-vanam nava-kha-a-nda-mayam
Proceed
to
Gaura's forest divided in nine parts,
(Gm Eb F Dm)
(2: Dm Cm Bb Adim)
patha gaura-hares' caritâ-a-ni mudâ R
happy
to recite and read on Gaura's deeds,
(Gm F Dm Eb)
(2: Eb Dm Cm Adim)
luthha gaura-padânkita-gâ-a-nga-tatham,
roll
on the Gangesbanks marked by Gaura's footprints,
(F Gm Eb Dm)
(2: Bm Cm Adim Gm)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
and
sing of the moon (Lord Gaura) of Godruma's forest retreat.
(20)
(Bb Dm Gm F)
(2: Gm Adim Bb Cm)
smara gaura-gadâdhara-ke-e-li-kalâm
Remember
Gaura's
and Gadâdhara's loving arts,
(Gm Eb F Dm)
(Dm Cm Bb Adim)
bhava gaura-gadâdhara-pa-a-ksha-carah R
become
an adherent of Gaura and Gadâdhara,
(Gm F Dm Eb)
(Eb Dm Cm Adim)
s'rinu gaura-gadâdhara-câ-a-ru-kathâm
listen
to the fine stories about Gaura and Gadâdhara,
(F Gm Eb Dm)
(Bb Cm Adim Bb F)
bhaja
godruma-kânana-a-ku-u-ñja-vidhum R
and
sing of the moon (Lord Gaura) of Godruma's forest retreat.
Exit:
(Bb Gm Cm Adim, Dm Eb F Gm, Gm F Eb Dm Eb Dm Cm Bb)
Mahâmantra
IX
(traditional)
Intro:
(F C Gm Am F Dm Am C Edim Dm F C Dm Gm C F Dm Am Bb Edim C F)
(1)
(F C Gm
Am F)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(F C Gm
Am F)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
(2)
(Dm Am C
Edim Dm)
HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Dm Am C Edim Dm
F)
HARE RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
(3)
(F C Dm
Gm C F)
HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(F C Dm
Gm C F)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
(4)
(Dm Am
Bb Edim Am Dm)
HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Dm Am
Bb Edim Am F)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
Tempo
two: from the beginning,
and then together in tempo 1 again:
(F C Gm
Am F)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(F C Gm
Am F)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
Exit:
(F C Gm Am F Dm Am C Edim Dm F C Dm Gm C F Dm Am Bb Edim C
F)
Jaya
Râdhe Jaya Râdhe
by Hari Vyâsa
Devâchârya
'Song for the
divine couple'
Intr0:
(D Bm F#m Bm, Em G A Bm, D Bm F#m Bm, G Em A
D)
(introductory
verse, sung together)
(D Bm
F#m Bm, Em G A Bm)
nava-nava-rangi
tri-bhangi-i-jaya,
syâma-su-angi
syâ-a-ma
All
glories to the Person in a threefold stance, so nice dark, Lord
Syâma!
(D Bm F#m Bm, Em
G A D)
jaya-râdhe-jaya
hari-i-priye,
s'ri-râdhe
sukha
dhâma
All
glories to Râdhe, to the Love of the Lord, S'rî
Râdhâ, the bliss abode.
(1)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
syâmâ-gorî
nitya-kisorî
prîtama-jorî
s'rî-râdhe R
A maiden
of gold, eternally young, the only perfect match:
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
rasika-rasîlo
chaila-chabîlo
guna-garabîlo
s'rî-krishna R
the
Relisher Relishable, Effulgent Enchantment, the Pride of the
Qualities: S'rî-Krishna
(F#m
D)
(2)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
rasa-vihârini
rasa-bisatârini
piya-ura-dhârini
s'rî-râdhe R
Of the
Dance the Princess, distributing the mellows, embracing His chest:
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
nava-nava-rangi
navala-tribangî
syâma-su-angi s'rî-krishna
R
The New
and Newer Sport, fresh in threebend standing, exquisite proportioned
dark: S'rî-Krishna
(D Bm
F#m Bm Em G A Bm D Bm F#m Bm)
*
(3)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
prâna-piyârî
rûpa-ujyârî
ati-sukunvârî
s'rî-râdhe R
The
all-life sweetest, a splenderous beauty, o so soft and delicate:
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
maina-manohara
mahâ-moda-kara sundara-bara-tara s'rî-krishna
R
Cupids
Enchanter, the Giver of Great Bliss, by far the Best of Beauty:
S'rî-Krishna
(F#m
D)
(4)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
sobhâ-sainî
mobhâ-mainî
kokila-bainî
s'rî-râdhe
R
A beauty
reclining, radiating luster, her speech like a cuckoo:
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
kîrati-vantâ
kâmini-kantâ
s'rî-bhagavantâ
s'rî-krishna
R
Honored
in His fame, Love of the Young girls, the Highest of all Godforms:
S'rî-Krishna
(D Bm
F#m Bm Em G A Bm D Bm F#m Bm)
*
(5)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
candâ-badanî
kundâ-radanî
sobhâ-sadanî
s'rî-râdhe
R
With a
spotless moonface, teeth like jasmine buds, the abode of all beauty,
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
parama-udârâ
prabhâ-apârâ
ati-sukunvârâ
s'rî-krishna
R
The
highest personality, His aura eternity, soft youthful charms,
S'rî-Krishna
(F#m
D)
(6)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
hamsâ-gavanî
râjati-ravanî
krîdâ-kavanî
s'rî-râdhe
R
Like a
regal swan her gait, the most radiant lover, of fun and games,
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
rûpa-rasâlâ
naina-bisâlâ
parama-kripâlâ
s'rî-krishna
R
His form
the best taste, lotus-eyes wide open, mercy supreme,
S'rî-Krishna
(D Bm
F#m Bm Em G A Bm D Bm F#m Bm)
*
(7)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
kancana-belî
rati-rasa-relî
ati-alabelî
s'rî-râdhe R
Like a
golden greeper winding, to the brim ecstatic mellows, acting most
private, S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
saba-sukha-sâgara
saba-guna-âgara
rûpa-ujâgara s'rî-krishna
R
Ocean of
all happiness, mine of all qualities, the most famous radiance,
S'rî-Krishna
(F#m
D)
(8)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
ravanî-ramyâ
tara-tara-tamyâ
guna-agamyâ s'rî-râdhe
R
Most
charming mistress, toplevel greatness, quality non-sensual,
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
dhâma-nivâsî
prabhâ-prakâsî
sahaja-suhâsî
s'rî-krishna R
Permanent
in Vraja, most influent His aura, natural nice smiling,
S'rî-Krishna
(D Bm
F#m Bm Em G A Bm D Bm F#m Bm)
*
(9)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
s'aktyâhlâdini
ati-priya-vâdini
ura-unmâdini s'rî-râdhe
R
Potent
divine pleasure, attractive loving speech, breasts full of desire,
S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
anga-anga-tauna
sarasa-salauna
subhaga-suthauna s'rî-krishna R
Attractive
in each limb, suffused with overflowing rasa, chest full of the
noblest, S'rî-Krishna
(F#m
D)
(10)
(D Bm
F#m Bm, Em G A
F#m)
jaya
râdhe jaya râdhe-e radhe, jaya râdhe jaya
s'rî-râdhe R
(D Bm F#m Bm, Em
G A D)
jaya krishna
jaya krishna-a krishna, jaya krishna jaya s'rî-krishna
R
(D A Em A, Bm Em
A Bm /- D)
râdhâ-nâmini
guna-abhirâmini
hari-priya-svâminî
s'rî-râdhe R
Blessed
with the name Râdhâ, qualities pleasing each, the only
queen for Haripriya, S'rî-Râdhe
(Bm
F#m C#dim F#m, G C#dim
F#m G /- D)
hare-hare-hari
hare-hare-hari hare-hare-hari s'rî-krishna
R
of the
Lord of the Lord Hari of the Lord of the Lord Hari of the Lord of the
Lord Hari, S'rî-Krishna
Exit:
(D Bm
F#m Bm, Em G A Bm, D Bm F#m Bm, G Em A D)
Sarvasva
Tomâra Carana
by S'rîla
Bhaktivinoda Thhâkur
"Everything Unto
Your Feet"
(from
S'aranâgati)
Intro:
(Am, Dm F, Gm, Bb, Am, Bm, C Dm,
Am Bb F, Edim, Dm, C, Bm, Am, Gm, Dm)
(1)
(Am, Dm F, Gm,
Bb)
sarva-asva tomâr,
carane sampiyâ,
Offering
everything at Your feet,
(Am, Bb C, Dm, C
/Am)
podechi tomâ-ra
ghare R
I have
fallen before Your home.
(Bm, F, Edim,
Dm)
tumi-i to' thâkur, tomâ-ra kuku-ur,
With You
indeed the master, and I as dog
(C, Bb, Am, Gm,
Dm)
boliyâ jânaho
more R
I say
know me thus.
(Eb Cm
F Bb Eb Gm Cm F)
*
(2)
Am, Dm F, Gm,
Bb,
bândhiyâ nikate,
âmâre pâlibe,
Chained
nearby, You'll maintain me,
(Am, Bb C, Dm, C
/Am)
rohibo tomâ-ra
dwâre R
I will
stay at Your door.
(Bm, F, Edim,
Dm)
pratîpa-ja-a-nere, âsite nâ dibo,
People
in defiance, I will not permit,
(C, Bb, Am, Gm,
Dm)
râkhibo gade-ra
pâre R
keep
them at bay, beyond the moat.
(Gm, F, Eb,
Dm, Cm, Bb, Adim, Gm)
*
(3)
(Am, Dm F, Gm,
Bb)
tava nija-jana,
prasâ-ad seviyâ,
Of Your
devotees, I will eat the food,
(Am, Bb C, Dm, C
/Am)
ucchishtha râkhibe
jâhâ R
the
foodremnants that they keep.
(Bm, F, Edim,
Dm)
âmâ-ara bhojan, parama-ânande,
The food
for me, supremely happy
(C, Bb, Am, Gm,
Dm)
prati-din ha'be-e
tâhâ R
will
there be every day
(Dm, F, Gm,
Bb, Am, Bb, C)
*
(4)
(Am, Dm F, Gm,
Bb)
bosiyâ s'uiyâ,
tomâ-ar carana,
Sitting
or sleeping, Your feet
(Am, Bb C, Dm, C
/Am)
cintibo satata
âmi R
I'll
perpertually contemplate.
(Bm, F, Edim,
Dm)
nâcite nâ-acite, nikathe jâibo,
Dancing
and dancing, I will come near
(C, Bb, Am, Gm,
Dm)
jakhona dâkibe
tumi R
when You
will call me.
(Cm, Dm, Gm,
F, Gm, Eb, Dm, Bb)
*
(5)
(Am, Dm F, Gm,
Bb)
nijera po-oshana, kabhu
nâ bhâvibo,
About my
own maintenance, i'll never think,
(Am, Bb C, Dm, C
/Am)
rohibo bhâve-er
bhore R
I'll
remain absorbed in ecstacy
(Bm, F, Edim,
Dm)
bhakativi-inoda, tomâre pâlaka,
Bhaktivinod's
maintainer
You
are
(C, Bb, Am, Gm,
Dm)
boliyâ varana kore R
so I
say, I accept
Exit:
(Am, Dm F, Gm, Bb // Am, Bm, C Dm,
Am, Bb, F, Edim, Dm, C, Bm, Am, Gm,
Dm)
Vande
Krishna Nanda Kumâra
Traditional
Bengali bhajan
Intro:
(Fm Eb Db Bbm. Bbm Eb Fm Db
Cm Eb Fm Db, Fm Ab Eb Fm)
(Cm Fm Eb Db /Cm
Ab Bbm Cm)
govinda hari gopâla hari R
Govinda
the Lord, Gopâla the Lord
(Eb Db Ab Bb /Db
Eb Bbm Fm)
govinda hari gopâla hari R
Govinda
the Lord, Gopâla the Lord
(Cm Db /Cm Bb
Fm),
jaya jaya deva hari R
glories,
glories to Lord Hari
(Cm Db /Cm Db
Fm)
jaya jaya deva hari R
glories,
glories to Lord Hari
(Fm Eb Db Bbm
/Db Eb Ab Fm)
vande krishna nanda kumâra R
I praise
Lord Krishna, the son of Nanda
(Bbm Eb Fm Db
/Eb Fm Ab Fm)
nanda-kumâra
madana-gopâla R
the son
of Nanda, the sweetheart of the gopîs
(Cm Eb Fm Db /Eb
Bbm Fm)
madana-gopâla
mohana-rûpa R
the
sweetheart of the gopîs, how beautiful His body
(Fm Ab Eb Db /Db
Cm Ab Fm)
mohana-rûpa nanda-kumâra R
so
beautiful His body, the son of Nanda,
(Bbm Gdim Fm
/Gdim Eb Cm)
jaya jaya deva hari R
glories,
glories to Lord Hari
(Eb Bbm Db /Bbm
Cm Fm)
jaya jaya deva hari R
glories,
glories to Lord Hari
(Fm Bbm Cm Db
/Bbm Db Eb Fm)
jaya prabhu dîna-dayâla
hari R
I praise
the Master compassionate to the fallen
(Cm Fm Eb Db /Cm
Ab Bbm Cm)
govinda hari gopâla hari R
Govinda
the Lord, Gopâla the Lord
(Eb Db Ab Bb /Db
Eb Bbm Fm)
govinda hari gopâla hari R
Govinda
the Lord, Gopâla the Lord
(Cm Db /Cm Bb
Fm),
jaya jaya deva hari R
glories,
glories to Lord Hari
(Cm Db /Cm Db
Fm)
jaya jaya deva hari R
glories,
glories to Lord Hari
(Cm Eb Fm Db /Eb
Bbm Fm)
jaya râma hari jaya krishna
hari R
glories
to Lord Râma, glories to Lord Krishna
(Fm Ab Eb Db /Db
Cm Ab Fm)
jaya jaya-s'acî-nandana
gaura-hari R
all
glories to S'acî's son, Gauranga the Lord
(Cm Fm Eb Db /Cm
Ab Bbm Cm)
govinda hari gopâla hari R
Govinda
the Lord, Gopâla the Lord
(Eb Db Ab Bb /Db
Eb Bbm Fm)
govinda hari gopâla hari R
Govinda
the Lord, Gopâla the Lord
(Cm Db /Cm Bb
Fm),
jaya jaya deva hari R
glories,
glories to Lord Hari
(Cm Db /Cm Db
Fm)
jaya jaya deva hari R
glories,
glories to Lord Hari
(reprisal)
(Fm Eb Db Bbm
/Db Eb Ab Fm)
vande krishna nanda kumâra R
I praise
Lord Krishna, the son of Nanda
(Bbm Eb Fm Db
/Eb Fm Ab Fm)
nanda-kumâra
madana-gopâla R
the son
of Nanda, the sweetheart of the gopîs
(Cm Eb Fm Db /Eb
Bbm Fm)
madana-gopâla
mohana-rûpa R
the
sweetheart of the gopîs, how beautiful His body
(Fm Ab Eb Db /Db
Cm Ab Fm)
mohana-rûpa nanda-kumâra R
so
beautiful His body, the son of Nanda,
(Bbm Gdim Fm
/Gdim Eb Cm)
jaya jaya deva hari R
glories,
glories to Lord Hari
(Eb Bbm Db /Bbm
Cm Fm)
jaya jaya deva hari R
glories,
glories to Lord Hari
Exit:
(Ab Db Ab Db Db Eb Fm Gdim
Ab Bbm Cm Bbm Fm Bbm Cm Ab)
Govinda = He who
pleases the cows,
Gopâla = He who tends the cows
S'rî
Yugala Ârati
by S'rîla Bhaktivinoda
Thhâkur
Ceremony of
worshiping the Divine Couple
(from
Gîtâvalî)
Intro:
(Bm D Em F#m G A Em C#dim D F#m G
A Bm A Em A
Bm C#dim F#m G A Bm G F#m D
C#dim Bm G F#m Em C#dim
Bm)
(1)
(Bm D Em
F#m G A Em A)
jaya jaya
râdhâ krishna
yugala-milana R
Glories,
glories to the union of the divine couple Râdhâ
Krishna,
(D
F#m G A Bm A Em A)
ârati karowe
lalitâdi sakhî-ghana R
and
Lalitâ with her friends performing worship.
(2)
(Bm
C#dim F#m G A Bm G A)
madana-mohana
rûpa
tri-bhanga-sundara R
Cupid's
Charmer, His form bent in three places,
(Dm
C#dim Bm G F#m Em C#dim Em)
pîtâmbara s'ikhi-puccha-cûdâ-manohara R
the
yellow garments, the peacock feather and the crown
enchanting.
(D
F#m G A bm C#dim Bm A Em F#m G A D
Em Bm C#dim)
*
(3)
(Bm D Em
F#m G A Em A)
lalita-mâdhava-vâmebrishabhânu-kanyâ R
To the
left the charming daughter of Vrishabhânu,
(D
F#m G A Bm A Em A)
sunilâ-vasanâ
gaurî rûpe guna
dhanyâ R
so blue
the garments of the fair one to praise for beauty,
qualities.
(4)
(Bm
C#dim F#m G A Bm G A)
nânâ-vidha
alankâra
kore
jhalamala R
Various
kinds of ornaments do sparkle,
(Dm
C#dim Bm G F#m Em C#dim Em)
hari-mano-vimohana
vadana ujjvala R
Her
brilliant face bewildering the mind of Hari.
(A Bm
C#dim D Em F#m G A G Em D Bm Em
C#dim F#m D)
*
(5)
(Bm D Em
F#m G A Em A)
vis'âkhâdi
sakhî-gana nânâ râge gâya
All the
girlfriends headed by Vis'akha singing different
tunes,
(D
F#m G A Bm A Em A)
priya-narma-sakhî
jata câmara dhulâya R
the most
confidential friends all waving whisks.
(6)
(Bm
C#dim F#m G A Bm G A)
s'rî-râdhâ-mâdhava-pada-sarasija-âs'e R
Hoping
for the feet of S'rî Râdhâ and
Mâdhava
(Dm
C#dim Bm G F#m Em C#dim Em)
bhakativinoda
sakhî-pade sukhe bhâse R
floats
Bhaktivinod at the feet of these friends as his guru.
Mahâmantra
10
(a)
(Bm D Em
F#m G A Em A)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(D
F#m G A Bm A Em A)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R (2x)
(b)
(Bm
C#dim F#m G A Bm G A)
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Dm
C#dim Bm G F#m Em C#dim Em)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R (2x)
Exit:
(Bm D Em F#m G A Em C#dim D F#m G
A Bm A Em A
Bm C#dim F#m G A Bm G F#m D
C#dim Bm G F#m Em C#dim Bm)
S'rî
S'achî-Sutâshthakam
by Sarvabhauma
Bhaththâchârya
Eight
prayers glorifying the Son of S'rîmatî S'achi
Devî
Intro:
(C F G Bdim Am G C Dm G Am Dm F Dm Bb F C Dm C)
(1)
F G
Bdim
Am
nava gaura-varam
nava-pushpa-s'aram
New fine
gold arrows, of flowers just bloomed,
G C Dm
G
nava-bhâva-dharam
nava-lâsya-param
ever new
moods ecstatic, in new dances absorbed,
Am Dm F
Dm
nava-hâsya-karam
nava-hema-varam
new
laughter is raised, new gold beautiful,
Bb F C
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(2)
Dm Em Am
F
nava-prema-yutam
nava-nîta-s'ucam
With new
love endowed, shining like fresh butter,
Em Am Bdim
Em
nava-ves'a-kritam nava-prema-rasam
new
clothes different, new loving mellows,
F Bdim Dm
Bb
navadhâ vilasat
s'ubha-prema-mayam
the nine
ways newer newer, auspicious loving nature
Gm Dm Am
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(C F G Em, Dm C
Gm Am
Dm Gm Am Bb, Dm Gm C Am)
*
(3)
C F G
Bdim
Am
hari-bhakti-param
hari-nâma-dharam
Deep in
bhakti for the Lord, holding on to the names,
G C Dm
G
kara-japya-karam
hari-nâma-param
with his
hands chanting japa, transported by Hari's names,
Am Dm F
Dm
nayane satatam
pranayâs'ru-dhara
in His
eyes always carrying the tears of love,
Bb F C
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(4)
Dm Em Am
F
satatam
janatâ-bhava-tâpa-haram
Who
always takes away mankinds suffering the matter,
Em Am Bdim
Em
paramârtha-parâyana-loka-gatim
the
supreme cause dedicated, the people their goal,
F Bdim Dm
Bb
nava-leha-karam
jagat-tâpa-haram
renders
men like bees new, removes the misery from the world,
Gm Dm Am
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(Am Dm Bdim7
Em C F Gm C Dm Gm Edim C Bb Gm C G)
*
(5)
C F G
Bdim
Am
nija-bhakti-karam
priya-cârutaram
raises
bhakti for Him, the love most attractive,
G C Dm
G
natha-nartana-nâgara-râja-kulam
dances
in greatest moods, for the Lover His family,
Am Dm F
Dm
kula-kâmini-mânasa-lâsya-karam
attractive
girls' minds He moves to the dance
Bb F C
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(6)
Dm Em Am
F
karatâla-valam
kala-kanthha-ravam
along
with the cymbals, soft the sound from His throat,
Em Am Bdim
Em
mridu-vâdya-suvînikayâ madhuram
softly
played the vînâstring, pleasingly sweet,
F Bdim Dm
Bb
nija-bhakti-gunâvrita-nâtya-karam
from His
devotional quality inspiring to dance,
Gm Dm Am
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(C F G Em, Dm C
Gm Am
Dm Gm Am Bb, Dm Gm C Am)
*
(7)
C F G
Bdim
Am
yuga-dharma-yutam punar
nanda-sutam
the way
for Kali-yuga, Nanda's son come
again,
G C Dm
G
dharanî-sucitram
bhava-bhâvocitam
the
brilliance of the earth, the mood good to birth and
death,
Am Dm F
Dm
tanu-dhyâna-citam
nija-vâsa-yutam
the
consciousness meditating, to the form, His abode,
Bb F C
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
(8)
Dm Em Am
F
arunam nayanam caranam
vasanam
eyes,
feet and clothes red as the sun rising,
Em Am Bdim
Em
vadane skhalitam svaka-nâma-dharam
taken
His own names faltering in His mouth,
F Bdim Dm
Bb
kurute su-rasam jagata
jîvanam
awakening
a sweet flavor to all life in the world,
Gm Dm Am
Dm
pranamâmi
s'acî-suta-gaura-varam R
I bow
down to S'acî's son, Gaura excellent!
Exit:
(C F G Bdim Am G C Dm G Am Dm F Dm Bb F C Dm)
Krishna
Tava Punya Habe Bhai
'Bhagavân
Krishna
Pada-Padme Prârthanâ'
"Prayer unto the
lotusfeet of Lord Krishna"
by: A.C.
Bhaktivedanta Swâmî Prabhupâda
Composed on his
trip to America
on board the Jaladûta 13 Sept. 1965
Intro:
(Am F Gm Bb C Edim F Dm C Bb Gm Edim Dm Gm Edim F)
Refrain:
(C Bb C)
krishna tava
punya habe bhâi
Krishna's
virtue
will be yours o brothers,
(Edim Gm Edim Gm)
e-punya
koribe jabe
râdhârânî
khus'i
habe
that
virtue He will give when Râdhâ is first pleased
(C Bb C)
dhruva ati
boli tomâ
thâi R
so I do
assure you so it is.
(1)
(Am Bb C Edim)
s'rî-siddhânta
saraswatî
s'acî-suta priya
ati
S'rî
Siddhânta
Saraswatî most dear to Sacî's son:
(Dm Gm Bb C)
krishna-sevâya jâra tula nâi R
he's
unequalled in Krishna's service
(Am Bb C Edim)
sei sa mohânta-guru
jagater madhe uru
that
great spiritual master, magnanimous in the universe
(Dm Gm Bbma7 Gm)
krishna-bhakti dey
thhâi thhâi R
gives
Krishna's bhakti here and everywhere
(2)
(Am Bb C Edim)
târa icchâ
balavân
pâs'câtyete thhân thhân
by his
powerful will, in the western world everywhere,
(Dm Gm Bb C)
hoy jâte gaurânger nâm R
to have
the name of Gauranga;
(C Bb Edim Gm)
prithivîte
nagarâdi
âsamudra nada-nadî
that on
the earth in all places, on the ocean, rivers, streams
(F Gm Edim F)
sakale-i loy krishna nâm R
to have
verily all take to Krishna's name
Refrain:
(C Bb C)
krishna tava
punya habe bhâi
Krishna's
virtue
will be yours o brothers,
(Edim Gm Edim Gm)
e-punya
koribe jabe
râdhârânî
khus'i
habe
that
virtue He will give when Râdhâ is first pleased
(C Bb C)
dhruva ati
boli tomâ
thâi R
so I do
assure you so it is.
(3)
(Am Bb C Edim)
tâhale â nanda
hoy tabe hoy digvijoy
Upon
that there will be bliss, and then all directions will be
(Dm Gm Bb C)
caitanyer kripâ atis'oy R
conquered
by
Caitanya's excessive mercy.
(Am Bb C Edim)
mâyâ dushtha jata duhkhî
jagate sabâi
sukhî
Whichever
miser
by mâyâ down - when everyone in the world is happy
(Dm Gm Bbma7 Gm)
vaishnaver icchâ
pûrna hoy R
is the
desire of the vaishnavas fulfilled.
(4)
(Am Bb C Edim)
se kârya je
koribâre
âjñâ jadi dilo more
That
task which I have to do - commanded though assigned to me
(Dm Gm Bb C)
jogya nahi ati dîna hîna R
destitute,
most
fallen, not worthy.
(C Bb Edim Gm)
tâi se tomâra
kripâ
jâgitechi
anurûpâ
That
being so Your mercy - awakens accordingly
(F Gm Edim F)
â ji tumi sabâr pravîna R
right
now: You as the wisest of all
Refrain:
(C Bb C)
krishna tava
punya habe bhâi
Krishna's
virtue
will be yours o brothers,
(Edim Gm Edim Gm)
e-punya
koribe jabe
râdhârânî
khus'i
habe
that
virtue He will give when Râdhâ is first pleased
(C Bb C)
dhruva ati
boli tomâ
thâi R
so I do
assure you so it is.
(5)
(Am Bb C Edim)
tomâra se s'akti pele
guru-sevâ vastu
mile
With
that potency of Yours bestowed, is serving the guru, the essence,
obtained
(Dm Gm Bb C)
jîvana sârthaka jadi hoy R
if so
will life be succesfull.
(Am Bb C Edim)
sei se sevâ pele
tâhale
sukhî hale
Obtaining
that
particular service, one becomes thereafter a happy one
(Dm Gm Bbma7 Gm)
taba sanga bhâgyate
miloy R
by
fortune meeting Your association
(6)
(Am Bb C Edim)
evam janam nipatitam prabhavâhi-kûpe
as
people so material that fallen in the snake pit,
(Dm Gm Bb C)
kâma abhikâmam anu yah prapatan prasangât
running
after senseobjects, falling down, bad company,
(C Bb Edim Gm)
kritvâtmasât
surarshinâ bhagavan grihitah
was I,
grown likewise, by God's sage accepted o my Lord,
(F Gm Edim F)
so 'ham katham nu visrje tava bhritya-sevâm R
how can
I ever give that up, the service of your servant?
(SB
7.9: 28)
*
(Am Bb C Edim,
Dm Gm Bb C,
Am Bb C Edim,Dm Gm Bbma7 Gm)
Refrain:
(C Bb C)
krishna tava
punya habe bhâi
Krishna
s virtue will be yours o brothers,
(Edim Gm Edim Gm)
e-punya
koribe jabe
râdhârânî
khus'i
habe
that
virtue He will give when Râdhâ is first pleased
(C Bb C)
dhruva ati
boli tomâ
thâi R
so I do
assure you so it is.
(7)
(Am Bb C Edim)
tumi mor
cira-sâthî
bhuliya
mâyâr lâthi
You are
my eternal companion, but forgetful kicked by mâyâ,
(Dm Gm Bb C)
khâiyâchi janma-janmântare R
I was
suffering birth after birth.
(Am Bb C Edim)
âji punah e sujoga
jadi hoy jogâjoga
If today
the chance is there again, to have the association
(Dm Gm Bbma7 Gm)
tabe pâri tuhe
milibâre R
then I'm
able to rejoin You
(8)
(Am Bb C Edim)
tomâra milane
bhâi
âbâr se
sukha pâi
Meeting
You, o brother, I once more experience that happiness,
(Dm Gm Bb C)
gocârane ghuri din bhor R
of
tending cows wandering all day.
(C Bb Edim Gm)
koto bane chuthâchuthi
bane khâi
luthâputhi
In all
the forests having fun, in the woods enjoying rolling around:
(F Gm Edim F)
sei din kabe habe mor R
when
will that day be mine?
Refrain:
(C Bb C)
krishna tava
punya habe bhâi
Krishna's
virtue
will be yours o brothers,
(Edim Gm Edim Gm)
e-punya
koribe jabe
râdhârânî
khus'i
habe
that
virtue He will give when Râdhâ is first pleased
(C Bb C)
dhruva ati
boli tomâ
thâi R
so I do
assure you so it is.
(9)
(Am Bb C Edim)
âji se subidhâne
tomâra smarana
bhelo
Today in
that nice way, I did find that memory of You
(Dm Gm Bb C)
boro âs'â
dâkilâm tâi R
longing
greatly I called out just so.
(Am Bb C Edim)
ami tomâra
nitya-dâs
tâi kori eta
âs'a
I as
Your eternal servant do that way keep to this desire,
(Dm Gm Bbma7-Gm
F)
tumi binâ anya gati nâi R
there is
no other refuge than You!
Refrain:
(C Bb C)
Krishna's
virtue
will be yours o brothers,
krishna
tava punya habe bhâi
(Edim Gm Edim Gm)
that virtue
He will give when Râdhâ is first pleased
e-punya koribe jabe
râdhârânî
khus'i
habe
(C Bb C)
so I do
assure you so it is.
dhruva ati boli tomâ
thâi R
(C Bb C)
krishna tava
punya habe bhâi
Krishna's
virtue
will be yours o brothers,
(Edim Gm Edim Gm)
e-punya
koribe jabe
râdhârânî
khus'i
habe
that
virtue He will give when Râdhâ is first pleased
(C Bb
C)
dhruva ati
boli tomâ thâi
so I do
assure you so it is.
Boro-Kripâ Koile
Krishna
Mârkine
Bhâgavata-Dharma
"Preaching
Krishna Consciousness in America"
by His Divine
Grace A. C. Bhaktivedanta Swami Prabhupâda
at Boston Harbor, September 18, 1965
Intro
C Dm Em F
G Em Dm C
C Dm Em F G Em Dm G
(1)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
boro-kripâ koile
krishna adhamer prati R
Great
mercy You showed this fallen soul o Krishna!
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
ki lâgi ânile
hethâ koro ebe gati R
Why did
You bring me here, please show your purpose now.
(C Am Bb C Gm )
boro-kripâ
koile
krishna
Great
mercy you showed Krishna...
(2)
(Em G Am F
Gm Am // C Em Dm F G Edim Dm Bb)
âche kichu
kârja taba ei anumâne R
I guess
You've some job in mind with this,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
nahe keno âniben
ei ugra-sthâne R
or else
why did You bring me to this ugly place?
*
(3)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
rajas tamo gune erâ
sabâi âcchanna R
They all
here are covered by the modes of passion and ignorance,
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
vâsudeva-kathâ
ruci nahe se prasanna R
thus
satisfied have they no taste for Vâsudeva talks.
(C Am Bb C Gm )
rajas
tamo gune erâ
Their
modes are passion and ignorance...
(4)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
tabe jadi taba
kripâ hoy ahaitukî R
If You
then show Your causeless mercy...,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
sakala-i sambhava hoy
tumi se kautukî R
will
anything be possible, You are all full of wonder.
*
(5)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
ki bhâve bujhâle
târâ bujhe sei rasa R
What
will make them understand and pick up that mood?
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
eta kripâ koro prabhu
kori nija-bas'a R
Be of
this mercy Prabhu please, I give You the control.
(C Am Bb C Gm )
ki
bhâve bujhâle târâ
What
will make them understand?
(6)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
tomâra
icchâya saba hoy
mâyâ-bas'a R
By Your
will they all fell under the control of mâyâ...
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
tomara icchâya
nâs'a mâyâr
paras'a R
As you
wish they also may have the illusion clutch destroyed!
*
(7)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
tava icchâ hoy jadi
tâdera uddhâr R
If You
so desire that they may be delivered,
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
bujhibe nis'caya-i tabe
kathâ se tomâr R
then
decidedly they will comprehend that message of You!
(C Am Bb C Gm )
tava
icchâ hoy jadi
If it is
what You desire..
(8)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
bhâgavater
kathâ se taba avatâr R
As the
Bhâgavatam talks You have descended,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
dhîra haiyâ
s'une jadi kâne bâr
bâr R
if heard
in repeat they'll sober up the ones who hear them.
*
(9)
(C //Am Dm)
s'rinvatâm
sva-kathâh krishnah
Hearing
these
words of Krishna Himself,
(Dm Em // Bm C)
punya-s'ravana-kîrtanah R
one
finds
virtue listening, singing;
(F G Am // F G
Am)
hridy antah-stho hy
abhadrâni
with
from
the heart the dirt collected,
(Dm Em// Dm Am)
vidhunoti suhrit
satâm R
washed
by
the Wellwisher of the truthful
(Am C Dm//C Am C
Dm)
nashtha-prâyeshv
abhadreshu
All
the
bad as good as destroyed,
(Em F // G Bb Am)
nityam
bhâgavata-sevayâ R
in
regular
service of the bhâgavata;
(F G Am // Am Dm
F G)
bhagavaty
uttama-s'loke
unto
the
Fortunate One praised in the verses,
(Dm Em // F Am)
bhaktir bhavati
naishthikî R
becomes
the
bhakti irrevocable.
*
(F G Am G // Dm
Em F Em)
tadâ
rajas-tamo-bhâvâh
The
effect
then of passion, slowness,
(Dm C // Bdim Am)
kâma-lobhâdayas'
ca
ye R
lust,
greediness
and all of that;
(Dm Edim Gm C//
Bb C Edim Am)
cetu etair
anâviddham
the
consciousness
not spoiled by these,
(C Gm Am Gm //
Am Edim Gm F)
sthitam sattve
prasîdati R
gets
happy fixed in goodness.
(C //Am Dm)
evam prasanna-manaso
The
one
whose consciousness is thus pleased,
(Dm Em // Bm C)
bhagavad-bhakti-yogatah R
by
the
Lord His bhakti-yoga;
(F G Am // F G
Am)
bhagavat-tattva-vijñânam
sees
the
wisdom real to the Lord Supreme,
(Dm Em// Dm Am)
mukta-sangasya
jâyate R
effectiv'ly
freed in that company!
(Am C Dm//C Am C
Dm)
bhidyate
hridaya-granthis'
With
the
knot in the heart pierced,
(Em F // G Bb Am)
chidyante
sarva-sams'ayâh R
and
all
the doubts cut into pieces;
(F G Am // Am Dm
F G)
ksîyante
câsya karmâni
with
the
end of his fruitive actions
(Dm Em // F Am)
drishtha
evâtmanîs'vare R
is
the
soul sure seen as the master.
(S.B.
1.2 17-21)
**
(10)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
rajas tamo ha'te tabe
pâibe nistâr R
From
passion, slowness being delivered attaining then,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
hridoyer abhadra saba
ghucibe tâhâr R
will the
heart its troubles all be removed from them.
*
(11)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
ki kore bujhâbo
kathâ bara sei câhi R
What
will clarify that message, that I'd like to know!
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
kshudra âmi dîna
hîna kono s'akti nâhi R
I'm so
insignificant, small, fallen lacking in strength.
(C Am Bb C Gm )
ki kore
bujhâbo kathâ
What
will clarify that message...
(12)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
athaca enecho prabhu
kathâ bolibâre R
nevertheless
You
brought me Lord to speak this message,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
je tomâr
icchâ prabhu koro
ei-bâre R
now
please do O Lord what You want to be done.
*
(13)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
akhila jagat-guru! bacana se
âmâr R
O Master
of all the Living You with what I say,
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
alankrita koribâr
kshamatâ tomâr R
can make
that represent so that each may well understand.
(C Am Bb C Gm )
akhila
jagat-guru!
O Master
of all the Living...
(14)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
tava kripâ ha'le
mor kathâ s'uddha habe R
by Your
grace shown will my words become pure,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
s'uniyâ
sabâra s'oka duhkha je ghucibe R
hearing
which everyone's sad misery will vanish.
*
(15)
(F Am Dm C Am Dm
Em // C Am F Dm C Am G)
âniyâcho jadi
prabhu âmâre
nâcâte R
If You
brought me here to dance Lord, so make me dance,
(Dm Gm Edim F Gm
Am E // Dm Gm Edim F Gm Am C)
nâcâo
nâcâo prabhu nâcâo
se-mate R
make me
dance, make me dance, o Lord make me dance,
(C Am Bb C Gm )
kâshthera putula jathâ nâcâo
se-mate R
just
like a wooden doll make me dance, make me dance that way.
(C Am Bb C Gm )
âniyâcho
jadi
prabhu
If You
brought me here to dance Lord...
(16)
(Em G Am F Gm Am
// C Em Dm F G Edim Dm Bb)
bhakti nâi beda
nâi nâme khub daro R
Not of
bhakti, nor of knowledge given the wrong title,
(Gm Am Bb C D
Edim C// Gm Am Bb D Dm Edim C F)
'bhaktivedânta'
nâm ebe sârthak kor R
named
Bhaktivedânta now please fulfill the real purport.
exit:
C Dm Em F
G Em Dm C
C Dm Em F G Em Dm G
Yadi
Gaura Nâ Hoito
"If Lord Gaura Had Not
Incarnated"
by Vasudeva Ghosh
Intro
Gm Adim Bb Eb F
Cm Dm Cm
Gm Adim Bb Cm Dm Cm Bb Adim
(1 - refrain)
Bb Cm Dm Eb / Gm Adim Bb Cb
yadi gaura nâ
hoito,
tabe
ki hoito,
With
Gauranga not born, what would have happened,
F Cm Dm Cm / Dm
Eb F Cm
kemone dharitâm
de R
how
would we've saved ourselves?
Gm Adim Bb Cm
râdhâr
mahimâ,
prema-rasa-sîmâ,
Râdhâ
her
glories, the best love there is,
Dm Cm Bb
jagate jânâto
ke R
who in
the world would tell us?
*
Gm Adim Bb Cm,
Dm Eb F Cm
Eb F Gn Eb, Cm F Bb
(2)
Bb Cm Dm Eb
madhura vrindâ,
vipina-mâdhurî,
lovely
Vrinda, the sweetest forest,
F Gm Dm F
praves'a câturî
sâr R
the
essence to enter there,
Eb Bb Cm F
braja-yuvati,
bhâver bhakati,
the
damsels of Vraja their mood of devotion
Gm Adim Bb / 2e:
Cm
s'akati hoito
kâr R
whose
power would lead else?
Bb Cm Dm Eb / Gm
Adim Bb Cb
yadi gaura nâ
hoito,
tabe
ki hoito,
With
Gauranga not born, what would have happened,
F Cm Dm Cm / Dm
Eb F Cm
kemone dharitâm
de R
how
would we've saved ourselves?
Gm Adim Bb Cm
râdhâr
mahimâ,
prema-rasa-sîmâ,
Râdhâ
her
glories, the best love there is,
Dm Cm Bb
jagate jânâto
ke R
who in
the world would tell us?
*
Gm Bb Cm Dm Eb F
Gm Cm
Cm F Gm Cm Dm Eb F
(3)
Bb Cm Dm Eb
gâo gâo punah,
gaurânger guna,
Sing and
sing again, Gauranga's qualities,
F Gm Dm F
sarala koriyâ man(a)
R
make the
mind simple that way.
Eb Bb Cm F
e bhava-sâgare,
emona
doyâl,
in the
ocean of this world is that kind of mercy
Gm Adim Bb / 2e:
Cm
nâ dekhiye
eka-jan(a) R
not seen
by a single soul.
Bb Cm Dm Eb / Gm
Adim Bb Cb
yadi gaura nâ
hoito,
tabe
ki hoito,
With
Gauranga not born, what would have happened,
F Cm Dm Cm / Dm
Eb F Cm
kemone dharitâm
de R
how
would we've saved ourselves?
Gm Adim Bb Cm
râdhâr
mahimâ,
prema-rasa-sîmâ,
Râdhâ
her
glories, the best love there is,
Dm Cm Bb
jagate jânâto
ke R
who in
the world would tell us?
*
Gm Adim
Bb Cm Dm Eb F Cm
Eb F Gm Eb Cm F Bb
(4)
Bb Cm Dm Eb
(âmi) gaurânga boliyâ,
nâ
genu galiyâ,
Though
chanting Gauranga, have I not melted,
F Gm Dm F
kemone dhorinu de
R
how did
I keep up this body?
Eb Bb Cm F
vâsur hiyâ,
pâshâna diyâ,
With
Vasu his heart given a stone
Gm Adim Bb / 2e:
Cm
kemone
gadiyâche R
how
could that come about?
Bb Cm Dm Eb / Gm
Adim Bb Cb
yadi gaura nâ
hoito,
tabe
ki hoito,
With
Gauranga not born, what would have happened,
F Cm Dm Cm / Dm
Eb F Cm
kemone dharitâm
de R
how
would we've saved ourselves?
Gm Adim Bb Cm
râdhâr
mahimâ,
prema-rasa-sîmâ,
Râdhâ
her
glories, the best love there is,
Dm Cm Bb
jagate jânâto
ke R
who in
the world would tell us?
Exit:
Gm Adim Bb
Eb F Cm Dm Cm
Gm Adim Bb Cm Dm Cm Bb
Mahâmantra
11
(traditional)
Intro:
(C Am Dm Em, Dm Bb Edim F Gm Dm Bb C Dm Em F G)
(1)
(C Dm Em
F G Dm G )
HARE
KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(F C F
Am G F Em)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
(2)
(Am Bdim
C Dm Em Bdim Em)
HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Dm Am Dm G Dm C
Bdim Am)
HARE RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
from the beginning (1) and than:
(3)
(Am F Gm
Edim C Gm F Dm)
HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Dm Edim
Gm Am Gm F Edim C)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
(4)
(F Dm
Edim C Am Edim Dm Bb)
HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE
(Bb C
Edim) F Edim Dm C)
HARE
RÂMA HARE RÂMA RÂMA RÂMA HARE
HARE
R
Tempo
two: from the beginning,
and then intermezzo:
Am Dm C F Gm Bb
C Am Gm Dm C Bb Dm G C F Dm
Gm Edim F Dm C Bb Edim C F Dm C F
and then from
1-4 again in tempo 3 to conclude with:
Exit:
(C Am Dm Em, Dm Bb Edim F Gm Dm Bb C Dm Em F G - G C)
S'rî
Guru-paramparâ
by S'rîla
Bhaktisiddhânta Sarasvatî Gosvâmî
Prabhupâda
Intro:
Cm Ab Ddim
Cm Fm Gm Cm (2x)
(1)
Eb Cm Gm Eb Gm
Cm Bb Fm
krishna hoite catur-mukha, hoy krishna-sevonmukha,
From
Krishna in the beginning, was the science of serving Krishna
Cm Bb Ab Gm Cm
Fm Eb
brahmâ hoite
nâradera
mati R
by
Brahmâ received and Nârada had it from him.
Gm Eb Fm Ddim Cm
Ab Cm Ddim
nârada hoite vyâsa, madhwa kohe vyâsa-dâsa,
Nârada
gave
it Vyâsa, and he to Madhv' his servant
Cm Ab Bb Eb Fm
Bb Eb
pûrnaprajña
padmanâbha
gati R
who was
the only refuge of Padmanâbha Tîrth'.
(2)
Cm Ab Bb Ddim Eb
Cm Ddim Gm
nrihari
mâdhava-bams'e, akshobhya paramahamse,
Nrihari
and also Mâdhava, then Akshobhya the great soul,
Bb Ab Gm Fm Eb
Ddim Cm
s'ishya boli'
angîkâra
kore R
was
accepted by the teacher as his pupil.
Cm Ddim Gm Eb Cm
akshobhyera s'ishya jaya-
tîrtha nâme paricaya,
His
principle disciple was known to be Jayathirta
Bb Cm Ddim Bb Cm
târa dâsye
jñânasindhu
tore R
and on
his turn he served Jñânasindhu.
(3)
Eb Ab Bb G Ddim
Cm
tâhâ hoite
dayânidhi, târa dâsa vidyânidhi,
Dayânidhi
received
it then and from him Vidyânidhi
G Fm Eb Bb Ddim
Eb
râjendra hoilo tâhâ
ha'te R
and
Râjendra followed after as the pupil next.
Ab Bb Gm Ab Bb
Cm Ddim Fm,
tâhâra kinkora jaya- dharma nâme paricaya,
His
servant was Jayadharma also known as Vijayadhvaja
Ab Bb Cm Ab Cm
Ddim Eb,
paramparâ jâno bhâlo
mate R
in this
way the succession should be understood.
Cm Fm Eb Fm Cm,
Ddim Gm Eb
Cm Eb Ddim Cm Gm
Eb Fm Ddim Cm
*
(4)
Eb Cm Gm Eb Gm
Cm Bb Fm
jayadharma-dâsye khyâti, s'rî purushottama-jati,
As the
servant of Jay'dharma, received it Purushottama,
Cm Bb Ab Gm Cm
Fm Eb
tâ ha'te
brahmanya-tîrtha
sûri R
and his
principle disciple was Subrahmanya.
Gm Eb Fm Ddim Cm
Ab Cm Ddim
vyâsatîrtha târa dâsa, lakshmîpati
vyâsa-dâsa,
with
Vyâs'tirtha his pupil followed the servant Lakshmîpati
Cm Ab Bb Eb Fm
Bb Eb
tâhâ ha'te
mâdhavendra
purî R
and his
disciple next was Mâdhavendra
(5)
Cm Ab Bb Ddim Eb
Cm Ddim Gm
mâdhavendra
purî-bara, s'ishya-bara s'rî-îs'wara,
Mâdhavendra
purî's
pupil, was Îs'vâra Purî next,
Bb Ab Gm Fm Eb
Ddim Cm
nityânanda,
s'rî-adwaita
vibhu R
as also
Nityânanda and S'rî Advaita.
Cm Ddim Gm Eb Cm
îs'wara-purîke
dhanya, korilen s'rî-caitanya,
The
master of all worlds Caitanya made Îs'var' Puri very happy
Bb Cm Ddim Bb Cm
jagad-guru gaura
mahâprabhu R
by
accepting him as His, Gaur's great master
(6)
Eb Ab Bb G Ddim
Cm
mahâprabhu
s'rî-caitanya, râdhâ-krishna nahe anya,
Caitanya
Mahâprabhu is the same as Râdhâ and Krishna,
G Fm Eb Bb Ddim
Eb
rûpânuga janera
jîvana R
the very
life of those who follow Rûpa Gosvâmî.
Ab Bb Gm Ab Bb
Cm Ddim Fm,
vis'wambhara priyankara, s'ri-swarûpa dâmodara,
Pleasing
Gaura: Vishwambâra did so Swarup dâmodara
Ab Bb Cm Ab Cm
Ddim Eb,
s'rî-goswâmî
rûpa-sanâtana R
S'rî
Rûpa
Gosvâmî and Sânatana
Gm Fm Gm Cm Ddim
Eb Fm G Ab
Eb Fm Cm Dm Eb Fm Gm Cm Bb
*
(7)
Eb Cm Gm Eb Gm
Cm Bb Fm
rûpa-priya mahâjana, jîva, raghunâtha hana,
Dear to
Rûpa the great souls, S'rî Jiva and Raghunâtha,
Cm Bb Ab Gm Cm
Fm Eb
târa priya kavi
krishnadâsa R
and his
beloved pupil next was Kavirâj.
Gm Eb Fm Ddim Cm
Ab Cm Ddim
krishnadâsa-priya-bara, narottama sevâ-para,
Kâvirâja's
intimate
friend (Lokanath, from Gadâdhara) had Narottam'
as his next
Cm Ab Bb Eb Fm
Bb Eb
jâra pada
vis'wanâtha-âs'a R
and
devoted to his feet was there Cakravartî.
(8)
Cm Ab Bb Ddim Eb
Cm Ddim Gm
vis'wanâtha-bhakta-sâtha,
baladeva
jagannâtha,
Viswanâth
instructing
bhakta Baladev' and he Jagannâth
Bb Ab Gm Fm Eb
Ddim Cm
târa priya
s'rî-bhaktivinoda R
who was
dear to Bhaktivinod Thhâkura.
Cm Ddim Gm Eb Cm
mahâ-bhâgavata-bara,
s'rî-gaurakis'ora-bara,
Gaurakis'or
was
his great and intimate friend devoted
Bb Cm Ddim Bb Cm
hari-bhajanete jâ'ra
moda R
whose
sole joy was found in hari-bhajana.
(9*)
Eb Ab Bb G Ddim
Cm
s'rî-vârshabhânavî-barâ,
sadâ
sevya-sevâ-parâ
Varsabhanavi
renown,
is always busy serving his master
G Fm Eb Bb Ddim
Eb
tâhâra dayita-dâsa-nâma R
who
is named Gaurakisora dasa
Ab Bb Gm Ab Bb
Cm Ddim Fm,
târa pradhan pracârako, s'rî-bhaktivedânta
nâmo
his
formost
Bhaktivedanta spread the message through the world
Ab Bb Cm Ab Cm
Ddim Eb,
patita-janete doyâ-dhâma R
a
reservoir of mercy compassionate for the fallen soulds.
Exit
Cm
Ab Ddim Cm Fm Gm Cm (2x)
*Because this song has been
composed by S'rî Bhaktisiddhânta Sarasvatî Thakura,
he originally has placed his name at the end of the song, as is
customarily done by Vaisnava poets. But in order to glorify S'rî
Bhaktisiddhânta Sarasvatî Thakura as well as his beloved
disciple S'rî A. C. Bhaktivedanta Swami Prabhupâda as
spiritual teachers in the preceptorial succession from S'rî
Caitanyadeva, the verse as given above has been added; it was before:
Eb Ab Bb G
Ddim Cm
îhârâ
paramahamsa, gaurângera nija-bams'a,
These
great paramahamsas are all part of Gaura's lineage,
G Fm Eb Bb Ddim
Eb
tâdera carane mama
gati R
their
holy feet are my refuge.
Ab Bb Gm Ab Bb
Cm Ddim Fm,
âmî sebâ-udâsîna, nâmete
tridandî dîna,
With no
real interest in bhakti I'm a poor, fallen tridandî
Ab Bb Cm Ab
Cm Ddim Eb,
s'rî-bhaktisiddhânta
saraswatî R
S'rî-Bhaktisiddhânta
Saraswatî
S'rî
S'rî Gaura-Nityânader dayâ (Parama
Koruna)
'The mercy of S'rî
gaura and Nityânanda'
(from
Dhâmâli)
by Locana dâsa
Thâkura
Intro
Eb Cm Fm Cm
Ab Cm Gm (2x)
1
Eb Cm Fm
Cm (Cm Ab Eb Ab)
parama koruna,
pahû
dui jana
the two
Lords supremely merciful,
Ab Cm Fm (Eb Ab
Eb)
nitâi gauracandra R
(2x)
Nitai
and Gauranga
Ab Fm (Em Ddim)
saba
avatâra- sâra
s'iromani
of all
avatâras the essence, the jewels
Eb Cm Gm (Cm Ab
Eb)
kevala ânanda-kanda R
(2x)
the
exclusive fountains of bliss
Cm Ab Fm Eb
Fm Ddim Eb Cm Ab Bb Cm
*
2
Eb Cm Fm
Cm (Cm Ab Eb Ab)
bhajo bhajo bhâi,
caitanya
nitâi
sing,
sing o brothers to Caitanya and Nitai
Ab Cm Fm (Eb Ab
Eb)
sudridha bis'wâsa kori' R
(2x)
with
firm conviction and faith
Ab Fm (Em Ddim)
vishaya châriyâ,
se
rase majiyâ,
forsaking
the
lusts in that mellow deep
Eb Cm Gm (Cm Ab
Eb)
mukhe bolo hari hari R
(2x)
let the
mouth chant Hari o Hari !
Ab Fm Gm Cm
Em Gm
Fm Ab Eb Fm Gm Cm
*
3
Eb Cm Fm
Cm (Cm Ab Eb Ab)
dekho ore bhâi,
tri-bhuvane
nâi,
Just see
dear brothers, not in the three worlds,
Ab Cm Fm (Eb Ab
Eb)
emona doyâla
dâtâ R
(2x)
are
there such givers of the mercy.
Ab Fm (Em Ddim)
pas'u pâkhî jhure,
pâsâna
vidare,
Animals
and birds weep and stones melt
Eb Cm Gm (Cm Ab
Eb)
s'uni' jâra
guna-gâthâ R
(2x)
on the
sound of their good glorified
Cm Ab Fm Eb
Fm Ddim Eb Cm Ab Bb Cm
*
4
Eb Cm Fm
Cm (Cm Ab Eb Ab)
samsâre
majiyâ,
rohili
poriyâ,
Caught
in samsâra fallen and remaining
Ab Cm Fm (Eb Ab
Eb)
se pade nahilo âs'a R
(2x)
for
their feet no aspiration
Ab Fm (Em Ddim)
âpana karama,
bhuñjâye
s'amana,
you
enjoy your own bad karma with the Lord of death
Eb Cm Gm (Cm Ab
Eb)
kahoye locana-dâsa R
(2x)
says
Locana dâsa
Exit
Eb Cm
Fm Cm Ab Cm Gm (2x)
Âjñâ
Tahal
"Patrolling On the
Lord's Command"
by S'rila Bhaktivinode Thhâkur
Intro
Gm, Fm, Eb,
Ddim, Cm
Eb Fm Bb Cm Eb Fm Bb Cm
Cm, Ddim Gm Eb Cm Ddim Bb Cmin
1.
Ab Fm Eb Cm Bb
Ab (R: Gm Fm Eb Ddim Bb Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul,
Fm Eb Cm Ab Bb
Cm (R: Fm Eb Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul,
Fm Eb Cm Fm (R:
Gm Fm Eb Bb)
patiyâche nâm-hatta
jîvera kâran R
marketed
the Name for each soul fallen down.
Ab Gm Eb Fm (R:
Ab Fm Eb Bb)
patiyâche nâm-hatta
jîvera kâran R
marketed
the Name for each soul fallen down.
Ab Eb Cm Bb Ddim
Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm Fm
Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Gm Eb F Dm, Eb Fm
Gm Ab,
F Gm Eb F, Fm Gm Ab Bb
*
2.
Ab Fm Eb Cm Bb
Ab (R: Gm Fm Eb Ddim Bb Eb)
prabhura âjñây, bhâi, mâgi ei
bhikshâ R
By the
order of Mahâprabhu I make you this request:
Fm Eb Cm Ab Bb
Cm (R: Fm Eb Cm Bb Ab Eb)
prabhura âjñây,
bhâi, mâgi ei bhikshâ R
By the
order of Mahâprabhu I make you this request:
Fm Eb Cm Fm (R:
Gm Fm Eb Bb)
bolo 'krishna,' bhajo krishna, koro
krishna-s'ikshâ R
chant
Krishna, worship Krishna do what Krishna says!
Ab Gm Eb Fm (R:
Ab Fm Eb Bb)
bolo 'krishna,' bhajo krishna, koro
krishna-s'ikshâ R
chant
Krishna, worship Krishna do what Krishna says!
-
Ab Eb Cm Bb Ddim
Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm Fm
Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Gm Eb Cm Eb Gm
Fm (R: Eb Cm Ab Gm Cm Bb)
s'raddhâvân
jan he, s'raddhâvân jan he R
marketed
the Name for each soul fallen down.
Cm Ddim Eb Fm Gm
Ab (R: Gm Fm Eb Ddim Cm Bb)
s'raddhâvân jan he,
s'raddhâvân jan he R
marketed
the Name for each soul fallen down.
Ab Eb Cm Bb Ddim
Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm Fm
Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Gm Fm Eb Fm, Gm Fm
Eb Cm Bb Cm Fm Bb
F Eb Dm Cm Bb Cm Ddim Eb Cm Ddim Eb Fm Bb Ab Bb Eb
*
3.
Ab Fm Eb Cm Bb
Ab (R: Gm Fm Eb Ddim Bb Eb)
aparâdha-s'ûnya ho'ye loho krishna-nâm R
Remain
free of offenses, care for Krishna's name
Fm Eb Cm Ab Bb
Cm (R: Fm Eb Cm Bb Ab Eb)
aparâdha-s'ûnya ho'ye
loho krishna-nâm R
Remain
free of offenses, care for Krishna's name
Fm Eb Cm Fm (R:
Gm Fm Eb Bb)
krishna mâtâ, krishna
pitâ, krishna dhana-prân R
Krishna
mother, Krishna father, Krishna's wealth your life!
Ab Gm Eb Fm (R:
Ab Fm Eb Bb)
krishna mâtâ, krishna
pitâ, krishna dhana-prân R
Krishna
mother, Krishna father, Krishna's wealth your life!
-
Ab Eb Cm Bb Ddim
Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm Fm
Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Gm Eb Cm Eb Gm
Fm (R: Eb Cm Ab Gm Cm Bb)
s'raddhâvân
jan he, s'raddhâvân jan he R
marketed
the Name for each soul fallen down.
Cm Ddim Eb Fm Gm
Ab (R: Gm Fm Eb Ddim Cm Bb)
s'raddhâvân jan he,
s'raddhâvân jan he R
marketed
the Name for each soul fallen down.
Ab Eb Cm Bb Ddim
Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm Fm
Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Adim Bb Cm Dm Eb
F Gm F Gm Cm Dm Eb F Eb F Dm
Eb Bb Cm Gm Ab Bb Cm Ddim Eb Fm Gm Ab
*
4.
Ab Fm Eb Cm Bb
Ab (R: Gm Fm Eb Ddim Bb Eb)
krishnera samsâra koro châdi' anâcâr R
For
Krishna do your duties, give up on the wrong way
Fm Eb Cm Ab Bb
Cm (R: Fm Eb Cm Bb Ab Eb)
krishnera samsâra koro
châdi' anâcâr R
For
Krishna do your duties, give up on the wrong way
Fm Eb Cm Fm (R:
Gm Fm Eb Bb)
jîve doyâ,
krishna-nâm -- sarva-dharma-sâr R
for all
souls Krishna's name, that's what's religion all about!
Ab Gm Eb Fm (R:
Ab Fm Eb Bb)
jîve doyâ,
krishna-nâm -- sarva-dharma-sâr R
for all
souls Krishna's name, that's what's religion all about!
-
Ab Eb Cm Bb Ddim
Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm Fm
Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda
mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
(1&4)
Ab Eb Bb
Cm (R 2&3: Fm Cm Gm Ab)
Hare Krishna Hare Krishna Krishna Krishna Hare Hare
(1&4)
Gm
Fm
Ddim Cm (R2&3: Fm
Cm Bb Cm)
Hare Râma Hare Râma Râma Râma Hare
Hare
R
(2x)
Fm Eb Cm Bb (R:
Ddim
Cm Ab Bb)
Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Gm Fm Eb
Ddim (R: Eb
Ddim Cm Bb)
Hare Râma Hare Râma Râma Râma Hare
Hare R
(2x)
Ab Eb Bb Cm (R:
Fm
Cm Gm Ab)
Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Gm Fm
Ddim Cm (R: Fm
Bb Cm)
Hare Râma Hare Râma Râma Râma Hare
Hare R
Cm Ddim Eb
Fm Gm Ab (R: Gm Fm Eb Ddim Cm Bb)
s'raddhâvân jan he,
s'raddhâvân jan he R
marketed
the Name for each soul fallen down.
Cm Ddim Eb
Fm Gm Ab (R: Gm Fm Eb Ddim Cm Bb)
s'raddhâvân jan he,
s'raddhâvân jan he R
marketed
the Name for each soul fallen down.
Ab Eb Cm Bb
Ddim Cm (R: Gm Eb Cm Fm Ddim Eb)
nadîyâ-godrume nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
Cm Bb Ab Gm
Fm Eb (R: Eb Ddim Cm Bb Ab Eb)
nadîyâ-godrume
nityânanda mahâjan R
in
Nadîyâ-godruma Nityânanda the great soul
-
Cm Ddim Eb
Fm
(Nitai Gaura) haribol, haribol, haribol
haribol R
Eb Fm Eb Ddim Cm
(Eb Fm Eb Ddim Cm Eb)
(Nitai Gaura) haribol, haribol, haribol
haribol R
Fm Eb Ddim
Cm
Jaya Prabhupâda, Prabhupâda,
Prabhupâda, jaya Prabhupâda
R
exit
Cm, Ddim Gm Eb
Cm Ddim Bb Cmin
Eb Fm Bb Cm
Eb Fm Bb Cm
Gm, Fm, Eb, Ddim, Cm
Chords and arrangements:
Anand Aadhar Prabhu
There is a printable doc-file of
this songbook with pictures:
http://bhagavata.org/gita/downloads/vaishnavasongbookindoc.zip
The music above can be appreciated
in Real Audio and MP3 at:
http://srimadbhagavatam.org/music/devotional.html
The Midi-scorefiles can be
downloaded from:
http://bhagavata.org/gita/downloads/vaishnavasongs.zip
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